PROJECT TITLE
Limitless
CURADOR
Felipe Scovino
ARTISTS
Amalia Giacomini
Artur Lescher
Eduardo Coimbra
WHERE
Galeria BNDES
ADRESS
Av. Chile, 100
Centro, Rio de Janeiro
VISITATION
14/12/16 – 03/02/17
De segunda a sexta, das 10 às 19h
Entrada franca
PRODUCTION
Automatica
PRODUCTION COORDINATION
Luiza Mello
Mariana Schincariol de Mello
PROJECT MANAGMENT
Marisa S. Mello
GRAPHIC DESIGN
Dínamo
LIGHT DESIGN
Blight
SCENOGRAPHY
HO Produções e Eventos
SET UP
Andre Renaud
José Claudio dos Santos
José Roberto da Silva Filho
Juscelino Bastos V. de Lima
Thiago de Souza Hortala
PROOFREADER
Duda Costa
ENGLISH TRANSLATION
John Norman
PRESS RELATIONS
Pauta Positiva
EDUCATORS
Daniel Remelik
Jean Carlos dos Santos
Letícia Pereira de Souza
PHOTOGRAPHY
Mario Grisolli
Conceived especially for the Galeria do Espaço Cultural BNDES (BNDES Cultural Space Gallery), in a building considered to be one of the landmarks of Rio architecture of the second half of the 20 th century, Limitless is curated by Felipe Scovino and includes works by Amalia Giacomini, Eduardo Coimbra and Artur Lescher. Based on the curator and artists relationship with the space, a landscape is invented, a place is revealed and a reality emerges.
The relationship between the urbanity of the bank building, a vertical structure that has taken over and occupies its space in the centre of the city, and the lack of connection between the gallery, and the landscape and its surroundings – even while it forms an integral part of them – were the points of departure for the conception of the exhibition.
“Based on two central disciplines – architecture and landscape – which are intimately linked to contemporary art, the three artists have created the idea of an invented landscape or the appearance of a place”, explains Scovino. “Somehow, like architects lacking precision, they have brought a limitless landscape within the white cube, the sacred space of the gallery”.
PROJECT TITLE
Garagem Automática
ARTIST
Felipe Russo
WHERE
Museu da Cidade de São Paulo / Casa da Imagem
ADRESS
Rua Roberto Simonsen, 136-B, São Paulo
VISITATION
09/07/16 – 16/10/16
De terça a domingo, das 12 às 19h
Entrada franca
PRODUCTION
Automatica
PRODUCTION COORDINATION
Mariana Schincariol de Mello
PROJECT MANAGEMENT
Marisa S. Mello
TEXT
Abilio Diniz Guerra
PROOFREADER
Duda Costa
TRANSLATE
John Norman
DESIGN
Marise De Chirico
PHOTO PRESS
Giclê Fine Art Print
PRESS RELATIONS
Vicente Negrão Assessoria
FRAMES
Somar
SET UP
Manuseio
EDUCATION PROGRAM
Heloiza Soler,
Júlia Savaglia Anversa,
Gabriela Goelzer Bacelar
JOVEM MONITOR
CULTURAL PROGRAM
Jordi Ximenes,
Kathy Carvalho,
Larissa Vieira,
Michel Santos e Paula Talib Assad
ARTEDUCAÇÃO PRODUCTIONS
Rodrigo Monteiro,
Anderson Barbosa,
André Rosa,
Camilla Zarbinati,
Gabriel Castro,
Marcella Custodio e
Rinah Souto
TRAINEE
Jaqueline Dias
The problem of parking in the centre of São Paulo has existed since the 1940s. Between 1960 and 1980, 35 car parks, with mechanized parking, were built in the city. The largest, with over 600 parking spaces and up to 38 levels, are among the tallest in the world. Despite the migration of investment to new areas, with a total fleet of 7 million vehicles, the car parks remain in the historical centre as urban resources of great utility. The research carried out by Felipe Russo in recent years reveals the mysterious and inaccessible interior of these constructions, until then only known from their raw, phantasmagorical exteriors.
The exhibition, Garagem Automática (Automatic Car Park), presents, in novel form, a study of this urban typology, conducted in São Paulo. The 25 photographs taken in 4×5 format which comprise the exhibition, enable visitors to discover the intimate interiors of these buildings, which remain inaccessible to users.
PROJECT TITLE
Atlas fotográfico da cidade de São Paulo e seus arredores
ARTIST
Tuca Vieira
WHERE
Museu da Cidade de São Paulo / Casa da Imagem
ADRESS
Rua Roberto Simonsen, 136-B, Sé, São Paulo
VISITATION
- 09/07/16 – 16/10/16
- De terça a domingo,
- das 12 às 19h
- Entrada franca
PRODUCTION
Automatica
PRODUCTION COORDINATION
Mariana Schincariol de Mello
PROJECT MANAGEMENT
Marisa S. Mello
TEXT
Abilio Diniz Guerra
PROOFREADER
Duda Costa
TRANSLATE
John Norman
DESIGN
Marise De Chirico
PHOTO PRESS
Giclê Fine Art Print
PRESS RELATIONS
Vicente Negrão Assessoria
MOLDURA
Somar
SET UP
Manuseio
EDUCATION PROGRAM
- Heloiza Soler
- Júlia Savaglia Anversa
- Gabriela Goelzer Bacelar
JOVEM MONITOR CULTURAL PROGRAM
- Jordi Ximenes,
- Kathy Carvalho,
- Larissa Vieira,
- Michel Santos e
- Paula Talib Assad
ARTEDUCAÇÃO PRODUCTIONS
- Rodrigo Monteiro,
- Anderson Barbosa,
- André Rosa,
- Camilla Zarbinati,
- Gabriel Castro,
- Marcella Custodio e
- Rinah Souto
TRAINEE
Jaqueline Dias
In recent years, the photographer Tuca Vieira has dedicated himself to international projects of urban documentation. The exhibition, Atlas fotográfico da cidade de São Paulo e seus arredores (Photographic Atlas of São Paulo and its Suburbs) presents records of the city in its full extent, dividing it into 203 quadrants similar to those used in the former Guia 4 Rodas de São Paulo street guide. Since 2015, Vieira has travelled around the city and taken photographs in 4×5” format in each of these geographical divisions. This strategy has allowed him to create a representation of the metropolitan region through samples, uninfluenced by the photographer’s personal preferences. Of the discussions that the project provokes, we highlight the creation of a methodology to represent a vast territory, authorship and innovation in photographic projects, mobility in the metropolis, as well as issues such as the urban development of the city and antecedent projects, like that of Militão Augusto de Azevedo, a photographer from the 19th century, whose work the museum keeps in its collection.
PROJECT TITLE
Atletas de Corpo e Alma
ARTIST
Gustavo Malheiros
WHERE
Centro Cultural da Justiça Federal
ADRESS
Av. Rio Branco, 241 Centro, Rio de Janeiro
VISITATION
- 06/07/2016 – 28/08/2016
- Terça a Domingo 12 às 19h
- Entrada franca
REALIZATION
Arte e Ensaio GM
PROJECT CONCEPTION
Gustavo Malheiros
CURATOR
Milton Guran
PROJECT
ArteEnsaio
PRODUCTION
Automatica
ATHLETS PRODUCTION
- Gabriela Lima
- Clara Castro
PROJECT MANAGMENT
- ArteEnsaio
- Silvana Monteiro de Carvalho
- Paula Feres Paixão
- Maria Duprat
GRAPHIC DESIGN EXHIBITION PROJECT
Dínamo | Alexsandro Souza
IMAGE ADJUSTMENT
- ArteEnsaio
- Gilherme Costa
- Pato Vargas
PRINTING
Estúdio Lupa
FRAME
Enquadre
PRESS RELATIONS
- Fleishmanhillard Brasil
- Renata Jordão
PHOTO ASSISTANTS
- Diego Patury Subtzki
- Fernando Cazaes
- Pedro Ivo Freitas
- Rebeca Dourado
A member of the official programme of FotoRio 2016, Gustavo Malheiros’s exhibition, Atletas de corpo e alma (Athletes of Body and Soul), curated by Milton Guran, presents around 60 photographs of athletes and para-athletes from different sporting events.
PROJECT TITTLE
Things That Fit in My Hand
PLACE
MAM RJ
ADRESS
Avenida Infante Dom Henrique, 85,
Parque do Flamengo, Rio de Janeiro
VISITATION
05/21/2016 – 06/03/2016
PRODUCTION
Automatica
Luiza Mello
LIGHTING
Blight
CENOGRAPHY
HO Produções e Eventos
In his History of Eternity, Jorge Luis Borges said in Plato’s Timaeus, we read that time is an moving image of eternity; and that it is just a chord that distracts no one from the conviction that eternity is an image made from the substance of time. This image, this coarse word enriched by human discord, is what I propose to historicize. Gabriela Machado, in the exhibition Things that fit in my hand produces herown narrative about time. A non-linear time, composed of labyrinths and sculpted by hands. The result of 3 years work, the sculptures in this exhibition show the result of a formalization of the passing of time and how it can be represented based on a perception of space.
PROJECT TITTLE
Barrão – Out of here
ARTIST
Barrão
WHERE
Casa França-Brasil
ADRESS
Rua Visconde de Itaboraí, 78 Centro, Rio de Janeiro
VISITATION
- 09/10 – 15/11/2015
- Tuesday to Sunday 10am – 8pm
- Free entrance
VISITAÇÃO
- 09/10 – 15/11/2015
- Terça a Domingo 10 às 20h
- Entrada franca
PRODUCTION COORDINATION
Luiza Mello
PRODUCTION
- Ana Paula Vulcão
- Arthur Moura
TEXT
Felipe Scovino
ARTIST’S ASSISTANTS
- Bruno Bellini
- Osiel Magalhães
FIBER SCULPTURES
Gabriel Barros
WOODWORK
Leonardo Padilha | DozePolegadas
PHOTOGRAPH
Francisco de Souza
CASA FRANÇA-BRASIL
GENERAL COORDINATION
Jeanine Toledo
PRODUCTION
Lívia Ferraz
EDUCATIONAL PROGRAM – RESEARCH COORDINATION
Cristina de Pádula
ADMINISTRATIVE MANAGER
Marcos Braga
ADMINISTRATION
- Fabiana Oliveira
- Selma Fraiman
MAINTENANCE
- José Rosa Pires
- Valdeci Costa Lima
- Victor Ferreira
This exhibition heralds a new phase in Barrão’s output. The plurality of colors in his previous work has given way to a monochrome, and two new materials are investigated: resin and plaster. The work has taken on a more sober feel, which ties in with our current moment. This statement makes more sense if we recall that this was once a customs building, and therefore the port of entry for immigrants. The artist has installed a stall and other islands, which articulate different territories inside the Casa França-Brasil space. How can such diverse forms, desires, origins, and histories occupy the same space? Somewhere between a place of passage and a makeshift shelter, this territory/customs building has encountered in the artist’s objects a (utopian) metaphor for the world: in his inventive capacity to ally different forms that, separately, would be completely incompatible, like a jigsaw puzzle, these pieces fit together, share the same terrain, find their counterparts, and make sense. Ultimately, if we were to shift these procedures to a political world view, all social and political differences would be in better balance.
Felipe Scovino
PROJECT TITLE
Travessias 4 – Arte Contemporânea na Maré
ARTISTS
- Eduardo Coimbra
- Regina Silveira
- Marie Carangi
- Henrique Gomes
WHERE
Galpão Bela Maré
ADRESS
Rua Bittencourt Sampaio, 169, entre as passarelas 9 e 10 da Av. Brasil, Maré – Rio de Janeiro
VISITATION
- 09/12 – 11/14/2015
- Tuesday to Saturday 10am – 5pm
- Free Entrance
REALIZATION
- Observatório de Favelas
- Automatica
- Rua Arquitetos
DIRECTION
- Observatório de Favelas |
- Jailson de Souza e Silva
- Jorge Luis Barbosa
- Eduardo Alves
- Elionalva Sousa Silva
- Erasmo Carlos de O. Castro
- Raquel Willadino Braga
PRODUCTION AND MANAGEMENT
Automatica
PRODUCTION COORDENATION
- Luiza Mello
- Mariana Schincariol de Mello
MANAGEMENT
Marisa S. Mello
PRODUCTION
- Ana Paula Vulcão
- Leticia Libanio
GALPÃO BELA MARÉ ’S PRODUCTION
- Mariluci Nascimento
- Geisa Lino
- Alexandre Silva
ARCHITECTURE
- Rua Arquitetos |
- Pedro Évora
- Fabiano Pires
CONTENT ADVISORY
Gabriela Moulin
DESIGN
Quinta-feira
EDUCATIVE PROGRAM
COORDENATION
Janis Clémen
COORDENATION ASSISTANT
Letícia Souza
EDUCATORS
- Cami Carrello
- Carolina Aleixo
- Daniel Remilik
- David Alfredo
- Nívea Santana
- Renata Sampaio
MOBILIZATION
- Redes de Desenvolvimento da Maré
- Eliana Sousa e Silva
- Carlos Cunha
- Loran Santos
MOBILIZATION COORDENATION
Alberto Aleixo
PRESS OFFICE
- Observatório de Favelas
- Silvana Bahia
- Piê Garcia
DIGITAL MEDIA
- Observatório de Favelas (Agência Diálogos)
- 14
PHOTOGRAPH
- Observatório de Favelas (Agência Diálogos)
- Douglas Lopes
- Gabriela Carrera
AUDIOVISUAL
- Observatório de Favelas (Agência Diálogos)
- 14
LIGHTING
BLight
CARETAKER
Luiz Gonzaga dos Santos
CLEANING
Marcia da Silva Pereira
ACKNOWLEDGMENTS
- Clarissa Diniz
- Eduardo Verderame
- Luiz Zerbini
- Rodrigo Mascarenhas
- Tatiana Antunes
PRESENTED BY
Petrobras
The exhibition reaches its fourth year of activities and cosolidates itself as a project of reflection and discussion of contemporary art and the transformations of urban space today.
Travessias understands art as a place capable of generating new and overflowing emotional and creative contacts with the world and among people. Two artists were invited – Regina Silveira and Eduardo Coimbra – to produce works from a close look at Maré. Alongside this invitations the project made for the first time a public call for proposals from artists not included in the art market circuit. From the 122 flow of incoming ideas and projects, two proposals were selected: “Corte estilo guilhotina” by Marie Carangi and “Interiores da Maré”, by the dou Antonello Veneri & Henrique Gomes.
PROJECT TITLE
Daniel Steegmann Mangrané e Philipp Van Snick
ARTISTS
- Daniel Steegmann Mangrané
- Philipp Van Snick
WHERE
- Museu de Arte Moderna do Rio de Janeiro
- Casa Modernista
ADRESS
MAM – Av. Infante Dom Henrique, 85 – Parque do Flamengo, Rio de Janeiro
Casa Modernista – R. Santa Cruz, 325 – Vila Mariana, São Paulo
VISITATION
- MAM – 09/05/2015 a 11/01/2015
- Casa Modernista – 09/19/2015 a 11/01/2015
CURATOR
Marta Mestre
PRODUCTION COORDINATION
Automatica
PRODUCTION
Arthur Moura
ARTIST ASSISTANTS
- Hanns Lennart Weissner (DSM)
- Felix Luna (DSM)
- Laura Van Snick (PVS)
- Thomas Ost (PVS)
AUDIO INSTALATION
Andrews de Freitas
VISUAL DESIGN
Alexsandro Souza | Dínamo
COPY EDITING
Rosalina Gouveia
DISPLAY TECHNICIANS
Humberto Silva Junior
ENGLISH TRANSLATION
- Chris Burden
- Marise Barros
ACKNOWLEDGMENTS
- Afonso Luz
- Luiza Mello
- Marijke Dekeukeleire
- Galeria Mendes Wood DM
- Galeria Tatjana Pieters
Conceived in two chapters, for two cities, and for two unique spaces of modernist Brazilian architecture – the Museum of Modern Art (Museu de Arte Moderno), in Rio de Janeiro, and the Casa Modernista, in São Paulo -, the exhibitions of the artists Daniel Steegmann Mangrané and Philippe Van Snick are mainly intended to underline the dualism and simultaneity in the work of both.
If, for Daniel Steegmann Mangrané (born 1977), the artistic process takes place in the dialog between division and union, between geometric and organic forms, and between culture and nature, for Philippe Van Snick (1946), on the other hand, the conditions of material perception are determined by mathematical and arithmetical principles (especially in his early works), and more recently by the sensibility which, according to the artist, is a “form of mental perception”. In the work of both, the views and experience (physical, subjective, political) of the spectator acquire a provisional and fragmented character, and relate, kaleidoscopically, to the distribution of the elements in the surrounding world.
The two exhibitions bring together their own dynamic, and it is not necessary to see one to know how the other’s “story ends”. If they resemble anything, it would be an echo, the same sound heard differently.
(extract from the curatorial text)
PROJECT TITLE
Memórias Capitais
WHERE
SESC Quitandinha
ADDRESS
Avenida Joaquim Rolla, 2 – Petrópolis
VISITATION
- 07/24/2015 – 08/31/2015
- Tuesday to Saturday 10am – 5pm
- Sunday and holiday 10am – 4pm
- Free admission
PROJECT AND AUDIOVISUAL CONTENT
Automatica e Estúdio Zut!
ORIGINAL CONCEPT
Matthieu Rougé e Cacá Machado
CREATION, CURATION AND PHOTOS
Matthieu Rougé
SOUND CREATION
Alessa Camarinha e Matthieu Rougé
EDITOR AFTER EFFECT
Youssef Harmali
TECHNICAL SUPERVISION OF CONTENT
Automatica
ARCHITECTURE AND EXPOGRAPHIC DESIGN
Luís Felipe Abbud / NUMENA
TECHNICAL SUPERVISION
Lee de Castro e Sergio Santos
VISUAL COMMUNICATION
Alexsandro Souza / DÍNAMO
ACKNOWLEDGEMENTS
- Cacá Machado
- Christophe Buffet
- Gabriel Piotto
- Leticia Falcão
- Diana Barros
Capital Memories presents a multimedia installation in which sounds and images interact, revealing aspects of the Brazilian’s capitals. The proposal to shuffle the established geopolitical division, diluting predetermined boundaries, has sounded out and amplified sounds, remixed and distributed in the pavilion. In this poetic, the emotional geography of these narratives is always in the foreground. The paths of this journey are like threads of memories that come loose and get tangled in new contexts.
Capital Memories records sounds, signs, rituals, feelings, places, habits, cultural traits and living spaces experienced by those born in the main cities of the country and lived their daily lives. These individual assets – memory sometimes fuzzy, emotional or critical – feelings of belonging to a place in time and space are socialized with the public revealing that the memory is dynamic. It is not stuck in the past, establishes links with the future and, above all, it is a collective force that unifies and form identities.
PROJECT TITLE
18th Century Rio, when Rio became the capital
WHERE
MAR – Museu de Arte do Rio
ADDRESS
Praça Mauá, 5, Centro, Rio de Janeiro
VISITATION
07/08/2015 a 05/08/2016
CURATOR
- Myriam Andrade Ribeiro
- Anna Maria Monteiro de Carvalho
- Margareth Pereira
- Paulo Herkenhoff
PRODUCTION COORDINATOR
Mariana Schincariol de Mello
PRODUCTION
Ana Paula Vulcão
PRODUCTION ASSISTANT
Leticia Libanio
PHOTOGRAPH
Thales Leite
MUSEU DE ARTE DO RIO – INSTITUTO ODEON
PRESIDENT
Éder Sá Alves Campos
VICE PRESIDENT
Afonso Henriques Borges Ferreira
PRESIDENT DIRECTOR
Carlos Gradim
EXECUTIVE DIRECTOR
Adriana Karla Rodrigues
ADMINISTRATIVE AND FINANCIAL DIRECTOR
Luiz Guimarães
PROJECT AND MANAGEMENT DIRECTOR
Tiago Cacique
CULTURAL DIRECTOR
Paulo Herkenhoff
CONTENT MANAGER
Clarissa Diniz
COMMUNICATIONS MANAGER
Hannah Drumond
PRODUCTION MANAGER
Daniel Bruch
EDUCATION MANAGER
Janaina Melo
The exhibition 18th Century Rio, when Rio became the capitalproposes a visual path through which to enter this century of its history. In the 18th century Rio de Janeiro became the capital of the vice-kingdom of Brazil and effectively transformed into the city that we know today: a meeting point between culture and commerce, a centre of urbanity and the symbol of Brazilianness across the world.
From 18th century Rio, from the Rio of gold, baroque and rococo, from the slaves of Valongo and from the palace of the viceroys, survivals remained. Of the Rio that was destroyed, what is ungrateful heritage? Certainly it was in the 18th century that Rio ensured its aesthetic fame. The marvellous city unites natural beauty with urban beauty, an idea recurrent in adverts, political proposals and even criticisms. Also at that moment, the black population expanded, although always on the margins, and the natives, so important in the struggle for possession and foundation of the city together with the Portuguese, simply disappeared from records of Carioca development.
Rio de Janeiro is a place privileged by nature, but it is also a consequence of its complex and contradictory history. The exhibition seeks to enter these issues through MAR collection of works and other institutions such as Convento de Santo Antônio and Fundação Biblioteca Nacional.
PROJECT TITTLE
Immateriality
ARTISTS
- Anthony McCall
- Ben Vautier
- Brigida Baltar
- Bruce Nauman
- Carlito Carvalhosa
- Ceal Floyer
- Fabiana de Barros e
- Michel Favre
- François Morellet
- James Turrell
- José Damasceno
- Keith Sonnier
- Laura Vinci
- Marcius Galan
- Marcos Chaves
- Paola Junqueira
- Paulo Vivacqua
- Ryan Gander
- Waltercio Caldas
WHERE
SESC Belenzinho
ADRESS
R. Padre Adelino, 1000 – Belenzinho, São Paulo
VISITATION
- 01/07 – 27/09/2015
- Tuesday to Saturday 9am – 8pm
- Sunday and holiday 9am – 7pm
- Free admission
CURATORS
Adon Peres and Ligia Canongia
PRODUCTION COORDINATION
Luiza Mello
PRODUCTION
Arthur Moura
ARCHITECTURE
- Marta Bogea
- Tiago Guimarães
VISUAL IDENTITY
Celso Longo + Daniel Trench
ASSISTANTS
- Felipe Sabatini
- Manu Vasconcelos
LIGHTING PROJECT
Design da Luz Estúdio
DESIGNER
- Fernanda Carvalho Assistente
- Charly Ho
SET UP
Fase Produção
SET UP COORDINATION
Sergio Santos
INSTALLATION OF THE WORK
PRECAUÇÃO DE CONTATO
- Claudia Cardoso
- Leandra Espírito Santo
- Helio Bartsch
- Juan Cordeiro
CONSULTING AND TECHNICAL COORDINATION
OF THE WORK YOU ARE HERE
Estúdio Laborg
ARTISTS’ ASSISTANTS
- Harsh Nambiar
- Nicole Wittenberg (A. McCall)
- Torsten Braun (J. Turrell)
EDUCATIONAL PROGRAM
A Contemporânea
PRESS OFFICE
Verbena Comunicação
LOGISTICS
AL Consultancy
INSURANCE
Affinité
SUPPORT
- Electronic Arts Intermix
- Nova Iorque
- Franck Marlot
- Galeria Nara Roesler
- Galeria Luciana Brito
- Galeria Luisa Strina
- George Iso Cohen
- Häusler Contemp. München/Zürich
- Hess Collection Berne
- Lisson Gallery London/SP
- Regina Mayall Edelman
SESC BELENZINHO
PROGRAMMING
Salete dos Anjos
COORDINATION
- Catia Leandro
- Juliana Santos
SUPERVISION
- Christine Villa Santos
- Leandro Ferre Caetano
PRODUCTION
Juraci de Souza
Immateriality is a group exhibition held at SESC Belenzinho, curated by Ligia Canongia and Adon Peres, consisting of 22 works, signed by 10 Brazilian artists – Brígida Baltar, Carlito Carvalhosa, Fabiana de Barros & Michel Favre, José Damasceno, Laura Vinci, Marcius Galan, Marcos Chaves, Paola Junqueira, Paulo Vivacqua and Waltercio Caldas – and 8 artists from other nationalities – Anthony McCall (England), Ben Vautier (Italy), Bruce Nauman (USA), Ceal Floyer (Pakistan) François Morellet (France) James Turrell (USA), Keith Sonnier (USA) and Ryan Gander (England).
The exhibition shows the artists in question dealing with these two ways of relating to the work of art – the question of “matter” or “nonmatter”, which may or may not be a concrete materiality. Adon Peres comments on how the viewer will be faced with these two ways of artistic perception, “in the first case, it establishes a subject-object specific relationship in which prevails certain distance, different from the second, especially in installations where the viewer is literally immersed in the atmosphere of the work.”