PROJECT TITLE
Cirandar todos
ARTIST
José Damasceno
WHERE
Casa França-Brasil
ADRESS
Rua Visconde de Itaboraí, 78, Centro, Rio de Janeiro
VISITATION
- 12/16/2014 a 02/22/2015
- Tuesday to sunday 10am – 10pm
- Free Admission
EXHIBITION
CONCEPT
José Damasceno
CURATOR
Ligia Canongia
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
- Mariana Mello
- Ana Paula Vulcão
ARTIST ASSISTANT
Juliane Peiser
GRAPHIC DESIGN
Sônia Barreto
SCENOGRAPHY CRAYON SCREEN
Joacyr Salles
BUILD CIRANDAR TODOS AND ELLIPSES
Maurício Pereira
LIGHTING
Samuel Betts | Belight
PROOFREADER
- Duda Costa
- Rosalina Gouvea
TRANSLATOR
John Norman
PRESS RELATIONS
- Cláudia Noronha |
- CW&A Comunicação
PHOTOGRAPHY
Vicente de Mello
FOLDER PHOTO
Sung Pyo Hong
MAKING OF
Elisa Pessoa
CASA FRANÇA-BRASIL
GENERAL COORDINATOR
Débora Monnerat
COMMUNICATIONS
Lívia Ferraz
PRODUCTION AND COMMUNICATION ASSISTANT
Júlia Gitsin
ADMINISTRATION AND FINANCE
Sandra Helena da Silva
ADMINISTRATIVE ASSISTANT
Fabiana Oliveira
MAINTENANCE
- Victor Ferreira
- Waldeci Costa Lima
- José Rosa Pires
EDUCATION PROJECT
COORDINATOR
Jeanine Toledo
MEDIATOR TRAINING AT EAV PARQUE LAGE
- Cristina de Pádula
- Maria Tornaghi
- Tania Queiroz
MEDIATORS
- Bruna Costa
- Camila de Barros Teixeira
- Daniella M. Vasconcelos
- Gisele Nery
- Hellen Lugon
- Mariana Kanbara
- Natalia Rebiere
- Patrícia Reis
- Tarsila Monteiro
Cirandar Todos, curated by Ligia Canongia, is the title of one of the works and the exhibition José Damasceno is presenting at Casa França-Brasil. The installation makes use of just one element: 30-centimeter-high wooden dolls. A group of around 150 male and female figures are joined together to form a circle. The sculpture bears an immediate correspondence, amongst other things, to an old folk dance-cum-children’s game called the ciranda.
In the adjoining rooms there are three different works. Monitor-Crayon, made up of 90,000 crayons placed in juxtaposition merely by being fitted into the frame, forms a multi-colored abstract image. The same room is also occupied by 1/4, a sculpture made of two solid ellipses of Corten steel, one of which is on the wall and the other on the floor, shaping an imaginary circle and merely suggesting that in the visitors imagination they would continue their route through the wall and the floor. In the other room is BRmm, a collage of hundreds of newspaper cuttings arranged in the shape of the map of Brazil, and neon lights tracing the shape of the room.
The proposal is designed to enunciate the possibility of empowering the aesthetic experience through playful and unexpected perspectives; space, thought, and imagination directed linked by using extremely simple, basic elements.
PROJECT TITLE
Nossa casa, minha vida
ARTIST
Nelson Leirner
WHERE
Eva Klabin Foundation
ADDRESS
Av. Epitácio Pessoa, 2.480, Lagoa, Rio de Janeiro, RJ
VISITATION
- 14/09/2014 a 16/11/2014
- Tuesday to Sunday 2pm – 6pm
- Free Admission
CURATOR
Marcio Doctors
CURATORS COUNCIL
- Gilberto Chateaubriand
- Marcio Doctors
- Maria Klabin
TEXTS
Marcio Doctors
MUSEOLOGY | ORGANIZATION
Diogo Corrêa Maia
PRODUCTION
Automatica
COORDINATOR PRODUCTION
Luiza Mello
PRODUCTION
Ana Paula Vulcão
ARCHITECTURE
- Felipe Rio Branco
- Dina Salem
SET BUILD
- Equipe Eva Klabin
- Camuflagem
PHOTOGRAPHS
Mário Grisolli
GRAPHIC DESIGN
Sônia Barreto
VIDEO
14
PRESS RELATIONS
CW&A
LANDSCAPE PHOTOGRAPHY
Beatriz Cunha
FUNDAÇÃO EVA KLABIN
PRESIDENT
Israel Klabin
FINANCE DIRECTOR
Sérgio Brilhante
ADMINISTRATIVE DIRECTOR
Marcio Klang
CURATOR
Marcio Doctors
MANAGER
Vanderléa Regina de Paiva
MUSEOLOGY
- Ruth Levy
- Diogo Corrêa Maia
- Marília Andrade
MUSEUM EDUCATION PROGRAM
- Carlos Miguez
- Miryan Perdomo
- Deborah Paris
- Júlio Cesar Cantini
CURATOR CONSULTANT
Maria Luiza Pinheiro
MANAGEMENT
- Amanda Sinflório da Silva
- Miguel Carvalho de S. Junior
MAINTENANCE
- Maurício Costa e Silva
- João Batista de O. Sousa
- Maurílio Pereira de Souza
- Joseline Pereira de Oliveira
Our house, my life is an installation by Nelson Leirner to mark the tenth anniversary of the Breathing Project at Fundação Eva Klabin.
The artist decided to create a show apartment from the government’s My House, My Life housing program in one of the rooms from the Eva Klabin house museum, transforming this luxury haven into a fully furnished budget apartment with living and sleeping areas, bathroom and kitchen for a family of four.
Drawing on humor and irony in their broadest sense, Leirner probes the situations he comes across with a critical irony that questions the prevailing standards in politics, art, and social and economic compacts. This was his strategy in creating a new home inside the Eva Klabin house museum, but this time on a shoestring budget.
PROJECT TITLE
Ibirapuera: Modernidades Sobrepostas
WHERE
Oca do Ibirapuera
ADRESS
Avenida Pedro Álvares Cabral, s/n – Portão 3, Parque Ibirapuera, São Paulo
VISITATION
- 04/09/2014 to 10/18/2015
- Tuesday to Sunday 9am – 5pm
- Free Admission
PRESENTED BY
Museu da Cidade, Prefeitura de São Paulo e Secretaria de Cultura
GENERAL CURATOR
Afonso Luz
CURATORS OF ARCHITECTURE AND URBANISM
- Rodrigo Queiroz
- Ana Barone
CURATORS OF VISUAL ARTS
- Vera Toledo Piz
- Rafael Itsuo
PRODUCED BY
Automatica
PRODUCTION COORDINATOR
- Marisa S. Mello
- Luiza Mello
PRODUCTION TEAM
- Luisa Hardman
- Letícia Libanio
- Mariana Schincariol de Mello
RESEARCHERS
- Adriano Tão
- Andrea Teixeira Barcelos
- Fabiana Tiemi Imamura
- Mariane Alves Martins
- Victor Eduardo M. de Oliveira
ARCHITECTURE TEAM
- Marta Bogea
- Tiago Guimarães
GRAPHIC DESIGN
- bvy arquitetos |
- Cássia Buitoni
PRINTED BY
Oca Estudio | Daniel Rossi
LIGHTING AND LIGHT DESIGN
- BLight |
- Samuel Betts
PRESS RELATIONS
Marcy Junqueira
SETUP
Install
DISPLAY TECHNICIANS
Artos cenografia
COPY EDITOR
Rosalina Gouveia
TRANSLATOR
Rebecca Atkinson
SÃO PAULO CITY MUSEUM AND HISTORICAL ARCHIVE
Afonso Luz
SÃO PAULO CITY MUSEUM
Elisabete De Lucca
CURATORIAL SUPERVISION
- Henrique Siqueira
- Douglas de Freitas
- Monica Caldiron
- Rafael Itsuo
- Vera Toledo Piza
SUPERVISION OF ARCHIVE
AND MUSEOLOGICAL DEVELOPMENT
- Nalu Medeiros
- Leila Antero
- Mariza Melo Moraes
- Rafael Vitor Barbosa Sousa
- Sandra Penha dos Santos
SUPERVISION OF ARCHIVES AND CONSERVATION
- Silvia Helena do Carmo Gonçalves,
- Célia Otero Paz
- Joana Asseff Neves
- Márcia Aparecida de F. Rigoni
- Shirley Silva
- Zínia Maria C. de Carvalho
SUPERVISION OF PERMANENT ARCHIVE
- Guido Gustavo V. F. Alvarenga
- Cíntia Stela Negrão Berlini
- Fernanda Correia Silva
The concept and design of architectural and landscape projects of Oscar Niemeyer and Burle Marx to the most important park in the city of São Paulo in drawings, photographs, models, panels, plans and maps. The show establishes a relationship between the park and the new period of modern architecture that begins to establish in Brazil in the year of its inauguration in 1954. The curators Rodrigo Queiroz and Anne Barone selected four panels present in the first exhibition held at Oca, event who was part of the celebrations of the fourth centenary of the Foundation of São Paulo.
“Like a kind of modern clearing in the suburbs, the buildings in Ibirapuera Park came at the same time as São Paulo was experiencing a fast period of growth. (…)The creation of Ibirapuera Park ushered in a new level of awareness about our modern condition that reached beyond representation detached from the real world, conferring a unique aesthetic meaning to all domains of life, from the visual arts to urbanism.” Rodrigo Queiroz and Ana Barone curators
PROJECT TITLE
CCD Campeonato Carioca de Design
WHERE
Centro Carioca de Design/Studio X
ADRESS
Praça Tiradentes, 48 – Centro, Rio de Janeiro
SCHEDULING
25/08/2014 a 30/08/2014
CONCEPT AND ORGANIZATION
- João Dória
- Nina Paim
MENTORS
- João Dória
- Nina Paim
- Julia Born
- Uta Eisenreich
- Chris Calvet
CRITICAL GUEST
- Frederico Coelho
- Eduardo Coimbra
PRODUCTION COORDINATOR
Marisa S. Mello
PRODUCTION
Arlindo Hartz
WEBSITE
Jakub Straka
ACKNOWLEDGMENT
- DJ Leo Justi
- Paula de Oliveira Camargo
- Zoy Anastassakis
- Washington Fajardo
- Domenico Lancelotti
The Rio Design Championship was held at Centro Carioca de Design / Studio-X. The 25 contestants were split into three groups coordinated by Chris Calvet (Brazil) + Uta Eisenreich (Germany), Nina Paim (Brazil) + Julia Born (Switzerland), and João Doria (Brazil). The participants chose their groups according to their perceived affinities, and designed projects during the first two days. These designs were then discussed in a public round table session with critic, curator, and essayist Frederico Coelho and artist Eduardo Coimbra. The designs of games (sets of rules and public demonstrations), videos, installations, projections on screens, projections in the space/environment (mapping), and publications were exhibited to the public on the last day of the event, Saturday, August 30.
VÍDEOS
PROJECT TITLE
Travessias 3 – Arte Contemporânea na Maré
ARTISTS
- Barrão
- Cao Guimarães
- Dora Longo Bahia
- Imagens do Povo
- Jonathas de Andrade
- Luiz Zerbini
- Mauro Restiffe
- Sandra Kogut
WHERE
Galpão Bela Maré
ADDRESS
Bittencourt Sampaio Street, 169, between the 9th and 10th walkway of Av. Brasil – Maré, Rio de Janeiro
VISITATION
- 23/08 – 16/11/2014
- Tuesday to Saturday 10am – 5pm
- Free admission
EXECUTION
- Observatório de Favelas
- Automatica
CURATORIAL ORGANIZATION
Daniel Senise
CURATOR ASSISTANT
Laidiane Carvalho
COORDINATION
- Observatório de Favelas |
- Jailson de Souza e Silva
- Jorge Luis Barbosa
- Eduardo Alves
- Elionalva Sousa Silva
- Erasmo Carlos de O. Castro
- Mário Pires simão
- Raquel Willadino Braga
- Dalcio Marinho Gonçalves
PRODUCTION AND MANAGEMENT
Automatica
PRODUCTION COORDINATOR
- Luiza Mello
- Mariana Schincariol de Mello
PRODUCTION
- Ana Paula Vulcão
- Luisa Hardman
MANAGEMENT
- Marisa S. Mello e
- Carolina Lima
GALPÃO BELA’S INTERN
- Mariluci Nascimento
- Geisa Lino
ARCHITECTURE
- Rua Arquitetos |
- Pedro Évora
- Mariana Albuquerque
MAPS
Felipe Moulin
CONTENT COORDINATION
Gabriela Moulin
GRAPHIC DESIGN
- Quinta-feira |
- Odete de Aruanda
- Pedro Zylbersztajn
EDUCATIONAL
PROGRAM COORDINATION
Janis Clémen
EDUCATIONAL TEAM
- Cami Carrello
- Carolina Aleixo
- Daniel Remilik
- David Alfredo
- Fernando Leão
- Jean Carlos
- Letícia Pereira
- Michelle Barros
- Nívea Santana
- Renata Sampaio
MOBILIZATION
- Redes de Desenvolvimento da Maré |
- Eliana Sousa e Silva
- Alberto Aleixo
- Henrique Gomes
- RUA arquitetos
WORKSHOP
Graffiti
Felipe Reis
Stencil
Nata Família
PRESS OFFICE
- Rodrigo Mascarenhas
- RPM Comunicação |
- Marina Avella e Érica Avelar
DIGITAL MEDIA
14
PHOTOGRAPHY RECORD
- Imagens do Povo e
- Gabriela Carrera
LIGHTING
Belight
CARETAKER
Waldeck da Silva Costa
CLEANING
Marcia da Silva Pereira
ACKNOWLEDGMENTS
- Eliana Sousa e Silva
- Equipe Redes de Desenvolvimento da Maré
- Gabriela e Fabio Szwarcwald
- Galeria Nara Roesler
- Galeria Vermelho
PRESENTED BY
- Petrobras
- Governo do Rio de Janeiro
- Sec. de Estado de Cultura
- Lei Estadual de Incentivo à Cultura do Rio de Janeiro
SPONSORSHIP
- Prefeitura do Rio de Janeiro
- Sec. Municipal de Cultura
SUPPORT
- Centro de Artes da Maré
- Coral
- 1001
- Instituto JCA
- Estúdio Alfa
- Millenium Transportes
- Affinité Seguros
- Rosanne Moraes Rego
Travessias 3 – Contemporary Art at Maré opened to the public on August 23 at Galpão Bela Maré, in Nova Holanda, north zone of Rio de Janeiro, and will remain there until November 16, free of charge.
This, the third Travessias exhibition, celebrates a new encounter between contemporary visual arts and a community space. The interaction between established artists from different parts of Brazil and young photographers from the Maré community is organized by artist Daniel Senise. It combines a multiplicity of artistic languages: film, painting, installation, photography, and objects. Travessias 3 contains new and past works by Barrão, Dora Longo Bahia, Sandra Kogut, Mauro Restiffe, Jonathas de Andrade, Cao Guimarães, and Luiz Zerbini, together with photographs from Imagens do Povo, a program run by Observatório de Favelas.
This is an exhibition, a space for interchange, an opportunity for the democratic circulation of information and new ways of conceiving of the Complexo da Maré community. Without any social or territorial distinctions, Travessias makes the favela itself an aesthetic point of reference with the aim of fostering creation and fruition.
Travessias 3 is sponsored by Petrobras through the state culture law (ICMS tax benefit), and the Rio de Janeiro Municipal Department of Culture through its Program to Support Culture in Rio. It is produced by Automatica Produção Contemporânea and Observatório de Favelas, and counts on the partnership of Redes de Desenvolvimento da Maré and RUA Arquitetos.
PROJECT TITLE
Mar de exemplo
ARTIST
Watercio Caldas
WHERE
SESC Belenzinho
ADRESS
Rua Padre Adelino, 1.000, Belém, São Paulo
VISITATION
- 08/28/2014 to 11/31/2014
- Thuesday to Saturday 9am – 9pm
- Sundays and holidays 9am – 7pm
- Free admission
REALIZATION
SESC
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Luiza Mello
3D MODELS
Juliana Ayako
LOCKSMITHS
Estrultec
CNC LASER CUT
Artes & Ofícios
SCENE SETS
Install
SESC BELENZINHO
PROGRAMMING
Salete dos Anjos
COORDINATION
- Catia Leandro
- Juliana Santos
SUPERVISION
- Christine Villa Santos
- Leandro Ferre Caetano
PRODUCTION
Juraci de Souza
Waltercio Caldas, the guest artist for the fifth edition of the Vão project, has brought his installation, Mar de Exemplo, to Sesc Belenzinho, where 30 stainless steel structures are carefully arranged in an bid to subvert the space of the atrium and its main features, like its light, transparency, and the circulation of visitors.
By setting up predominantly horizontal lines with four words that are repeated to the point of being absorbed and dissolved into the environment, Mar de Exemplo invites the viewers to be part of the work, relating in their own way to the planes created through their own interpretations and significations.
PROJECT TITLE
CabeA�a
ARTIST
Milton Machado
WHERE
Centro Cultural
Banco do Brasil
ADRESS
Rua Primeiro de Março, 66 – Centro, Rio de Janeiro
VISITATION
- 08/06/2014 to 09/29/2014
- Wednesday to Monday 9am – 9pm
- Free admission
CURATOR AND SHOW PROJECT
Milton Machado
EXHIBITION CONCEPT AND
GENERAL COODINATOR
Claudia Oliveira
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
Arthur Moura
GRAPHIC DESIGN
- Rara Dias
- Ana Carneiro
TEXT
Guilherme Bueno
MANAGER
- Marisa S. Mello
- Carolina Lima
LIGHTING
BeLight | Samuel Betts
EXHIBITION INSTALLATION
- Humberto Silva
- Humberto Silva Júnior
SCENE SETS
- Caze Araújo
- Glauber Silva
- João Águas
- Thiago Branco Barboteo
- Victor Santana
MÓDULO DE DESTRUIÇÃO
NA POSIÇÃO ALFA
BUILDER
Estrultec Estruturas Especiais
ENGINEER
Brical Engenharia | Bruno Morales
TECHNICAL DRAWINGS
- RUA Arquitetos | Pedro Évora
- Mariana Albuquerque
PROOFREADING
- Duda Costa
- Rosalina Gouveia
ENGLISH VERSION
Renato Rezende
PRESS RELATIONS
- A Dois Comunicação | Anna Accioly
- Carolina Oliveira
SUPPORT
- Galeria Nara Roesler
- Mills
- Securit
SPONSORSHIP
Banco do Brasil
Cabeça – Milton Machado (Head – Milton Machado) is the first retrospective of the artist’s work to mark his 45th year of activity. It includes over a hundred works – drawings, paintings, photographs, videos, and sculptures – produced between 1969 and 2014, many for the first time. Milton Machado belongs to a group of artists who started working in the 1970s, whose output is strongly marked by conceptual investigations and experimentation, with works characteristically organized into series of elements, tending to lend the exhibition spaces an installation-like feeling. This exhibition displays some important works, like Módulo de Destruição (Module of Destruction), a sculpture produced here in a new version (1990-2010-2014) for the rotunda, and a series of drawings, Conspiração Arquitetura (Architecture Conspiracy),addressing topics related to architecture and urbanism, exhibited for the first time in 1981 at Galeria Sergio Milliet, Funarte, Rio de Janeiro. Most of the works from the series are part of the Gilberto Chateaubriand/MAM-RJ collection, and are rarely seen by the public.
PROJECT TITLE
Do Valongo à Favela – Imaginário e periferia
WHERE
MAR – Museu de Arte do Rio
ADDRESS
- Praça Mauá, 5, Centro, Rio de Janeiro
- tel. 21 30312741
VISITATION
- 27/05/2014 a 15/02/201
-
Tuesday to Sunday 10am – 5pm
CURATOR
- Clarissa Diniz e
- Rafael Cardoso
RESEARCH AND CURATOR ASSISTANT
Nataraj Trinta
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Mariana Schincariol de Mello
PRODUCTION
Luisa Hardman
PRODUCTION ASSISTANT
Leticia Libanio
ARCHITECTURE
- Rua Arquitetos | Pedro Évora
- Mariana Albuquerque
GRAPHIC DESIGN
Dínamo | Alexsandro Souza
MUSEOLOGY
Libra Cultural
SCENOGRAPHY
Camuflagem
BUILD TEAM
- Silvio De Camillis Borges
- Pablo Vieira Pereira
- Daniel Zagatti
- Guilherme Gasparello
LIGHTING
Artimanha | Julio Katona
TRADUCTION
Sean Mclntyre
MUSEU DE ARTE DO RIO – INSTITUTO ODEON
PRESIDENT
Éder Sá Alves Campos
VICE PRESIDENT
Afonso Henriques Borges Ferreira
PRESIDENT DIRECTOR
Carlos Gradim
EXECUTIVE DIRECTOR
Adriana Karla Rodrigues
ADMINISTRATIVE AND FINANCIAL DIRECTOR
Luiz Guimarães
PROJECT AND MANAGEMENT DIRECTOR
Tiago Cacique
CULTURAL DIRECTOR
Paulo Herkenhoff
CONTENT MANAGER
Clarissa Diniz
COMMUNICATIONS MANAGER
Hannah Drumond
PRODUCTION MANAGER
Daniel Bruch
EDUCATION MANAGER
Janaina Melo
Do Valongo à Favela: Imaginário e Periferia (From Valongo to the Favela: Imagination and Periphery), an exhibition currently on at MAR under the curatorship of Rafael Cardoso and Clarissa Diniz, covers two historical landmarks. The first is Valongo harbor, where slaves disembarked in Brazil, making it the world’s largest slave trade outpost in the nineteenth century. Valongo therefore represents the tragedy of slavery and the African diaspora. The second has to do with the emergence of favelas as the most flagrant sign of the new exclusion of freed men and women, still subject to slavocratic values and post-colonial power. Both are fundamental for considering, rediscovering, and reinventing the land on which MAR stands, which is what the museum proposes with its Rio-oriented curatorial program.
Indeed, this exhibition takes a step forward in bringing the museum closer to its immediate vicinity by addressing the way this area has been seen and represented over the years. Organized into eight units named after oral statements, song lyrics, and excerpts from books, the exhibition takes us on a journey from when this area was first inhabited, through its importance to the colonial and republican history of Brazil, to the present day, introducing a variety of historical and contemporary works, episodes, and characters that have consistently reinvented this corner of the city.
PROJECT TITLE
Gritos surdos
ARTIST
Miguel Rio Branco
WHERE
Casa França-Brasil
ADRESS
Rua Visconde de Itaboraí, 78, Centro, Rio de Janeiro
VISITATION
- 03/25/2014 – 05/25/2014
- Tuesday to Sunday 10am – 8pm
- Free Admission
EXHIBITION CONCEPT
Miguel Rio Branco
VIDEOS DIRECTOR
Miguel Rio Branco
VIDEO EDITING
Tetê Sá
AUTHORING
Carlos Azambuja
SOUNDTRACK
Miguel Rio Branco
IMAGEN RESEARCH
Isidora Gajic
SCAN AND EDITING
Antonio Garcia
MUSIC PRODUCTION AND SOUND EDITING
Bártolo
ASSISTANTS OF MUSIC AND SOUND
- Pedro Sá
- Jonas Sá
CAVERINHAS’ VIDEO SOUNDTRACK
Jerônimo Cravo Rio Branco
TÚNEL’S VIDEO SOUNDTRACK
Bártolo
LABIRINTO‘S VIDEO SOUNDTRACK
Miguel Rio Branco and Bártolo
PRODUCTION
- Automatica
- Mariana Schincariol de Mello
- Ana Paula Vulcão
GRAPHIC DESIGN
Giselle Macedo
EXHIBITION INSTALLATION
- Rogério Cândido Dias da Silva
- Marcus Vinicius Pugliese
TECHNICIAN DESIGN AND INSTALLATION
32bits Criações Digitais
SCENE SETS
H.O Silva
LIGHTING
Samuel Betts | Blight
PHOTOGRAPHY
Antonio Garcia
PRESS RELATIONS
Ana Ligia Ptrone | Meio & Imagem
PROOFREADING
Duda Costa
ENGLISH VERSION
Paul Webb
CASA FRANÇA-BRASIL
DIRECTOR
Evangelina Seiler
ASSISTANT
Fátima Santiago
PROJECT COORDINATOR
Jeanine Toledo
COMMUNICATIONS
Lívia Ferraz
ADMINISTRATIVE TEAM
- Fabiana Oliveira
- Sandra Helena da Silva
- Valdeci Costa Lima
MEDIATOR TRAINING AT EAV PARQUE LAGE
- Cristina de Pádula
- Maria Tornaghi
- Tania Queiroz
MEDIATORS
- Helen Lugon
- Gisele Nery
- Mariana Kanbara
- Patricia Reis
- Patrícia Aguiar
- Tarsila Monteiro
An installation with four projections of images transiting by themes of violence and power, worked simultaneously on four Voil screens with different audios, constitutes the core of the exhibition Gritos Surdos from Miguel Rio Branco that will occupy Casa França-Brasil from March 25th.
The exhibition features installations made by the artist in the early 2000s, which were never displayed in Rio de Janeiro.
Besides the work that will be in the central room of Casa França-Brasil, one of the side rooms with display a projection with fixed audio and image.
The other will reveal a “site specific” in neon, in which several windscreen car glasses, injured or shot, reflect fluorescent lights that flash intermittently, profiled by lines of red neon, with Cibachrome photographs.
TÍTULO DO PROJETO
Despertar/Éveil
ARTISTAS
- Chico MacMurtrie
- Ingrid Bachmann
- Jane Tingley
- Jean-Pierre Gauthier
- Paula Gaetano Adi
- Steve Daniels
LOCAL
SESC Santana
ENDEREÇO
Av. Luiz Dummond Villares, 579 – Jardim São Paulo, São Paulo
VISITAÇÃO
- 14/03 a 01/06/2014
- Terça a Sábado 10h às 21h
- Domingos e feriados 10h às 19h
- Entrada franca
CURATOR
Sylvie Parent
SESC SANTANA
AREA COORDINATORS
- Suzana Garcia
- Silvan Oliveira da Silva
- Viviane Gabarron
- Rodrigo Augusto C. Souza
- Alcione Pereira Müzel Teixeira
STAFF
Talita Rebizzi, Daniele Queiroz
PRODUCTION
Groupe Molior (Québec)
DIRECTOR
Andrée Duchaine
DIRETORA ADJUNTA
Aurélie Besson
TECHNICAL DIRECTOR
Danny Perreault
AUTOMATICA (BRASIL)
DIRECTOR GENERAL
Luiza Mello
PRODUCTION
Arthur Moura
MANAGER
Marisa S. Mello
EXHIBITION DESIGN
- Artificio |
- Vasco Caldeira
- Ana Lucia Bortoletto
- Maria Fernanda Miserochi
- Zildete Mesquita
GRAPHIC DESIGN
- Studio Meios |
- Julio Miquelini
- Maria Fernanda Miserochi
LIGHTING DESIGNER
- Design da Luz Estúdio |
- Fernanda Carvalho
- Renata Fongaro
SET-UP TEAM
COORDINATION
- Sergio Santos
- Marta Bruno
TEAM
- Andre Cruz
- Cesar Lopes
- Eduardo Domingues Junior
- João Rebello
- Jeff Lemes
- Jorge Garcia
- Mauro Cesar Silva
- Mike Rocha
- Rodolfo Martins Alves
EDUCATIONAL PROJECT
Acontemporânea Cultural
COORDINATION
Marcela Tiboni
SUPERVISORS
- Gabriela Piernikarz
- Ricardo Hino
EDUCATORS
- Juliana Nersessian
- Antônio Sandoval
- Talita Gouveia
- Caio Araujo
- Diermany D’Alessandro
The exhibition Despertar/Éveil/Alive is inspired by a distant and primordial moment: the origin of life, the coming alive of matter.
The exhibition brings together kinetic and robotic works which use movement to express the essence of the living. By way of various technologies, these works cause their components move, shake, wriggle and unfold in a way that evokes biological processes and primitive living beings. The works chosen for Despertar/Éveil/Alive present living forms in their nascent, imprecise states and thus take leave of the human figure to return to the beginnings of the organic world. They are of the order of the pre, the sub or maybe the intra-human. Not a single work among them even represents an animal species or a recognizable organ or organism. Thanks to this semantic imprecision and the rudimentary forms, they confront us with the living in its secret and intimate dimension.
PROJECT TITLE
Sudário
ARTIST
Carlos Vergara
WHERE
Museu de Arte Contemporânea de Niterói – MAC
ADDRESS
Mirante da Boa Viagem, sem número, Niterói
VISITATION
- 15/12/2013 a 23/02/2014
- Tuesday to Sunday 10am – 6pm
CONCEPTION
Carlos Vergara
CURATOR
Guilherme Vergara
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
- Mariana Schincariol de Mello
- Ana Paula Vulcão
GRAPHIC DESIGN
Dínamo | Alexsandro Souza
LIGHTING
Rogério Magalhães
PROJECT MANAGER
Marisa S. Mello
PRESS RELATIONS
Barbara Chataignier
ASSEMBLY COORDINATOR
Marcelo Camargo
ASSEMBLY
- Moises Barbosa
- Daniele Cristina
- Cal Camargo
- Tiago Martins
CARLOS VERGARA STUDIO
COORDINATOR
João Vergara
PRODUCTION ASSISTANT
Stefanie Ferraz
ADIMINISTRACION
Alice Souto
MAC NITERÓI
GENERAL CURATOR-DIRECTOR
Luiz Guilherme Vergara
Using a practice already present in his work, monotype, Carlos Vergara prints on scarves traces of severeal areas where he passed along his career. In the exhibition Shroud at the Museum of Contemporary Art in Niteroi, are presented works carried out in places like India, Cappadocia, Kazakhstan, London, Pantanal, São Miguel das Missões and Salvador. In addition to the scarves, the exhibition consists of paintings, photographs worked in real and virtual 3D, photographs, monotypes in large format, video and installations. In the courtyard of the museum, are about 30 sculptures of “Freedom” project carried out with photographs and barred doors cells collected in the wreckage of the Frei Caneca Penitentiary.
The exhibition addresses, therefore, one of the fundamental features in the artist production: an artistic practice primarily accomplished by printing traces that gives the poetics of displacement and appropriation of places visited. “This is possible by my source on condition of transience, without ceasing to considering interpersonal relationships built in the process, which became important in the chain of my poetrya”, says the artist. Throughout this poetics of displacement and for more than five decades of artistic life, Carlos Vergara accumulated experience and intensive research in materials and work techniques. This exhibition is an invitation to travel and imagination.