PROJECT TITLE
Festivals, Samba, and Other Carnivals
LOCATION
Sesc Casa Verde
ADDRESS
Av. Casa Verde, 327, Jardim São Bento, São Paulo
OPEN
27 October 2023 – 18 February 2024
ARTISTS
Abel Teixeira, Adalton Fernandes Lopes, Adriano Jordão de Souza, Amaro Rodrigues, Anastácia Oliveira, Antônio de Oliveira, Armando Santos Xavier, Batata da Latinha, Benedito da Silva, Capitão Pereira (Antônio Pereira), Celestino (José Celestino da Silva), Ciça (Cícera Fonseca da Silva), Ciça do Barro Cru, Clóvis Matias de Moura, Cristiano Salustiano Soares, Delma (Maria Delma de Melo), Ednaldo, Elias F. Santos, Ernestina, Euzimar Meireles, Genésio de Melo, Heleno Manuel, João Alves, João Câncio, João Cândido, Joel, José Antônio Barros, José de Jesus Figueiredo, José R., Juan Pablo dos Santos Araújo, Laurindo, Leonildo, Louco (Boaventura da Silva Filho), Leandro Guimarães de Oliveira, Luíz Antônio, Lunildes de Oliveira, M.C.M., Manoel M J S, Manuel Eudócio, Manuel Vitalino, Maria Cândido Monteiro, Maria Cristina de Andrade, Maria de Beni, Maria de Lourdes Cândido, Marliete Rodrigues, Mestre Vitalino (Vitalino Pereira dos Santos), Nino (João Cosmo Félix), Nhô Caboclo (Manoel Fontoura), Nhozim (Antônio Bruno Pinto Nogueira), Noemisa Batista dos Santos, O G Sales, Padeiro Oliveira (Sebastião de Oliveira), Porfírio Faustino, Raimundo Ferreira Lima, Raimundo Nonato, Ratão Diniz, Roger Cipó, Severino Vitalino, Sil da Capela (Maria Luciene da Silva Silqueira), Socorro Rodrigues, Tamba (Cândido Santos Xavier), Vicente Paulo da Silva, Victor Guerreiro, Walter Firmo, Zé Caboclo, Zé do Carmo, Zé Rodrigues, Zequinha (José de Souza), and Zezé de Juazeiro
CURATORS AND ORIGINAL IDEA
Angela Mascelani and Lucas Van de Beuque (Museu do Pontal)
GUEST CURATOR
Tadeu Kaçula
ART DIRECTOR
Angela Mascelani, Roberta Barros, and Lucas Van de Beuque
EXHIBITION DESIGN AND GRAPHIC DESIGN
Roberta Barros
ARCHITECTURAL PROJECT
Bao Estudio –
Tatiana Durigane
Raphael Secchin
Camila Papin (Exhibition installation)
Nicolie Duarte (Assistant)
LIGHTING AND MULTIMEDIA PROJECT
Boca do Trombone – Felipe Messina and Julio Lobato
ENGINEERS
Jarreta Projetos – Murilo Jarreta
PRODUCTION
Automatica – Luiza Mello, Mariana Mello, Diogo Fernandes (local production)
EXHIBITION SPACE DESIGN
Eprom – Jaime Martins Secall, José Carlos Martins Secall, Antonio Balbi (executive architect), Givanildo Ferreira Ramos (chief design architect)
CONTENT COORDINATOR
Fabiana Comparato
MUSEOLOGISTS
Marcella Bacha, Sergio dos Santos, Vanessa Freire, Mariana Gomes, and Alan Pinheiro
PHOTOGRAPHS
Lucas Van de Beuque, Roberta Barros, Camila Papin, and Cafi
PHOTOGRAPHS OF WORKS BY JOÃO CÂNDIDO
Ricardo Ferreira/Sesc São Paulo
ROGER CIPÓ TEAM
Luana Lima (Fashion Producer) and Richard Jefferson(Assistant Producer and Director)
INSTALLATION
SuperArte
VIDEOS AND FILMS
Museu do Pontal
COLLECTION
Museu do Pontal
“Festivals, Sambas, and Other Carnivals” features Brazilian festivals, bringing together more than 222 works by 78 artists from the Museu do Pontal sculpture collection, and a significant collection of pieces by the painter João Cândido that celebrate Brazil’s popular festivals. The show also features works by and portraits of people from the Casa Verde region, in recognition of their contribution to the arts. The exhibition provides visitors with an experience which highlights the active resistance of the common people.
PROJECT TITLE
Women of the World Festival 2023
LOCATION
Mauá Square
ADDRESS
Praça Mauá, s/n – Centro, Rio de Janeiro
OPEN
27 – 29 October 2023
Produced by
Maré Networks and WOW Foundation
Curator
Eliana Sousa Silva
General Directors
Eliana Sousa Silva, Geisa Lino, and Maïra Gabriel Anhorn
Director of Production and Communications
Geisa Lino
Research and Dialogues Program
Andreza Jorge, Érica Peçanha, João Aleixo, Júlia Leal, Maïra Gabriel Anhorn, and Vinicius Bernardo.
Cultural Program
Geisa Lino
Children’s Program
Maré Networks Libraries and MAR Library
Production
Automatica
Adriana Salomão
Alana Donola
Ana Pimenta
Ayla Gomes
Bruna Sampaio Padua
Geane Lino
Izabel Vieira Campello
Julia Rebello
Mariana Schincariol de Mello
Marisa Schincariol de Mello
Mônica Prado Bentes
Natalia C.
Natasha Peck
Tatiana Santos Corrêa de Mello
Artistic Production and Communications
Bia Policicchio
Production
Nathyê Ribeiro
Artistic Production Assistants
Kamila Camillo
Maria Lethícia Barcellos
Mauá Square and Pilotis Assistant Producers
Luana Dias
Gabrielle Nogueira
Assistant Producers — Storage
Grazi Diniz
Mônica Souza
Larissa Cunha
Artistic Production Assistants
Rodrigo Maré
Juliana Praxedes
Production Assistant – Pretalab Workshop
Luana Domingos
International Production
Renata Peppl
Kiki Bentes
Laura Perez
Carolina Cal
Luisa Lessa
Luísa Zanni
Brenno Erick
Social Network Coverage
Thais Magalhães
Journalist
Amanda Célio
Content and Social Networks
Paula Ubaldino, Bia Policicchio, Thais Magalhães, and Gracilene Firmino
Designers
Bruna Montuori, Juh Barbosa, and Amapola Rios
Assistant Designers
Thaís Oliveira, Adriana Reis, and Thais D’Oliveira
Website
Kenzel, Amapola Rios, and Marcos Rogozinski
Press and Communications
Gamarc Comunicação
Exhibition Design
LICAAA | Lilian Sampaio
Negócios Delas [Women’s Business] Fair Production
Natalia Costa
Negócios Delas Fair Team
Kelly Marques
Mariana Aleixo
Sebrae
Activists Network Production
Myllenne Fortunato
Naymare Azevedo – Ayabá.CC
Thalita Alcantara – Ayabá.CC
Coordination of Guided Tours
Bruna Ribeiro
Guided Tour Supervisors
Natalia Anjos R. dos Santos
Renata Perci Santiago
Mayara Porto de Souza Moura
Lorena Santos Siqueira
Ohana Bonsu Dankwah
Roberta Cunha Azevedo de Souza
Taiza dos Santos Pereira da Silva
Raquel Ferreira Pires
Carolina Helena Oliveira da Silva
Patrícia Ramalho Gonçalves
Wand Treice Barbosa
Tour Guides
Rayanne Felix da Silva
Luciene Vieira
Shirlane Costa
Claudia Ferreira
Rebecca Vitória Lorindo do Nascimento
Brenda Vitória Pacífico Pinto
Amanda Lourenço Marques da Silva
Mônica Maria da Silva Cândido
Lua brainer
Vânia da Silva Pereira
Tailene santos de aquino
Fernanda Viana Araujo
Tassia Thais Rufino Pimenta
Nabilla Lacerda Santana
Handy Silva rosa Barbosa
Eliane Laia Oliveira
Luana Alves da Silva
Leah dos Santos Souza Tavares Cunha
Rebecca Angelique Silva de Araújo
Arda Paranhos
Fernanda Carla da Silva Costa
Gabriela Beatriz dos Santos
Victoria Alves de Oliveira
Ingrid Velloso
Thays dos Santos Pinto
Carla Araújo da Conceição
Morgana Côrtes de Oliveira Esteves Cardoso
Tereza Cristina Silva
Luiza Azevedo Aguiar
Maria Lidia Moraes
Viviane Lima de Menezes
Suelem Carvalho de Castro
Daiani Cristina Mariano de Araujo
Ana Carolina sarti dos reis
Aline Regina Alves de Sousa
Silvana Cesário Coelho
Taiane Ribeiro Silva de Sousa
Julia dos Santos Paula
Sabrina Silva Ferreira
Nayara Patricia Diniz Santos
Millena Juliette Teles Moraes Ventura
Reception
Ana Luíza Aleixo dos Santos
Ana Moreira Trotta
Ana Paula Pinheiro
Anna Beatriz Bucker do Carmo
Brenda Pinheiro de Oliveira
Dária Da Costa Bento
Evelyn Almeida do Santos
Isabelle Borges Silva
Luize Mendes Dias
Thayanna Costa da Silva Jesus de Castro
Vitoria Azevedo Custodio
Ticket Sales Operations Technician
Saul Oliveira
Casa das Mulheres da Maré Team
Julia Leal, Mariana Aleixo, Myllenne Fortunato, Andreza Dionísio, Brenda Vitória, and Carla de Castro.
Resource Mobilization
Maré Networks
Insititutional Relations and Legal Affairs
Gisele Ribeiro Martins, Isabela Porto, and Nubia Alves
Resource Mobilization – Contributors
Renata Mader
Cris Naumovs
Financial Management Team
Claudia Bezerril
Sandra Siqueira
Clarice Magalhães
Ivanise Barbosa
Accessibility
7.1 Acessibilidade
Raissa Couto
Exhibition Space Design
Camuflagem
Graphic Design of Signage
Amapola Rios
Lighting
Belight
Sound and Multimídia
Boca do trombone
Translation
Soar Soluções Linguísticas
The second edition of the Women of the World Festival arrived in Rio de Janeiro with renewed vigor. The one-week Festival in Mauá Square featured artists, activists, intellectuals, and artisans and highlighted, among other themes, the important role played by women, at a time of a major humanitarian and healthcare emergency, and of resistance to the clear attempt to undermine rights in Brazil. WOW also aims to pay homage to the way women face adversity and the creative solutions they come up with in overcoming challenges, and to help women to persevere in their demands for the changes needed in the world. The 2023 edition of the event featured the participation of intellectuals, such as the writer Conceição Evaristo and the Minister for Racial Equality Anielle Franco, in addition to shows by Alcione, Marina Sena, MC Carol, Larissa Luz, Majur, and many others.
PROJECT TITLE
Overflowing Life and the Desires of the World
TIME PERIOD
16 September 2023 – 4 November 2023
LOCATION
Solar dos Abacaxis
ADDRESS
Rua do Senado, 48, Centro – Rio de Janeiro
OPENING HOURS
Wednesdays to Saturdays, 10 am to 6 pm.
Artists
Denise Alves-Rodrigues
Dyó Potyguara
Efe Godoy
Felipe Meres
Génova Alvarado
Gilson Plano
Iah Bahia
Juno B.
Luana Vitra
Manfredo de Souzanetto
Napê Rocha
Patricia Domínguez
Rubens Takamine
Tuca Mello
Zheng Bo
Musical Performance
Escola de Mistérios [School of Mysteries] (featuring Bonde do Jack [Jack’s Streetcar])
Mariwô
Curators
Lorraine Mendes (guest curator)
Bernardo Mosqueira
Ana Clara Simões Lopes
Catarina Duncan
Educational Coordinators
Isabelle Ferreira
Isadora Machado
Educational Team
Isabelle Ferreira
Isadora Machado
Poliana Ribeiro
Matheus Henrique de Freitas Oliveira
Sheila Garcia de Azevedo
Thainá Vieira
Press and Communications
Factoria comunicação
Administration and Financial Management
Automatica
Solar dos Abacaxis
General Director
Adriano Carneiro de Mendonça
Artistic Director
Bernardo Mosqueira
General Coordinators
Marisa S. Mello
Automatica
Production and Administration
Automatica
Team:
Amauri Souza
Geane Lino
Lucas Alberto
Luiza Mello
Marisa S. Mello
Mariana Schincariol Mello
Paulino Costa
Exhibition Design and Installation
Estúdio Chão
Team:
Adriano Carneiro de Mendonça
Antonio Pedro Coutinho
Raphael Braham
Graphic Design
Fabio Arruda and Rodrigo Bleque [cubicle]
Photography
Gabi Carrera
Renato Mangolin
Press and Communications
Factoria comunicação
Exhibition Space Design
Camuflagem
Lighting and Equipment
Boca do trombone
Installation
João Rivera
Los Montadores
Solar Sponsors
Samambaia.org
Tiago Pessoa
Patrons
Ernesto Neto
Guilherme Coelho
Instituto Impactarte
João Paulo Vasconcelos
Mikkel Davies
Developed as a partnership between Solar’s team of curators and guest curator Lorraine Mendes, the Overflowing Life and the Desires of the World cycle of exhibitions brings together works by 16 artists whose ways of feeling, thinking and being in relation to the world provide powerful alternatives to the limited and limiting conception of reality imposed by modernity. The title of program refers to a cosmovision that sees the world as a vast continuous flux of life, decentering humanity from its own narratives and understanding everything that exists as multiple manifestations of the intelligence, desire, and memory of the planet itself.
Open to the Public
12/05/2023 – 30/07/2023
Venue
Sesc Av. Paulista
Adress
Avenida Paulista, 119, Bela Vista, São Paulo – SP
Opening Hours
Tuesday to Friday, 10am to 9:30pm
Saturdays, Sundays and holidays, 10am to 6:30pm
Production
Automatica: Luiza Mello, Mariana Schincariol de Mello, Marisa S. Mello
Assistant Lucas Alberto
Architectural Design
Tiago Guimarães
Graphic Design
Estúdio Campo: Paula Tinoco e Roderico Souza
Lighting design
Fernanda Carvalho Lighting Design
team: Luana Alves, Emilia Ramos, Felipe Dans
avaf assistant:
Bruno Oliveira / autoestudio
invited artists:
Lucas Almeida, Nina Horikawa, Bruno Alves, Mika Takahashi, Ricardo Alvez
Set Construction De Nobile & Azevedo
Silkscreen (3D room) Estúdio Elástico
Vinyl Insign
Painted panels by Adelço de Almeida Junior, Aline Lorenzon, Matias Oliveira
Fine installation Thiago Hortala, Michell Fellipe Pereira
Engineering Murilo Jarreta
Text Raphael Fonseca
Proofreading Duda Costa
Translation John Norman
Press (Sesc)
Accessibility design
AKA Projetos Culturais
Janela Produtora
Educational Program
AKA Projetos Culturais
Photos
Ronny Santos
The retrospective of over 20 years of avaf, a collective of artists founded in 2001, presents their work across a wide range of media, including installations, painting, sculpture, tapestry, neon, wallpaper, among others. Immersive and interactive, avaf compositions highlight the presence of color as an instrument of communication and transmission of energy.
The pieces that make the show up are, for the most part, landscape representations displayed in the form of a large labyrinth, exploring connections between the outside world and introspection, between past and present dialogues. In this labyrinth, the viewer finds a narrative that goes back to the history of the collective. The exhibition receives around 30 wallpapers, since the 1st creation of the collective in this support.
Open to the Public
07/12/2022 – 2023
Venue
Pinacoteca do Ceará
Address
Rua 24 de Maio, 34 – Centro, Fortaleza – CE
Opening Hours
Thursday to Saturday , 12pm to 8pm
Sunday, 10am to 6pm
CURATORS
Moacir dos Anjos
Fabiana Moraes
ARTISTS
Afonso Pimenta
Alcione Ferreira
Álvaro Graça Júnior
Ana Araújo
Ana Farache
Anna Mariani
Anna Muylaert
Arthur Bispo do Rosário
Bajado
Bárbara Wagner
Carlos Roberto de Tracunhaém (Betinho)
Felipe Camilo
Denilson Baniwa
Efrain Almeida
Elitiel Guedes
Família Wapichana
Fefa Lins
Fruto de Favela
Géssica Amorim
Gê Viana
Glicéria Tupinambá
Gustavo Caboco
Haroldo Saboia
Heitor dos Prazeres
Hugo Coutinho
João Bertholini
João Gabriel Lourenço
João Lucas Melo
João Mendes
Julio Bittencourt
Julio Souza
Marlon Diego
Marepe
Maxwell Alexandre
Mestre Cunha
Mestre Didi
Panmela Castro
Paulo Kawall
Paulo Nazareth
Rafael Bqueer
Renata Felinto
Retratistas do Morro
Rubens Gerchman
Sidney Amaral
Sil da Capela
Sonia Gomes
Terroristas Del Amor
Val Souza
Ventura Profana
Virgínia Guimarães
Virginia de Medeiros
Vitalino Filho
Vitalino Pereira dos Santos
Wallace Pato
Walter Firmo
Yhuri Cruz
PRODUCTION
Automatica
Luiza Mello
Mariana Mello
Marisa S. Mello
PRODUCTION ASSISTANT
Lucas Alberto
ARQUITETURE
Tiago Guimarães
Rid Moura
M.Dias Preto
GRAPHIC DESIGN
Leonardo Buggy
EXHIBITION DESIGN
Bárbara Andrade de Oliveira Alves
Bruna Pedrosa
Helo Biancalana
Marcia Muller
Núbia Quinetti de Souza
Valéria Sellanes – Libra Cultural
Viviane Teixeira
EXHIBITION INSTALLATION
Agile Montagem & Produção
LIGHTING
Lúcia Chedieck
LIGHTING ASSISTANT AND TECHNICAL DESIGN
Arq. Carolles Martins / O Gabinete Criativo
COPYEDITING
Duda Costa
TRANSLATION
Paul Webb
TRANSPORT
Alves Tegam
INSURANCE
Affinité
Blacks in the Pool immediately conjures up a subversive image. The idea of certain bodies being present in spaces that they have not been accustomed to occupying in the history of Brazil. Places of entertainment and relaxation, but not only this. The pool can also be seen to represent a decent home, food on the table, or access to good healthcare and education. The pool represents many things: partying and working, enjoyment and safety. The phrase also conjures up the idea of a desire and a need for a revolt against prohibitions. Against the impediments to the leading of a full life put in place by centuries of colonization and its more recent ramifications. Against the predations of certain groups and their descendants. It is a call to protest against the processes that have produced, over time, unequal opportunities for white and non-white bodies in their quest for autonomy. An asymmetry that is therefore grounded in the ethnic identity of each and every inhabitant of Brazil and in the color of their skin.
![Un lento venir viniendo [A Slow Coming]](https://automatica.art.br/wp-content/uploads/2023/01/1.png)
![Un lento venir viniendo [A Slow Coming]](https://automatica.art.br/wp-content/uploads/2023/01/3.png)
![Un lento venir viniendo [A Slow Coming]](https://automatica.art.br/wp-content/uploads/2023/01/4.png)
![Un lento venir viniendo [A Slow Coming]](https://automatica.art.br/wp-content/uploads/2023/01/5.png)
![Un lento venir viniendo [A Slow Coming]](https://automatica.art.br/wp-content/uploads/2023/01/2.png)
![Un lento venir viniendo [A Slow Coming]](https://automatica.art.br/wp-content/uploads/2023/01/6.png)
Open to the Public
19/11/2022 — 26/02/2023
Venue
MAC Niterói
Address
Mirante da Boa Viagem, s/nº – Boa Viagem, Niterói – RJ
Opening Hours
Thursday to Sunday , 10am to 6pm
CURATOR
Mariano Mayer
ARTISTS
Alberto Goldenstein
Alejandra Seeber
Alejandro Ros
Alfredo Londaibere
Ana Vogelfang
Bruno Dubner
Cecilia Szalkowicz
Claudia Del Río
Daniel Joglar
David Lamelas
Deborah Pruden
Diego Bianchi
Eduardo Costa
Eduardo Navarro
Fabio Kacero
Federico Manuel Peralta Ramos
Fernanda Laguna
Florencia Bohtlingk
Guillermo Kuitca
Jane Brodie
Joaquín Aras
Jorge Gumier Maier
Juan Tessi
Julio Le Parc
Karina Peisajovich
Liliana Porter
Luis Garay
Marcelo Alzetta
Marcelo Pombo
Mariana Ferrari
Marina De Caro
Pablo Accinelli
Pablo Schanton
Rosana Schoijett
Sebastián Gordín
Silvia Gurfein
Valentina Liernur
ORGANIZATION
Act.
Fernando Ticoulat
João Paulo Siqueira Lopes
Marina Dias Teixeira
CURATORIAL ASSISTANT
Renato Mauricio Fumero
EDITORIAL COORDINATION
Yasmin Abdalla
EDITORIAL DESIGN
Cecilia Szalkowicz
Vanina Scolavino
ESSAYS
Mariano Mayer
Pablo Lafuente
COLECCIÓN OXENFORD,
COORDINATION
Erica Bohm
EXECUTIVE PRODUCTION
Automatica
Luiza Mello
Mariana Mello
Marisa S. Mello
Julia Rebello
Lucas Alberto
PRODUCER
Sofia Gravina
PHOTOGRAPHER
Abertura: Cristina Granato
Vistas: Fabio Souza
PEDAGOGICAL COORDINATION
Pompea Tavares
SINALIZAÇÃO
Felipe Chodin
FURNITURE DESIGN
Mariana Ferrari
Sebastián Gordín
Miguel Mitlag
EXPOGRAPHY
Estúdio Chão
Adriano Carneiro de Mendonça
Antonio Pedro Coutinho
João Victor Assad
Leonardo Ribeiro
LIGHTING
Samuel Betts
Belight
SET PRODUCTION
Superarte
MUSEOLOGY
Debora Reina
TRANSPORT
Immensum
Delmiro Mendez E Hijo
INSURANCE
Affinité
AUDIOVISUAL EQUIPMENT
Boca do Trombone
SET CONSTRUCTION
B Larte Soluções técnicas
Elizeu Paiva de Melo
IMAGE CORRECTION
Juan Beccar Varela
TRANSLATOR
Giancarlo Ranieri
COPY-EDITING
Marcelo Maraninchi
COMMUNICATIONS
A4 & Holofote
LEGAL ADVICE
Oksman Advocacia
FINANCIAL ADMINISTRATION
Fiscalizo
GRAPHIC MATERIAL
Cinelândia
INSTITUCIONAL PARTNERSHIP
MAC Niterói
Diretor geral | General director
Victor De Wolf
Diretora de desenvolvimento cultural
Cultural development director
Luciana Morena
Diretora de museologia | Museology director
Angélica Pimenta
Diretor administrativo | Administrative director
Valdir Almada
LEI DE INCENTIVO À CULTURA
REALIZAÇÃO | REALIZATION
Secretaria Especial da Cultura
Ministério do Turismo
Governo Federal
INSTITUCIONAL SUPPORT
Instituto Tomie Ohtake
Fundação Iberê Camargo
SPECIAL THANKS
Alberto Goldenstein, Alejandra Seeber,
Alejandro Ros y Pablo Schanton, Alfredo
Londaibere, Alvaro, Ana Vogelfang, Bruno
Dubner, Camila Regueira, Cecilia Szalkowicz,
Claudia del Río, Daniel Joglar, David Lamelas,
Deborah Pruden, Diego Bianchi, Eduardo
Costa, Eduardo Navarro, Emilio Kalil, Fabio
Kacero, Federico Manuel Peralta Ramos,
Fernanda Laguna, Fernando Sucari, Florencia
Bohtlingk, Guido Contrafatti, Guillermo
Kuitca, Helena Kimie Gimenes, Iara Heredia,
Inés Katzenstein, Jane Brodie, Joaquín Aras,
Jorge Gumier Maier, Juan Tessi, Julio Le
Parc, Karina Peisajovich, Liliana Porter, Luis
Garay, Marcelo Alzetta, Marcelo Pombo,
Mariana Ferrari, Maria Antonia Ferraz,
Marina de Caro, Marina Scaramuzza, Maxime
Bouquillon, Miguel Mitlag, Pablo Accinelli,
Pablo Veron, Paulo Miyada, Rosana Schoijett,
Sebastián Gordín, Silvia Gurfein, Vitoria
Arruda, Valentina Liernur.
Since 2008, the Oxenford Collection has gathered together a select overview of Argentinean works of contemporary art, principally from the first two decades of the 21st century. The exhibition Un lento venir viniendo [A Slow Coming] features 57 pieces from this collection, covering a wide range of media that includes paintings, photographs, videos, visual and sound installations, performances, sculptures, collages and publications. Featured artists include Guillermo Kuitca, Julio Le Parc, Alejandra Seeber, Marcelo Pombo, Fernanda Laguna, Diego Bianchi, Claudia del Río, David Lamelas, Valentina Liernur, Juan Tessi, Karina Peisajovich, Eduardo Navarro, Silvia Gurfein and Alberto Goldenstein.
Venue
Galpão Bela Maré
Address
Bittencourt Sampaio, 169 – Maré, Rio de Janeiro – RJ
Open to the Public
22/10/2022 – 10/12/2022
Opening Hours
Thursday to Saturday, 10 am to 6 pm
ARTISTS
Águi
Allan Weber
Azizi Cypriano
CoStela
David Almeida
Dyó Potyguara
Felipe Dutra
loren minzú
Patrick Marinho
Pedro Varone
Siwaju
Thais Basilio
Thais Iroko
Vika Teixeira
Galpão Bela Maré Team
Directed by
Observatório de Favelas
Elionalva Sousa Silva
Isabela Souza
Priscila Rodrigues
Raquel Willadino
Partnership
Automatica
General Coordination
Gilson Plano
Curator
Jean Carlos Azuos
Production
Breno Chagas
Education Program
Coordenação
Anna Luisa Oliveira
Educators
Ana V
Ivani Figueiredo
Stephane Marçal
Wesley Ribeiro
Caretaker and Cleaning
Wellington Luiz Batista dos Passos
Márcia da Silva Pereira
ELÃ
Pedagogical Coordinator
Natália Nichols
Interlocutords
Camilla Rocha Campos
Clarissa Diniz
Fabiano Verissimo
Helena Barbosa
Pâmela Carvalho
Marcele Oliveira
Miguel Vera Mirim
Sandra Benites
Tainá Antonio
Tainá de Paula
Exhibition
Production
Automatica
Julia Rebello
Luiza Mello
Marisa S. Mello
Mariana Schincariol Mello
Graphic Design
Felipe Nunes
Set design
Guilherme Xavier Cenografia
Set production
Los montadores
Audiovisual
Boca do Trombone
Videos
Samuel Fortunato
Communications
Communications Coordinator
Renata Oliveira
Communications Advisor
Thais Barros
Press office
Gamarc Comunicação
Communicator
Romulo Amorim
Photo
Ramon Vellasco
Graphic Designer
Kaléu Menezes
Administrative-financial management
Sarah Horsth
This exhibition is the result of a training residency involving 15 artists from the Free Art School – ELÃ, the third edition of which was staged this year. The show addresses the issue of “Ecologies of Good Living”, a proposal that emerged from ELÃ meetings in 2022, in an attempt to think critically and politically about ecofriendly practices. The meetings raised awareness regarding the impact human beings have on the world, the historical structures that have brought us to this point and the practical steps that need to be taken towards achieving climate justice. Part of this process resulted in the exhibition Ecologies of Good Living, which features work produced by these training residents in a variety of media and styles.
Venue
Casa Museu Eva Klabin
Address
Av. Epitácio Pessoa, 2480 – Lagoa, Rio de Janeiro – RJ
Open to the Public
18/09/2022 – 20/11/2022
Opening Hours
Wednesday to Sunday, 2pm to 6pm
ARTISTS
Denilson Baniwa
Gustavo Caboco
CURATORS
Marcio Doctors and Paula Alzugaray
CURATORIAL TEXT
Marcio Doctors
Paula Alzugaray
ASSISTANT CURATOR
Diogo Maia
PRODUCTION
Automatica | Luiza Mello and Julia Rebello
VISUAL PLAYWRIGHT
Gerardo Villaseca
MOUNTING
Eva Klabin House Museum Team
B, Larte Technical Solutions | Cenotechnician
Guilherme Xavier | Scenography
Trombone Mouth | Audio recording and editing
EMBROIDERY
Marília Davascio
Helena Panno
Marina of Assisi
PHOTOGRAPHY
Mario Grisolli
VISUAL DESIGN
Sonia Barreto
TEXT REVIEW
Hassan Ayoub
Rosalina Gouveia
TRANSLATION
Rebecca Atkinson
LIGHTING
Rogério Emerson
COMMUNICATION
A2 Comunicação
EVA KLABIN HOUSE MUSEUM
PRESIDENT EMERITUS
Israel Klabin
PRESIDENT
José Pio Borges
DIRECTORS
Joao Alfredo Dias Lins
Sergio Brilhante de Albuquerque
DIRECTOR EMERITUS
Fernando Henrique Cardoso
BOARD OF CURATORS
Lea Klabin | president
Celso Lafer
Genny Nissenbaum
Hugo Barreto
João Afonso Assis
Katia Mindlin Leite Barbosa
CURATOR
Marcio Doctors
ADMINISTRATOR
Vanderléa Regina de Paiva
MUSEOLOGISTS
Ruth Levy
Diogo Correa Maia
EDUCATION PROGRAM
Carlos Miguez | education coordinator
Gabriel Caires | coordination assistant
Bernardo Novo, Thais Seixas | interns
CURATOR ADVISOR
Juliana Cunha
MANAGEMENT
Samara Soares
Juan Carvalho
MAINTENANCE
Maurício Costa e Silva | Supervisor
John Baptist de Oliveira Souza
Marlon Guimarães
Ronnie Sousa
The exhibition Indigenous Becoming presents the work of the artists Denilson Baniwa and Gustavo Caboco, both of whom deal with the warp and weft of time and space within the body of the Eva Klabin House Museum, located between the forest and the lagoon. The running theme of the occupation is transformation and memory. In an exercise in discovery, the artists visit the forest behind the Museum House, the Rodrigo de Freitas Lagoon, the Cantagalo Court, and the house’s permanent collection. From the forest, and the stones and living beings found there, the artists extract their own perceptions. The exhibition includes interventions in the environment of the house, along with live transmissions from the forest and sound interventions involving the sounds of the Lagoon. The artists suggest that it is reality that is fragile, not the imagination. Our imagination works in partnership with art and possesses the concreteness of a physical body. It is guided by the language of dreams, which communicates through the impulses of duration and becoming. Art has the capacity to bring us into direct contact with this substrate that is the potency of life.
Venue
MAR – Museu de Arte do Rio
Address
Praça Mauá, 5 – Centro, Rio de Janeiro – RJ
Open to the Public
24/09/2022
CURATOR
Redes da Maré
REALIZATION
Redes da Maré
Sexual Harms + Medical Encounters
WOW Festival Mulheres do Mundo Rio de Janeiro
EXECUTIVE PRODUCTION
Automatica
The ECOAR Festival – Action Against Sexual Violence addressed three main issues: activation of group support networks; the body and sexual violence; and political and pedagogical language. The aim was to situate sexual violence in the context of other structural forms of violence for anyone interested in or affected by the issue. The event also provided a platform for the creation of networks of educators, health professionals, social workers, researchers, activists and artists, especially in the Maré neighborhood and port district of the city of Rio de Janeiro.
The initiative was inspired by and promoted in partnership with the Shameless! Festival—a one-day event in London in 2021, which brought together artists and activists to confront and change attitudes regarding sexual violence, to share ideas, and to imagine a world free of rape. Promoted by Birkbeck London University’s SHAME project and by the WOW – World Women’s Festival, the first edition of ECOAR took place in Rio de Janeiro and was curated and produced by the NGO Maré Networks. The aim of the meeting was to foster debate regarding the global crisis of sexual violence.
Venue
Museu de Imagens do Inconsciente
Address
R. Ramiro Magalhães, 521 – Engenho de Dentro, Rio de Janeiro
Open to the Public
10/07/2022 – 11/06/2023
Opening Hours
Monday to Saturday, 9 am to 4 pm
RESEARCH, DESIGN, CURATORY AND ACHIEVEMENT
Luiz Carlos Mello and Itaú Cultural
EXPOGRAPHIC PROJECT
Claudia Afonso and Vânia Medeiros
LIGHTING PROJECT
Grissel Piguilem
EXHIBITION LIGHTING
Belight
CONSULTANCY
Gladys Schincariol and Priscila Moret
RESEARCHERS
Gabriella Rodrigues, Marcos Florence Martins Santos, Mariana Sgarioni and Solange Santos (outsourced)
ACCESSIBILITY PROJECT
Ariana Chediak, Iguale Communication on Accessibility and Accessible Museums (outsourced)
PRODUCTION
Automatica
SUPPORT
Sociedade Amigos do Museu de Imagens do Inconsciente
PHOTOS
Gabi Carrera
SPECIAL THANKS
Alexandre Magalhães da Silveira
Bernardo Carneiro Horta
Casa das Palmeiras
Christina Gabaglia Penna
Dulce Chaves Pandolfi
Edson Passetti
Edgard de Assis Carvalho
Esther Peter-Müller (HBZ Medizin Careum – Universität Zürich)
Eurípedes Gomes da Cruz Junior
Jörg Kemp (Wissenschaftliche Bibliothek – Psychiatrische Universiätsklinik Zürich)
Marco Lucchesi
Martha Pires
Mauri Domingues
Museu de Imagens do Inconsciente
Nina Galanternick
Pedro Penido Guimarães
Sebastião Barbosa
Thomas Fischer (Foundation of the Works of C. G. Jung, Zurich)
Ursula Reis (HBZ Medizin Careum – Universität Zürich)
Vilma Arêas Yvonne Voegeli (Foundation of the Works of C. G. Jung, Zurich)
Occupation Nise da Silveira provides an in-depth look at the life of Nise da Silveira (1905-1999), one of Brazil’s most highly-acclaimed psychiatrists, whose work attempted to redraw the boundaries between the fields of medicine, philosophy, and art. Silveira proposed treatments that involve not only the spoken word—much undermined by irresponsible practices—but also living feeling, as embodied in core concepts of her work such as emotion-focused coping, catalyzing affect, animal-assisted therapy, and unrestricted respect for human being. This exhibition presents material from the personal archive of the doctor that deals with her family, her arrest, her relationship with the thinker and psychologist Carl Gustav Jung (1875-1961), therapy through expressive activities, diving into the images of the unconscious, the archeology of the psyche – and her unique way of doing science.
Venue
Galpão Bela Maré
Address
Bittencourt Sampaio, 169 – Maré, Rio de Janeiro – RJ
Open to the Public
07/05/2022 – 13/08/2022
Opening Hours
Thursday to Saturday, 10 am to 6 pm
Curators
Clarissa Diniz and Jean Carlos Azuos
Directed by
Favelas Observatory
Elionalva Sousa Silva
Isabela Souza
Raquel Willadino
Project Partner
Automatica
Coordinator
Gilson Plano
Producer
Breno Chagas
Education Program
Coordinator
Anna Luisa Oliveira
Educators
Stephane Marçal
Ivani Figueiredo
Ana V.
Wesley Ribeiro
Caretaker and Cleaning
Rogerio Guedes de Andrade
Communications
Priscila Rodrigues
Coordinator
Romulo Amorim
Spokesperson
Renata Oliveira
Financial Management and Administration
Sarah Horsth
Production
Automatica
Luiza Mello
Marisa S. Mello
Mariana Schincariol Mello
Julia Rebello
Production Assistants
Lucas Alberto
Ayla Gomes
Architects
Grua
Caio Calafate
Pedro Varella
Fabiano Pires
Graphic Design
Renato Cafuzo
Set Production
Larte Soluções técnicas
Elizeu Paiva de Melo
Lighting
BeLigth
Samuel Betts
Photos: Ramon Vellasco
Artists
Agrade Camíz
Agrippina R. Manhattan
Arcasi
Arjan Martins
Claudio Cambra
Douglas Soares
Elilson
Guilhermina Augusti
Irmãs Brasil
Jota Mombaça
Luiz Zerbini
Mulambö
Patfudyda
Paulo César
Pedro Évora
Rafael Bqueer
Raul Mourão
Rdoisó
Yhuri Cruz
With the participation of
Mamba Negra
Allan Weber
The Mixtures exhibition celebrates the first decade of Galpão Bela Maré, by proposing points of reference and forms of materiality that bring different generations and temporalities together to enter into dialogue with the territory, with the space and its unique features. The curatorship involves 19 artists who have helped to put together the history of artistic production in the Favelas da Maré Complex and the show includes many of the greatest achievements of the Center’s creative and educational work over the past ten years. In the words of Jean Carlos Azuos, this meeting brings together the different kinds of corporeality, poetics and geography upon which the ideas and aims of Galpão Bela Maré are based. This is a show made of symbols that presents an overview of a decade of major achievements and experiences in the field of the visual arts in Brazil and that aims to promote the development of broader horizons in matters related to the area’s survival, expansion and population growth.