TITLE OF THE PROJEC

Mostra Bug

WHERE

Oi Futuro do Flamengo

VISITATION

14/08/2018 – 09/09/2018

Curatorship

André Paz, Julia Salles e Arnau Gifreu

Production

[Automatica]

Luiza Mello

Mariana Schincariol de Mello

Production Assistant

Ana Pimenta

GRAPHIC PROJECT

[Dínamo]

Alexsandro Souza

ARCHITECTURAL DESIGN

[Gávea arquitetura]

Felipe Rio Branco

Alziro Carvalho Neto

INSTALLATION TEAM

[H.O Silva Produções]

Humberto Junior

LIGHT DESIGN

[Belight]

Samuel Betts

Equipments

On Projeções

VR Equipments

Thunder VR

Videos

Cria Projetos e Narrativas

PHOTOGRAPHY

Felipe Varanda

PRESS RELATIONS

Meise Halabi

Assistente de comunição COMMUNICATION ASSISTANT

Leonardo Coelho

SOCIAL MEDIA

Leonardo Coelho, Raquel Boechat e Bianca Nonato

BugLab: International Conference

Coordination

André Paz e Kátia Augusta Maciel

Organizing Committee

Inês Maciel

Julia Salles

Luciano Saramago

Ronaldo Ranzemberger

Production Committee

Arthur Moraes

Bianca Nonato

Bruna Lacerda

Christophe  Nonato

Marina Cruz

Willian Nogueira

 

 

 

 

The central focus of Mostra Bug was an immersion in the universe of new digital narratives, still little known and explored in Brazil. Under the curatorship of André Paz, Julia Salles and Arnau Grifeu, researchers and organizers of interactive projects, the show combined an exhibition with an international conference and workshops.

During the exhibition, around 50 interactive immersive narratives were presented in the form of web-documentaries, projections, interactive documentaries, 360 videos, virtual reality animations, augmented reality, sound maps and transmedia projections [projection, interaction station + cell phone].

The curators sought to offer a panorama of the principal international creative centres and the production of the Brazilian scene, with a focus on non-fiction, and adopting an anthropological approach. The works included an inventory of sounds from the historic cities of the state of Minas Gerais – a multi-platform project created by the documentary makers, Marina Thomé and Márcia Mansur.

Mostra Bug emerged from networking, research and support for new projects provided, over three years, by the laboratory Bug404 (bug404.net), in partnership with Automatica and with funding from Oi Futuro.

TITLE OF THE PROJECT 

Ciclo de exposições artísticas em Belo Jardim

WHERE

Espaço Oco e Sesc Belo Jardim

VISITATION

04/19/2018 – 06/30/2018

Artist

Carlos Mélo

Curatorship

Kiki Mazzucchelli
Cristiana Tejo

COORDINATOR

Luiza Mello

LOCAL PRODUCTION

Adauto Bacelar

ART EDUCATION TEAM

Bárbara Amorim
Josenilson da Silva Sanrtos
Vanessa Melo

EDUCATION COORDINATOR

Carlos Mélo

CONSULTING

Erlene Melo
Tarcísio de Almeida

LOCAL ARTIST ASSISTANT / COLAB

Elaine Lima

GRAPHIC PROJECT

Alex Souza | Dinamo Design

COMMUNICATION COORDINATOR / CURATORSHIP ASSISTANT

Rita Vênus

PHOTOGRAPHY

Geyson Magno

VIDEO

Heleno Florentino

Speakers/Performances

Adones Valença
Clovis Teodorico
Kleber de Oliveira
Lorane Barreto
Marcus Lontra
Suzy Okamoto

PRESS RELATIONS

Mariana Oliveira

INSTALLATION/LIGHT DESIGN

Adones Valença

Management

Leticia Libanio
Mariana Schincariol de Mello
Marisa S. Mello

Website

Bruno Gosling | New Gosling

Project and production

Automatica

Team BARRO OCO

Direction and argument

Carlos Mélo

Script

Sérgio Raposo

Production Coordination

Luiza Mello

Edition

João Paulo Reys

Director of Photography

Camilo Soares

1º Camera Assistant

Rafael Cabral

Direct sound

Guma Farias

Head of Machinery

Alex Sandro

Machinery Assistant

Dyego de Souza

Drone

Pedro Coelho

Production Assistant/Director Assistant

Renata Gamelo

Local production assistants

Adones Valença

Bárbara Amorim
Vanessa Melo

Still

Geyson Magno

Still Assistant

Vanessa Melo

Driver

Chiquinho

Additional footage

1º Camera Assistant

Raphael Malta

2º Camera Assistant

Pedro Melo

Direct sound

Rafael Travassos

Driver

Márcio Tarquínio

Soundtrack

Eduardo Albuquerque
Gledson Lamartine
Heligeison Feitosa
Leo Barbalho

Colorist

Paulo M. de Andrade

Mixing

Vinícius Leal e Jesse Marmo | Estúdio Audiorama Filmes

Special cast

Antonio
Bira
Cícera
Coquinho
Dinda
Elaine
Sebastião

With Quilombola do Barro Branco community

Adriana Maria Aleixo

Andréia Alves da Silva
Andreza Alves da Silva
Antonio José da Silva
Cícera Maria da Silva
Deivid Cordeiro da Silva
Edimilson João Aleixo
Elaine Lima do Nascimento
Erivaldo Rodrigues da Silva
Flávio Leandro de Morais Melo
Geilson de Lima
Genilson Aleixo de Lima
Jaciane Cordeiro da Silva
Jadicle Lima dos Santos
Jedielson Aleixo de Lima
José Adriano Silva de Lima
José Assis dos Santos
José Carlos Pedrosa da Silva
José Ubiraci Bernardo Gomes
Leonardo Edilson dos Santos
Maria Aparecida Siqueira
Maria Sabrina da Silva de Lima
Maria Sonia da Conceição
Maria Vitória Aleixo da Silva
Matheus Silva dos Santos
Rivanildo da Silva
Rosangela da Silva Santos
Sebastião Fernandes da Silva
Taciana da Silva Santos
Tacilene da Silva Santos
Agradecimentos
Adauto Bacelar
Cristiana Tejo
David Henrique
Erlene Melo
Flavia Melo
Geyson Magno
Kiki Mazzuccelli
Leo Barbalho
Lorane Barreto
Luiza Mello
Marcus Lontra
Mariana Moura
Renata Gamelo
Serge Huot
Sergio Raposo
Sonia Costa
Suzy Okamoto
Tarcisio Almeida

Video

The Belo Jardim Residence is an annual project organized by the Conceição Moura Institute, under the curatorship of Cristiana Tejo and Kiki Mazzucchelli, and produced by Automática. The Residency invites one artist each year to submit proposals which engage with the cultural, economic, political and social dynamics of the agreste semi-arid region of Pernambuco. In 2018, the Belo Jardim project resumed with the participation of the artist, Carlos Mélo (Riacho das Almas, PE, 1969).

The project developed by Carlos Mélo focused on the quilombola fugitive slave community of Barro Branco, and its struggle for official recognition of ownership of the territory where it has been established for years, on the outskirts of Belo Jardim. The artist’s immersion in the locale shaped the production of the medium-length film Barro Oco, produced from a sensitive perspective of the community as a generator of processes for recovering subjectivity.

In addition to the audiovisual work, the artist inaugurated the Espaço Oco, inside the Fábrica Mariola factory – a cultural space associated with the Conceição Moura Institute. During the period of the residency, the Espaço Oco functioned as a centre for promoting discussions and contact with the people of the city, stimulated by events and performances by the artist and guests.

With the aim of contextualizing the work of Carlos Mélo, an exhibition was also held at Sesc Belo Jardim. The works selected were produced over the last fifteen years, and encompassed images and themes that recur throughout the artist’s career.

Title of the project 

A Longa Noite

WHERE

Sesc Pompeia

ADRESS

R. Clélia, 93 – Água Branca, São Paulo – SP

VISITATION

04/07/2018 – 07/07/2018

Artist

Lucia Koch

Production

Luiza Mello (Automatica)

Architectural Design

Alecsander Gonçalves

Graphic Project

Julio Dui (Estúdio Mono)

Engineering, development and assembly of the vinyl filter cover

Lee de Castro e equipe (LeeOffice)

Woodwork

Leonardo Padilha (12 Polegadas)

Light Design 

André Boll (Santa Luz)

 

 

The installation “A Longa Noite” – “The Long Night”, by the artist Lucia Koch, was staged at the Sesc Pompeia between April 7th and July 8th 2018. Conceived specifically to occupy the hall of the theatre, the intervention responds to the architecture of the building and proposes a temporary transformation of the space. A copper-coloured filter covers the enormous glass ceiling of the space, saturating it with a constant violet light that affects our experience of time and space.

According to Lucia Koch: “night is the place of anxiety and anticipation. We are only able to endure the night because we anticipate the arrival of the day; similarly, we spend the day awaiting nightfall. If the colour of the light does not change, we remain stuck in a state of suspense.”

The artist also introduces hundreds of wooden poles into the space, similar to the structural elements used in the architecture of Lina Bo Bardi. Arranged in apparent disorder, as if awaiting definitive disposal, the poles are painted red, the colour that most stands out against the filter. For its inauguration, she invited the audience to wear red clothes.

TITLE OF THE PROJECT
Entre Construção e Apropriação — Antonio Dias, Geraldo de Barros e Rubens Gerchman in the 1960s

WHERE
Sesc Pinheiros

ADRESS
R. Paes Leme, 195 — Pinheiros, São Paulo – SP

VISITATION
04/06/2018 – 06/03/2018

CURATOR
João Bandeira

ASSISTANT CURATOR
Ana Roman

PRODUCTION
Automatica
Luiza Mello
Mariana Schincariol de Mello

PRODUCTION INTERN
Ana Pimenta

EXPOGRAPHY PROJECT
Ricardo Amado e Beatriz Matuck

LIGHT DESIGN
André Boll

GRAPHIC PROJECT AND VISUAL COMMUNICATION DESIGN
Celso Longo + Daniel Trench
Luisa Prata [assistente]

RESEARCH
Lara Casares Rivetti

PROOFREADING
Duda Costa e Marca-Texto Editorial

EDUCATION PROGRAM
Dialogum Projetos Culturais Carlos Negrini

INSTALLATION TEAM
Superarte Produtora
Alexandre Cruz
André Cruz
Eurides Corcini
Lucas Corcini

PRESS RELATIONS
Pool de Comunicação

TRANSPORT
Vanguardian Transportes Especializados

SPECIAL THANKS TO
Adolfo A. Leirner, Alfredo Setubal, Antonio Dias, Clara Gerchman, Elaine Ramos, Evandro Teixeira, Fabiana de Barros, Fabio Cimino, Fulvia Leirner, Gustavo Rebello, Heitor Martins e Fernanda Feitosa, João Avelar, João Sattamini, Lenora de Barros, Licia Viola, Luciana Brito, Orandi Momesso, Luis Antonio de Almeida Braga, Luiz Buarque de Holanda, Marcio Gobbi, Marco Antonio Amaral Rezende, Marta Fadel, Paola Chieregato, Patricia Lee, Patrícia e Waltercio Caldas, Paula Marinho, Paulo Kuczynski, Rara Dias e Verônica Gerchman.

“Entre Construção e Apropriação — Antonio Dias, Geraldo de Barros and Rubens Gerchman in the 1960s”,was held at Sesc Pinheiros under the curatorship of João Bandeira. With free entry, the exhibition brought together 60 works by the three artists, conceived between the years 1960 and 1967.

The premise of the project emerged from shared aesthetic aspects and social implications in the works of Dias, Barros and Gerchman produced during this period. Under the pressure generated by the turbulent political context of those years — just before the military coup of 1964 and exacerbated by the repression unleashed by the new government — an intense response in the artistic world included major solo shows and collective events, such as the Nova Objetividade Brasileira — New Brazilian Objectivity — (at the Museum of Modern Art at Rio de Janeiro, in 1967), which provided an outlet for a renewed appetite for experimentation.

“Making use of the recent constructive legacy and simultaneously appropriating new processes and questions on the agenda at that time, Antonio Dias, Geraldo de Barros and Rubens Gerchman established a poetics with highly specific characteristics. But which, nevertheless, can be approximated in detail, thanks to the skill with which they deal, in their works, with some of the main forces at work in the field of art in the 1960s, and which, though not always in a wholly integrated manner, inform a significant portion of the work which demanded the creation of a new artistic vanguard in Brazil”, observes the curator, João Bandeira.

TITLE OF PROJECT
Dreaming Awake

WHERE
Marres, Maastricht

VISITATION
03/10/2018 – 06/03/2018

CURATORS
Luiza Mello
Valentijn Byvanck

ARTISTS
Luiz Zerbini
Daniel Steegmann Mangrané
Dominique Gonzalez-Foester

PRODUCTION
Torsten Uerlings

BOOK DESIGN
João Doria

BUILDING INSTALLATION TEAM
Tymen Dekker
Looy Driesser
Jeroen Evertz
Ralf Nevels
Niklas van Woerden

GARDEN INSTALLATION TEAM
Robin Lock
Irene Walraven

PROMENADE 2/INSTALLATION TEAM
Martial Garfione
Milo Kusmic | 2K communicatie

SPIRAL FOREST/INSTALLATION TEAM
Roman Soroko | Eidotech

PROJECT COLLABORATORS
Yasmin Assade
Geralda Januário
Paulo Januário

PHOTOGRAPHY
Rob van Hoorn
Gert Jan van Rooij

SPECIAL THANKS TO
Automatica
Bill Bowen
Frederico Coelho
Drukkerij Tielen
Natacha Fink
Sebastiaan Hanekroot
Hexspoor
Ayumi Higuchi
Eduardo Kohn
Jorn Konijn
Mariana Mello
Marisa Mello
Jonas Ohlsson
Helena and John Plummer
Gladys Schincariol
Alexsandro Souza | Dinamo design
UNICUM
Hans Vissers
Stichting de Vrolijkheid
Team Marres

Video

The exhibition Dreaming Awake presented a tropical forest in layers. The humidity, the heat, the sounds and a breath-taking multiplicity of species from the Amazon rainforest are invasive forms where the landscape imposes itself on us. Once inside, there is no way to escape. The pressure of the environment is so powerful and hypnotic that it leaves us in a dream-like state.

The project was developed by the curator, Luiza Mello, and the director of Marres, Valentijn Byvanck, in partnership with the artists Dominique Gonzalez-Foerster, Daniel Steegmann Mangrané and Luiz Zerbini.

Luiz Zerbini transformed the groundfloor of the Marres into an immersive environment with real plants. Natureza espiritual da realidade — The Spiritual Nature of Reality — , is an almost living picture where we are touched by the humidity, the heat, the smell of the damp earth and decomposing leaves, and where we marvel at the multiplicity of colours and forms carefully positioned in the space by the artist.

On mounting the stairs, the visitor comes face to face with new layers of this dreamed forest. In Promenade 2, the French artist Dominique Gonzalez-Foerster invites us to tune out of the external world and experience the sound of a tropical storm. The space is empty; the architecture dissolves so that our attention focuses fully on the sonic environment.

Daniel Steegmann Mangrané presents the film Spiral Forest, where a camera rotates through the Atlantic Rainforest creating interconnected movements. The spectator’s body revolves around this continuous spiral and is projected inside the forest, entering into the flow of the image in the moment. The second work, Phantom, is a virtual reality environment where visitors enter and wander through a forest scanned in black and white, using an Oculus Rift.

The exhibition Dreaming Awake was held at Marres, Maastricht, Netherlands, between March 10th and June 3rd 2018.

TITLE OF PROJECT
DIGI – Festival de Cultura Digital

WHERE
CCBB Rio de Janeiro

ADRESS
R. Primeiro de Março – Centro, Rio de Janeiro

VISITATION
01/18/2018 – 01/20/2018

From 9am to 9pm

PRODUCTION
Automatica

CURARTOSHIP
Arthur Protasio e Henrique Granado

COORDINATION
Eva Doris Rosental

CONSULTING
Heloisa Buarque de Hollanda

GRAPHIC PROJECT
Dínamo Design

RESEARCHING (DIGI CUBE)
Isabella Alvarez [Automatica Edições]

PRESS RELATIONS
Meise Halabi

DIGITAL MEDIA
14 agência de conteúdo estratégico

SCENOGRAPHY
Cenografia.net

LIGHT DESIGN
BLight

AUDIOVISUAL
On Projeções

SOUND
Boca no Trombone

MONITORS COORDINATION
Diogo Fernandes

MONITORS
Amilton Folly, Ana Portocarrero , Anne Juliette, Ariel Carolina Mendonça, Caio Passos, Carol Cañellas, Clarissa Bernardo, Douglas Cunha, Eduardo Teixeira, Giovanna Dalforte, Isabella Alvarez, Jéssica Oggioni, Joyce Elisa , Karen de Moura, Larissa Marinho, Leandro Gonçalo, Letícia Linhares, Marco Antônio, Matheus Vieira, Mikey Vieira, Pedro Camelo, Raquel Cardoso, Renato Russo, Stênio Nóbrega, Taís Turaça, Vinícius dos Santos, Virgínia Adler, Wender Roberto

SPECIAL THANKS
Abragames, Akom Studio, Ana Paula D’Arievilo, Álvaro Piquet Pessoa, Gustavo Klein, RING, Théo Buarque de Hollanda, Virtopia, Voxels. To everyone who contributed by sending content.

DIGI is a festival of entertainment and reflection built around five pillars: video, audio, games, virtual reality and literature. It was held in the Banco do Brasil Cultural Centre in Rio de Janeiro, on January 18th, 19th and 20th, 2018.

Under the general coordination of Eva Doris Rosental, consultancy of Heloisa Buarque de Hollanda and the curatorship of Arthur Protasio (creative director of Fableware Narrative Design) and Henrique Granado (chairman of Jedi Rio), the trans-media event is wide-ranging both in the number of its platforms and its content.

The curatorial focus on Brazilian digital production was reflected in a program where 90% of the attractions were home-grown, including 32 games, 74 videos (about black consciousness, gender and diversity, short films and web series, vlogs and fan-films). There were also 12 debates/lectures, talk shows and shows by Preta-Rara (a rapper, art-educator and creator of the web series “Nossa Voz Ecoa” — “Our Voice Echoes”), the orchestra Ritornello de Jedi (with a repertoire of soundtracks of video game, series and cartoons, for strings and voices) and by the band The Screeners, who present rock versions of the soundtracks of series, games and films.

TITLE OF PROJECT
Diálogos Ausentes | Mostra

WHERE
Galpão Bela Maré

ADRESS
Rua Bittencourt Sampaio, 169, Maré, Rio de Janeiro/RJ

VISITATION
09/30/2017 – 12/10/2017

CONCEPTION AND REALIZATION
Itaú Cultural

CURATORS
Rosana Paulino e Diane Lima

EXPOGRAPHY PROJECT
Henrique Idoeta Soares

DIRECTION
Observatório de Favelas
(Jailson de Souza e Silva, Jorge Luiz Barbosa, Eduardo Alves, Elionalva Sousa Silva, Raquel Willadino Braga e Isabela Souza)

PRODUCTION
Automatica
Luiza Mello
Mariana Schincariol de Mello
Marisa S. Mello

COORDINATION GALPÃO BELA MARÉ
Alexandre Silva

DIGITAL COMMUNICATION
Observatório de Favelas
Agência Diálogos

PRESS RELATIONS
Observatório de Favelas
PiA? Garcia, Priscila Rodrigues e Quitta Pinheiro

EDUCATION PROGRAM
Carolina Aleixo, Jean Carlos Azuos e Michelle Barros

MOBILIZATION
Alessandra Pinheiro

CONSULTING
Janis Clémen

COORDINATION
Letícia Souza

PHOTOGRAPHY
Bira e Francisco Valdean

CARETAKER
Luiz Gonzaga dos Santos

CLEANING
Marcia da Silva Pereira

The show Diálogos Ausentes (Absent Dialogues), at the Galpão Bela Maré, in Rio de Janeiro, brought together works by 17 creators and groups which portray the multiple facets of black experiences in Brazil, comprising paintings, installations, photo shoots, short films and records of theatre performances and shows. The project is an initiative of Itaú Cultural, and its pre-production phase included a series of debates about the presence of black people in Brazilian art.

Under the curatorship of Diane Lima and Rosana Paulino, the exhibition presented contemporary works by the artists Aline Motta; André Novais Oliveira; Ângelo Flávio; Capulanas Cia de Arte Negra; Dalton Paula; Eneida Sanches; Eustáquio Neves; Fernanda Júlia; Gessica Justino; Herberth Sobral; Juliana Vicente; Larissa Fulana de Tal; NEGR.A Coletivo de Negras Autoras; Renato Felinto; Sérgio Adriano H; Viviane Ferreira; and Yasmin Thainá.

According to the curator Rosana Paulino, DiA?logos Ausentes can play an important role (…) regarding the paltry number of works of art produced by Afro-descendents accepted by cultural circuits, and also in reflecting on their use as a tool for discussing the problems faced by this sector of the population and the means for overcoming such obstacles.

TITLE OF PROJECT
Artesania Fotográfica

VISITATION

08/01/2017 – 09/22/2017

WHERE
Espaço Cultural BNDES
ADDRESS
Av. República do Chile, 100 – Centro, Rio de Janeiro – RJ, 20031-170

CURARTOSHIP
Marcia Mello

ARTISTS
Francisco Moreira da Costa
Cris Bierrenbach
Roger Sassaki
Ailton Silva
Mauro Fainguelernt
Ricardo Hantzchel
Tiago Moraes
Regina Alvarez

PRODUCTION
Automatica
Luiza Mello
Mariana Schincariol de Mello

PRODUCTION’S ASSISTANT
Leticia Libanio

PRODUCTION’S SUPORT
Paulino Costa Neto

MANAGER
Marisa S. Mello

GRAPHIC DESIGN
Dínamo
Alexsandro Souza

SCENE SETS
H. O. Silva Produções
Humberto Junior

LIGHTING
BeLight
Samuel Betts

ASSEMBLY
Ivar Rocha
Ivonne Villamil

PROOFREADING
Duda Costa

TRANSLATION
Christopher Burden

PRESS CONSULTANTS
Meise Halabi

ACKNOWLEDGMENTS
Antonio Saggese
Fabian Alvarez
Marian Wolff Starosta
Villa Sophia

SUPPORT
Audi Magazine
Trip Editora
Museu de Arte do Rio

Conceived specially for the BNDES Cultural Space, Artesania Fotográfica presents the results of the research of seven Brazilian contemporary photographers, who opted to use alternative processes of image printing: daguerreotype, ambrotipia, platinum, cyanotype, albumin and calotype, techniques used from 1839 and practiced until the beginning of the 20th century by amateur and professional photographers.

The curator Marcia Mello chose works with a more classical language and also bring current issues of Francisco Moreira da Costa, Cris Bierrenbach, Roger Sassaki, Ailton Silva, Mauro Fainguelernt, Ricardo Hantzchel and Tiago Moraes.

The photographer Regina Alvarez (Rio de Janeiro, 1948-2007), pioneer in the use of alternative techniques of photography production and printing in Brazil, is being honored with presentation of documents, personal notes and works of her own.

PROJECT TITTLE
Quase pinturas

CURATORSHIP
Agnaldo Farias

ARTIST
Fabio Cardoso

PLACE
Caixa Cultural Rio de Janeiro

ADRESS
Rua Almirante Barroso, 25

VISITATION
27/05/17 a 23/07/17

PRODUÇÃO LOCAL
Automatica

DESIGN
Gisela Domschke
Ally Fukumoto

LIGHTING PROJECT
Samuel Betts Blight

ASSEMBLING
André Renauld
Ivar Rocha

PRESS RELATIONS
Meise Halabi

VIDEOS

From May 27th to July 23rd2017, Caixa Cultural Rio is staging the exhibition Quase pinturas, by the artist Fabio Cardoso. The exhibition comprises a series of 13 figurative oil paintings, bearing the same name, never before seen in Rio. Curated by the art critic Agnaldo Frias.

In creating these works, Fabio Cardoso starts out with a canvas covered in black paint; he then removes the paint to reveal scenes registered with a cell-phone camera. Finally, the artist places a thin layer of transparent or coloured oil paint over the canvas, that suggests a stain – a fine coat of paint applied to the painting, revealing the ink underneath –  conferring a unique luminosity on the works.

The act of removing ink from the canvas to create this series renders it similar to the sculptural process, with the raw material being sculpted to reveal the forms. Hence the title, Quase pinturas (Almost Paintings)

PROJECT TITLE
Travessias 5 – Emergência

CURARTOSHIP
Moacir dos Anjos

ARTISTS
Bárbara Wagner e Benjamin de Burca
Clara Ianni
Daniel Lima
Gustavo Speridião
Jaime Lauriano
Jota Mombaça
Lais Myrrha
Lourival Cuquinha
Mariana Lacerda e Pedro Marques
Marilá Dardot
Paulo Nazareth
Regina Parra
Rosana Palazyan
Thiago Martins de Melo

PLACE
Galpão Bela Maré

VISITATION
06/05/17 a 08/07/17

REALIZATION
Observatório de Favelas, Automatica e Rua Arquitetos

PRODUCTION
Automatica
Luiza Mello
Mariana Schincariol de Mello
Marisa S. Mello

DESIGN
Quinta-feira

DIRECTION
OBSERVATÓRIO DE FAVELAS
Jailson de Souza e Silva
Jorge Luiz Barbosa
Eduardo Alves
Elionalva Sousa Silva
Raquel Willadino Braga

PRODUCTION BELA MARÉ
Alexandre Silva

PRODUCTION OF MOBILIZATION
Geisa Lino

ARCHITETURE
Rua Arquitetos
Pedro Évora
Olivia Vigneron

GRAPHIC DESIGN
Quinta-feira

DIGITAL MEDIA
Observatório de Favelas (Agência Diálogos)

PRESS
Observatório de Favelas
Piê Garcia
Priscila Rodrigues

MOBILIZATION
Redes da Maré
Eliana Sousa Silva
Alberto Aleixo

EDUCATIVE PROGRAM COORDINATION
Janis Clémen

EDUCATORS
Letícia Souza
Michelle Barros
Daniel Remilik
Jean Carlos Azuos

COBERTURA FOTOGRÁFICA
Observatório de Favelas (Agência Diálogos)
Douglas Lopes
Gabriela Carrera

AUDIOVISUAL
Observatório de Favelas (Agência Diálogos)

LIGHT DESIGN
BLight
Samuel Betts

CARETAKER
Luiz Gonzaga dos Santos

CLEANING
Marcia da Silva Pereira

VIDEOS

The fifth edition of the exhibition Travessias (Crossings), open to the public from May 6th to July 8th 2017, was curated by Moacir dos Anjos and presents work by 16 artists. Travessias is an initiative of the Observatório de Favelas and the producer Automatica, in collaboration with Rua Arquitetos and Redes de Desenvolvimento da Maré. The aim of the project is to stage an exhibition on contemporary art exhibition in the Maré favela complex, annually, together with talks, workshops and educational activities. The crossing that the project proposes extends beyond the geographical dimension that its title and location suggest, and also refers to the scale and diversity of the dialogue that art can have with society.

Under the title EMERGÊNCIA (Emergency), the exhibition makes reference both to the urgency of the times we are living in and the emergence of images and gestures that confront the regressive social forces that persist in Brazil today.

EMERGÊNCIA comprises work produced by 16 artists from different backgrounds and present in a variety of media. These are: Bárbara Wagner and Benjamin de Burca, Clara Ianni, Daniel Lima, Gustavo Speridião, Jaime Lauriano, Jota Mombaça, Lais Myrrha, Lourival Cuquinha, Mariana Lacerda and Pedro Marques, Marilá Dardot, Paulo Nazareth, Regina Parra, Rosana Palazyan and Thiago Martins de Melo. In formulating answers to the urgent issues arising in Brazil, the works of these artists play their part in creating more critical and inclusive modes of representing contemporary Brazil.

Project tittle

Ciclo de exposições artísticas em Belo Jardim

Curatorship

Kiki Mazzucchelli
Cristiana Tejo

Artist

Marcelo Silveira

Place

Belo Jardim

Visiting information

03/20/2017 – 05/19/2017

Executive production

Automatica
Luiza Mello
Mariana Schincariol de Mello

Manager

Marisa S. Mello

Design

Priscila Gonzaga

Artist assistant

Barbara Amorim
Ana
Aline
Monica Silveira

Press relations

Mariana Olveira

Videos

João Lucas Melo / Jacaré VídeoLocal production and curator assistant

André Vieira

Art educators

Antônio Wellington
Martha Ferreira
Vanessa Melo
Pierre Tenório

Photography

Bernardo Teshima

VIDEOS

On March 20th 2017, the Residência Belojardim project began, in the city of Belo Jardim, 180 km from Recife. With the curatorship of Cristiana Tejo and Kiki Mazzucchelli, it begins with a two month residence by the artist Marcelo Silveira in the town. The general idea is to bring contemporary artists to Belo Jardim, to encourage contact between local people and the visual arts.

Residência Belojardim is a long-term project that seeks to prompt discussions about the sociocultural meaning of the term northeast and the region’s art legacy today, based on an in-situ experience in the city of Belo Jardim. Each year, an artist will be invited to live in the city for a period of two months, and develop specially commissioned projects for the local context. The Residência Belojardim project also provides for the holding of a series of parallel events that will be developed in close dialogue with the proposals of the resident artists, which may include talks, performances, film showings, workshops and other activities.

During his stay in the city, Marcelo Silveira has presented eight works, focusing on a different one each week. The artist has transformed the old candy factory, Mariola, into his studio, and here he holdslunch meetings with different groups from the city . The idea is that the work of the week, its artistic philosophy andreflections can shape the conversation: “It’s at the table that the best conversations take place, hence our proposal to bring people together around it. The focus is not on the food, which is an secondary element of the process” he explains. The Belo Jardim studio was opened up to welcome those interested in engaging in dialogue. Silveira has a particular concern with the need to develop pacts, exchanges and conversations. The artist intends to cast a sensitive eye over the city, finding beauty and aesthetic pleasure in places and practices that perhaps pass unnoticed in its day-to-day life.