TÍTULO DO PROJETO

Nicolas Robbio

REALIZAÇÃO

Ministério da Cultura e Automatica Edições

ORGANIZAÇÃO

Jacopo Crivelli Visconti

TEXTOS

  • Paulo Myiada
  • Santiago G. Navarro

PRODUÇÃO EDITORIAL

  • Luiza Mello
  • Marisa S. Mello
  • Marina Buendia

PROJETO GRÁFICO

Celso Longo

ASSISTENTE DE DESIGN

Manu Vasconcelos

REVISÃO

Duda Costa

TRADUÇÃO

Izabel Murat Burbridge

PRODUÇÃO GRÁFICA

Marcia Signorini

IMPRESSÃO

Ipsis

O livro Nicolas Robbio, organizado pelo crítico Jacopo Crivelli Visconti, A apresentado em dois volumes. O primeiro deles contém textos de Santiago G. Navarro e de Paulo Miyada; e as legendas das imagens.O segundo caderno A composto exclusivamente por imagens.

A publicação concentra-se no trabalho desenvolvido pelo artista nos Últimos dez anos, incluindo desenhos, esculturas, instalações e still de vídeos. Segundo Santiago Navarro, “na sua obra, representação e semelhança servem, […] para explorar a não equivalência entre signos, para criar distância ou vazio entre signos, assim como modo de reconectá-los com a representação, mas sem tentar recuperar a sua função de semelhança”.

Nicolas Robbio nasceu em Mar del Platé, na Artgentina, em 1975. Vive e trabalha em São Paulo. Formado pela Escola de Artes Visuais de Buenos Aires, Robbio desenvolveu uma faceta multidisciplinar baseada no desenho como uma ferramenta para o estudo e desenvolvimento de suas possibilidades conceituais. O desenho de móveis e objetos gráficos, plantas de plástico ou de projetos específicos, são alguns dos exemplos que suportam esta afirmação. Em 2014 realizou a individual Medos Modernos, no Instituto Tomie Ohtake, São Paulo. Além disso, já expos em lugares como a Fundação Serralves, em Porto – Portugal e Bethanien Kunsthaus, em Berlim a Alemanha. Participou de coletivas como Imagine Brazil, MAC Lyon e 28a Bienal de São Paulo (2008).

PROJECT TITLE

Memórias Capitais

WHERE

SESC Quitandinha

ADDRESS

Avenida Joaquim Rolla, 2 – Petrópolis

VISITATION

  • 07/24/2015 – 08/31/2015
  • Tuesday to Saturday 10am – 5pm
  • Sunday and holiday 10am – 4pm
  • Free admission

PROJECT AND AUDIOVISUAL CONTENT

Automatica e Estúdio Zut!

ORIGINAL CONCEPT

Matthieu Rougé e Cacá Machado

CREATION, CURATION AND PHOTOS

Matthieu Rougé

SOUND CREATION

Alessa Camarinha e Matthieu Rougé

EDITOR AFTER EFFECT

Youssef Harmali

TECHNICAL SUPERVISION OF CONTENT

Automatica

ARCHITECTURE AND EXPOGRAPHIC DESIGN

Luís Felipe Abbud / NUMENA

TECHNICAL SUPERVISION

Lee de Castro e Sergio Santos

VISUAL COMMUNICATION

Alexsandro Souza / DÍNAMO

ACKNOWLEDGEMENTS

  • Cacá Machado
  • Christophe Buffet
  • Gabriel Piotto
  • Leticia Falcão
  • Diana Barros

Capital Memories presents a multimedia installation in which sounds and images interact, revealing aspects of the Brazilian’s capitals. The proposal to shuffle the established geopolitical division, diluting predetermined boundaries, has sounded out and amplified sounds, remixed and distributed in the pavilion. In this poetic, the emotional geography of these narratives is always in the foreground. The paths of this journey are like threads of memories that come loose and get tangled in new contexts.

Capital Memories records sounds, signs, rituals, feelings, places, habits, cultural traits and living spaces experienced by those born in the main cities of the country and lived their daily lives. These individual assets – memory sometimes fuzzy, emotional or critical – feelings of belonging to a place in time and space are socialized with the public revealing that the memory is dynamic. It is not stuck in the past, establishes links with the future and, above all, it is a collective force that unifies and form identities.

PROJECT TITLE

18th Century Rio, when Rio became the capital

WHERE

MAR – Museu de Arte do Rio

ADDRESS

Praça Mauá, 5, Centro, Rio de Janeiro

VISITATION

07/08/2015 a 05/08/2016

CURATOR

  • Myriam Andrade Ribeiro
  • Anna Maria Monteiro de Carvalho
  • Margareth Pereira
  • Paulo Herkenhoff

PRODUCTION COORDINATOR

Mariana Schincariol de Mello

PRODUCTION

Ana Paula Vulcão

PRODUCTION ASSISTANT

Leticia Libanio

PHOTOGRAPH

Thales Leite

MUSEU DE ARTE DO RIO – INSTITUTO ODEON

PRESIDENT

Éder Sá Alves Campos

VICE PRESIDENT

Afonso Henriques Borges Ferreira

PRESIDENT DIRECTOR

Carlos Gradim

EXECUTIVE DIRECTOR

Adriana Karla Rodrigues

ADMINISTRATIVE AND FINANCIAL DIRECTOR

Luiz Guimarães

PROJECT AND MANAGEMENT DIRECTOR

Tiago Cacique

CULTURAL DIRECTOR

Paulo Herkenhoff

CONTENT MANAGER

Clarissa Diniz

COMMUNICATIONS MANAGER

Hannah Drumond

PRODUCTION MANAGER

Daniel Bruch

EDUCATION MANAGER

Janaina Melo

The exhibition 18th Century Rio, when Rio became the capitalproposes a visual path through which to enter this century of its history. In the 18th century Rio de Janeiro became the capital of the vice-kingdom of Brazil and effectively transformed into the city that we know today: a meeting point between culture and commerce, a centre of urbanity and the symbol of Brazilianness across the world.

From 18th century Rio, from the Rio of gold, baroque and rococo, from the slaves of Valongo and from the palace of the viceroys, survivals remained. Of the Rio that was destroyed, what is ungrateful heritage? Certainly it was in the 18th century that Rio ensured its aesthetic fame. The marvellous city unites natural beauty with urban beauty, an idea recurrent in adverts, political proposals and even criticisms. Also at that moment, the black population expanded, although always on the margins, and the natives, so important in the struggle for possession and foundation of the city together with the Portuguese, simply disappeared from records of Carioca development.

Rio de Janeiro is a place privileged by nature, but it is also a consequence of its complex and contradictory history. The exhibition seeks to enter these issues through MAR collection of works and other institutions such as Convento de Santo Antônio and Fundação Biblioteca Nacional.

PROJECT TITTLE

Immateriality

ARTISTS

  • Anthony McCall
  • Ben Vautier
  • Brigida Baltar
  • Bruce Nauman
  • Carlito Carvalhosa
  • Ceal Floyer
  • Fabiana de Barros e
  • Michel Favre
  • François Morellet
  • James Turrell
  • José Damasceno
  • Keith Sonnier
  • Laura Vinci
  • Marcius Galan
  • Marcos Chaves
  • Paola Junqueira
  • Paulo Vivacqua
  • Ryan Gander
  • Waltercio Caldas

WHERE

SESC Belenzinho

ADRESS

R. Padre Adelino, 1000 – Belenzinho, São Paulo

VISITATION

  • 01/07 – 27/09/2015
  • Tuesday to Saturday 9am – 8pm
  • Sunday and holiday 9am – 7pm
  • Free admission

CURATORS

Adon Peres and Ligia Canongia

PRODUCTION COORDINATION

Luiza Mello

PRODUCTION

Arthur Moura

ARCHITECTURE

  • Marta Bogea
  • Tiago Guimarães

VISUAL IDENTITY

Celso Longo + Daniel Trench

ASSISTANTS

  • Felipe Sabatini
  • Manu Vasconcelos

LIGHTING PROJECT

Design da Luz Estúdio

DESIGNER

  • Fernanda Carvalho Assistente
  • Charly Ho

SET UP

Fase Produção

SET UP COORDINATION

Sergio Santos

INSTALLATION OF THE WORK

PRECAUÇÃO DE CONTATO

  • Claudia Cardoso
  • Leandra Espírito Santo
  • Helio Bartsch
  • Juan Cordeiro

CONSULTING AND TECHNICAL COORDINATION

OF THE WORK YOU ARE HERE

Estúdio Laborg

ARTISTS’ ASSISTANTS

  • Harsh Nambiar
  • Nicole Wittenberg (A. McCall)
  • Torsten Braun (J. Turrell)

EDUCATIONAL PROGRAM

A Contemporânea

PRESS OFFICE

Verbena Comunicação

LOGISTICS

AL Consultancy

INSURANCE

Affinité

SUPPORT

  • Electronic Arts Intermix
  • Nova Iorque
  • Franck Marlot
  • Galeria Nara Roesler
  • Galeria Luciana Brito
  • Galeria Luisa Strina
  • George Iso Cohen
  • Häusler Contemp. München/Zürich
  • Hess Collection Berne
  • Lisson Gallery London/SP
  • Regina Mayall Edelman

SESC BELENZINHO

PROGRAMMING

Salete dos Anjos

COORDINATION

  • Catia Leandro
  • Juliana Santos

SUPERVISION

  • Christine Villa Santos
  • Leandro Ferre Caetano

PRODUCTION

Juraci de Souza

Immateriality is a group exhibition held at SESC Belenzinho, curated by Ligia Canongia and Adon Peres, consisting of 22 works, signed by 10 Brazilian artists – Brígida Baltar, Carlito Carvalhosa, Fabiana de Barros & Michel Favre, José Damasceno, Laura Vinci, Marcius Galan, Marcos Chaves, Paola Junqueira, Paulo Vivacqua and Waltercio Caldas – and 8 artists from other nationalities – Anthony McCall (England), Ben Vautier (Italy), Bruce Nauman (USA), Ceal Floyer (Pakistan) François Morellet (France) James Turrell (USA), Keith Sonnier (USA) and Ryan Gander (England).

The exhibition shows the artists in question dealing with these two ways of relating to the work of art – the question of “matter” or “nonmatter”, which may or may not be a concrete materiality. Adon Peres comments on how the viewer will be faced with these two ways of artistic perception, “in the first case, it establishes a subject-object specific relationship in which prevails certain distance, different from the second, especially in installations where the viewer is literally immersed in the atmosphere of the work.”

PROJECT TITLE

Cirandar todos

ARTIST

José Damasceno

WHERE

Casa França-Brasil

ADRESS

Rua Visconde de Itaboraí, 78, Centro, Rio de Janeiro

VISITATION

  • 12/16/2014 a 02/22/2015
  • Tuesday to sunday 10am – 10pm
  • Free Admission

EXHIBITION

CONCEPT

José Damasceno

CURATOR

Ligia Canongia

PRODUCTION

Automatica

PRODUCTION COORDINATOR

Luiza Mello

PRODUCTION

  • Mariana Mello
  • Ana Paula Vulcão

ARTIST ASSISTANT

Juliane Peiser

GRAPHIC DESIGN

Sônia Barreto

SCENOGRAPHY CRAYON SCREEN

Joacyr Salles

BUILD CIRANDAR TODOS AND ELLIPSES

Maurício Pereira

LIGHTING

Samuel Betts | Belight

PROOFREADER

  • Duda Costa
  • Rosalina Gouvea

TRANSLATOR

John Norman

PRESS RELATIONS

  • Cláudia Noronha |
  • CW&A Comunicação

PHOTOGRAPHY

Vicente de Mello

FOLDER PHOTO

Sung Pyo Hong

MAKING OF

Elisa Pessoa

CASA FRANÇA-BRASIL

GENERAL COORDINATOR

Débora Monnerat

COMMUNICATIONS

Lívia Ferraz

PRODUCTION AND COMMUNICATION ASSISTANT

Júlia Gitsin

ADMINISTRATION AND FINANCE

Sandra Helena da Silva

ADMINISTRATIVE ASSISTANT

Fabiana Oliveira

MAINTENANCE

  • Victor Ferreira
  • Waldeci Costa Lima
  • José Rosa Pires

EDUCATION PROJECT

COORDINATOR

Jeanine Toledo

MEDIATOR TRAINING AT EAV PARQUE LAGE

  • Cristina de Pádula
  • Maria Tornaghi
  • Tania Queiroz

MEDIATORS

  • Bruna Costa
  • Camila de Barros Teixeira
  • Daniella M. Vasconcelos
  • Gisele Nery
  • Hellen Lugon
  • Mariana Kanbara
  • Natalia Rebiere
  • Patrícia Reis
  • Tarsila Monteiro

Cirandar Todos, curated by Ligia Canongia, is the title of one of the works and the exhibition José Damasceno is presenting at Casa França-Brasil. The installation makes use of just one element: 30-centimeter-high wooden dolls. A group of around 150 male and female figures are joined together to form a circle. The sculpture bears an immediate correspondence, amongst other things, to an old folk dance-cum-children’s game called the ciranda.

In the adjoining rooms there are three different works. Monitor-Crayon, made up of 90,000 crayons placed in juxtaposition merely by being fitted into the frame, forms a multi-colored abstract image. The same room is also occupied by 1/4, a sculpture made of two solid ellipses of Corten steel, one of which is on the wall and the other on the floor, shaping an imaginary circle and merely suggesting that in the visitors imagination they would continue their route through the wall and the floor. In the other room is BRmm, a collage of hundreds of newspaper cuttings arranged in the shape of the map of Brazil, and neon lights tracing the shape of the room.

The proposal is designed to enunciate the possibility of empowering the aesthetic experience through playful and unexpected perspectives; space, thought, and imagination directed linked by using extremely simple, basic elements.

PROJECT TITLE

Nossa casa, minha vida

ARTIST

Nelson Leirner

WHERE

Eva Klabin Foundation

ADDRESS

Av. Epitácio Pessoa, 2.480, Lagoa, Rio de Janeiro, RJ

VISITATION

  • 14/09/2014 a 16/11/2014
  • Tuesday to Sunday 2pm – 6pm
  • Free Admission

CURATOR

Marcio Doctors

CURATORS COUNCIL

  • Gilberto Chateaubriand
  • Marcio Doctors
  • Maria Klabin

TEXTS

Marcio Doctors

MUSEOLOGY | ORGANIZATION

Diogo Corrêa Maia

PRODUCTION

Automatica

COORDINATOR PRODUCTION

Luiza Mello

PRODUCTION

Ana Paula Vulcão

ARCHITECTURE

  • Felipe Rio Branco
  • Dina Salem

SET BUILD

  • Equipe Eva Klabin
  • Camuflagem

PHOTOGRAPHS

Mário Grisolli

GRAPHIC DESIGN

Sônia Barreto

VIDEO

14

PRESS RELATIONS

CW&A

LANDSCAPE PHOTOGRAPHY

Beatriz Cunha

FUNDAÇÃO EVA KLABIN

PRESIDENT

Israel Klabin

FINANCE DIRECTOR

Sérgio Brilhante

ADMINISTRATIVE DIRECTOR

Marcio Klang

CURATOR

Marcio Doctors

MANAGER

Vanderléa Regina de Paiva

MUSEOLOGY

  • Ruth Levy
  • Diogo Corrêa Maia
  • Marília Andrade

MUSEUM EDUCATION PROGRAM

  • Carlos Miguez
  • Miryan Perdomo
  • Deborah Paris
  • Júlio Cesar Cantini

CURATOR CONSULTANT

Maria Luiza Pinheiro

MANAGEMENT

  • Amanda Sinflório da Silva
  • Miguel Carvalho de S. Junior

MAINTENANCE

  • Maurício Costa e Silva
  • João Batista de O. Sousa
  • Maurílio Pereira de Souza
  • Joseline Pereira de Oliveira

Our house, my life is an installation by Nelson Leirner to mark the tenth anniversary of the Breathing Project at Fundação Eva Klabin.

The artist decided to create a show apartment from the government’s My House, My Life housing program in one of the rooms from the Eva Klabin house museum, transforming this luxury haven into a fully furnished budget apartment with living and sleeping areas, bathroom and kitchen for a family of four.

Drawing on humor and irony in their broadest sense, Leirner probes the situations he comes across with a critical irony that questions the prevailing standards in politics, art, and social and economic compacts. This was his strategy in creating a new home inside the Eva Klabin house museum, but this time on a shoestring budget.

PROJECT TITLE

Ibirapuera: Modernidades Sobrepostas

WHERE

Oca do Ibirapuera

ADRESS

Avenida Pedro Álvares Cabral, s/n – Portão 3, Parque Ibirapuera, São Paulo

VISITATION

  • 04/09/2014 to 10/18/2015
  • Tuesday to Sunday 9am – 5pm
  • Free Admission

PRESENTED BY

Museu da Cidade, Prefeitura de São Paulo e Secretaria de Cultura

GENERAL CURATOR

Afonso Luz

CURATORS OF ARCHITECTURE AND URBANISM

  • Rodrigo Queiroz
  • Ana Barone

CURATORS OF VISUAL ARTS

  • Vera Toledo Piz
  • Rafael Itsuo

PRODUCED BY

Automatica

PRODUCTION COORDINATOR

  • Marisa S. Mello
  • Luiza Mello

PRODUCTION TEAM

  • Luisa Hardman
  • Letícia Libanio
  • Mariana Schincariol de Mello

RESEARCHERS

  • Adriano Tão
  • Andrea Teixeira Barcelos
  • Fabiana Tiemi Imamura
  • Mariane Alves Martins
  • Victor Eduardo M. de Oliveira

ARCHITECTURE TEAM

  • Marta Bogea
  • Tiago Guimarães

GRAPHIC DESIGN

  • bvy arquitetos |
  • Cássia Buitoni

PRINTED BY

Oca Estudio | Daniel Rossi

LIGHTING AND LIGHT DESIGN

  • BLight |
  • Samuel Betts

PRESS RELATIONS

Marcy Junqueira

SETUP

Install

DISPLAY TECHNICIANS

Artos cenografia

COPY EDITOR

Rosalina Gouveia

TRANSLATOR

Rebecca Atkinson

SÃO PAULO CITY MUSEUM AND HISTORICAL ARCHIVE

Afonso Luz

SÃO PAULO CITY MUSEUM

Elisabete De Lucca

CURATORIAL SUPERVISION

  • Henrique Siqueira
  • Douglas de Freitas
  • Monica Caldiron
  • Rafael Itsuo
  • Vera Toledo Piza

SUPERVISION OF ARCHIVE

AND MUSEOLOGICAL DEVELOPMENT

  • Nalu Medeiros
  • Leila Antero
  • Mariza Melo Moraes
  • Rafael Vitor Barbosa Sousa
  • Sandra Penha dos Santos

SUPERVISION OF ARCHIVES AND CONSERVATION

  • Silvia Helena do Carmo Gonçalves,
  • Célia Otero Paz
  • Joana Asseff Neves
  • Márcia Aparecida de F. Rigoni
  • Shirley Silva
  • Zínia Maria C. de Carvalho

SUPERVISION OF PERMANENT ARCHIVE

  • Guido Gustavo V. F. Alvarenga
  • Cíntia Stela Negrão Berlini
  • Fernanda Correia Silva

The concept and design of architectural and landscape projects of Oscar Niemeyer and Burle Marx to the most important park in the city of São Paulo in drawings, photographs, models, panels, plans and maps. The show establishes a relationship between the park and the new period of modern architecture that begins to establish in Brazil in the year of its inauguration in 1954. The curators Rodrigo Queiroz and Anne Barone selected four panels present in the first exhibition held at Oca, event who was part of the celebrations of the fourth centenary of the Foundation of São Paulo.

“Like a kind of modern clearing in the suburbs, the buildings in Ibirapuera Park came at the same time as São Paulo was experiencing a fast period of growth. (…)The creation of Ibirapuera Park ushered in a new level of awareness about our modern condition that reached beyond representation detached from the real world, conferring a unique aesthetic meaning to all domains of life, from the visual arts to urbanism.” Rodrigo Queiroz and Ana Barone curators

PROJECT TITLE

CCD Campeonato Carioca de Design

WHERE

Centro Carioca de Design/Studio X

ADRESS

Praça Tiradentes, 48 – Centro, Rio de Janeiro

SCHEDULING

25/08/2014 a 30/08/2014

CONCEPT AND ORGANIZATION

  • João Dória
  • Nina Paim

MENTORS

  • João Dória
  • Nina Paim
  • Julia Born
  • Uta Eisenreich
  • Chris Calvet

CRITICAL GUEST

  • Frederico Coelho
  • Eduardo Coimbra

PRODUCTION COORDINATOR

Marisa S. Mello

PRODUCTION

Arlindo Hartz

WEBSITE

Jakub Straka

ACKNOWLEDGMENT

  • DJ Leo Justi
  • Paula de Oliveira Camargo
  • Zoy Anastassakis
  • Washington Fajardo
  • Domenico Lancelotti

The Rio Design Championship was held at Centro Carioca de Design / Studio-X. The 25 contestants were split into three groups coordinated by Chris Calvet (Brazil) + Uta Eisenreich (Germany), Nina Paim (Brazil) + Julia Born (Switzerland), and João Doria (Brazil). The participants chose their groups according to their perceived affinities, and designed projects during the first two days. These designs were then discussed in a public round table session with critic, curator, and essayist Frederico Coelho and artist Eduardo Coimbra. The designs of games (sets of rules and public demonstrations), videos, installations, projections on screens, projections in the space/environment (mapping), and publications were exhibited to the public on the last day of the event, Saturday, August 30.

VÍDEOS

Campeonato Carioca 40′

Campeonato Carioca 12′

PROJECT TITLE

Travessias 3 – Arte Contemporânea na Maré

ARTISTS

  • Barrão
  • Cao Guimarães
  • Dora Longo Bahia
  • Imagens do Povo
  • Jonathas de Andrade
  • Luiz Zerbini
  • Mauro Restiffe
  • Sandra Kogut

WHERE

Galpão Bela Maré

ADDRESS

Bittencourt Sampaio Street, 169, between the 9th and 10th walkway of Av. Brasil – Maré, Rio de Janeiro

VISITATION

  • 23/08 – 16/11/2014
  • Tuesday to Saturday 10am – 5pm
  • Free admission

EXECUTION

  • Observatório de Favelas
  • Automatica

CURATORIAL ORGANIZATION

Daniel Senise

CURATOR ASSISTANT

Laidiane Carvalho

COORDINATION

  • Observatório de Favelas |
  • Jailson de Souza e Silva
  • Jorge Luis Barbosa
  • Eduardo Alves
  • Elionalva Sousa Silva
  • Erasmo Carlos de O. Castro
  • Mário Pires simão
  • Raquel Willadino Braga
  • Dalcio Marinho Gonçalves

PRODUCTION AND MANAGEMENT

Automatica

PRODUCTION COORDINATOR

  • Luiza Mello
  • Mariana Schincariol de Mello

PRODUCTION

  • Ana Paula Vulcão
  • Luisa Hardman

MANAGEMENT

  • Marisa S. Mello e
  • Carolina Lima

GALPÃO BELA’S INTERN

  • Mariluci Nascimento
  • Geisa Lino

ARCHITECTURE

  • Rua Arquitetos |
  • Pedro Évora
  • Mariana Albuquerque

MAPS

Felipe Moulin

CONTENT COORDINATION

Gabriela Moulin

GRAPHIC DESIGN

  • Quinta-feira |
  • Odete de Aruanda
  • Pedro Zylbersztajn

EDUCATIONAL

PROGRAM COORDINATION

Janis Clémen

EDUCATIONAL TEAM

  • Cami Carrello
  • Carolina Aleixo
  • Daniel Remilik
  • David Alfredo
  • Fernando Leão
  • Jean Carlos
  • Letícia Pereira
  • Michelle Barros
  • Nívea Santana
  • Renata Sampaio

MOBILIZATION

  • Redes de Desenvolvimento da Maré |
  • Eliana Sousa e Silva
  • Alberto Aleixo
  • Henrique Gomes
  • RUA arquitetos

WORKSHOP

Graffiti

Felipe Reis

Stencil

Nata Família

PRESS OFFICE

  • Rodrigo Mascarenhas
  • RPM Comunicação |
  • Marina Avella e Érica Avelar

DIGITAL MEDIA

14

PHOTOGRAPHY RECORD

  • Imagens do Povo e
  • Gabriela Carrera

LIGHTING

Belight

CARETAKER

Waldeck da Silva Costa

CLEANING

Marcia da Silva Pereira

ACKNOWLEDGMENTS

  • Eliana Sousa e Silva
  • Equipe Redes de Desenvolvimento da Maré
  • Gabriela e Fabio Szwarcwald
  • Galeria Nara Roesler
  • Galeria Vermelho

PRESENTED BY

  • Petrobras
  • Governo do Rio de Janeiro
  • Sec. de Estado de Cultura
  • Lei Estadual de Incentivo à Cultura do Rio de Janeiro

SPONSORSHIP

  • Prefeitura do Rio de Janeiro
  • Sec. Municipal de Cultura

SUPPORT

  • Centro de Artes da Maré
  • Coral
  • 1001
  • Instituto JCA
  • Estúdio Alfa
  • Millenium Transportes
  • Affinité Seguros
  • Rosanne Moraes Rego

Travessias 3 – Contemporary Art at Maré opened to the public on August 23 at Galpão Bela Maré, in Nova Holanda, north zone of Rio de Janeiro, and will remain there until November 16, free of charge.

This, the third Travessias exhibition, celebrates a new encounter between contemporary visual arts and a community space. The interaction between established artists from different parts of Brazil and young photographers from the Maré community is organized by artist Daniel Senise. It combines a multiplicity of artistic languages: film, painting, installation, photography, and objects. Travessias 3 contains new and past works by Barrão, Dora Longo Bahia, Sandra Kogut, Mauro Restiffe, Jonathas de Andrade, Cao Guimarães, and Luiz Zerbini, together with photographs from Imagens do Povo, a program run by Observatório de Favelas.

This is an exhibition, a space for interchange, an opportunity for the democratic circulation of information and new ways of conceiving of the Complexo da Maré community. Without any social or territorial distinctions, Travessias makes the favela itself an aesthetic point of reference with the aim of fostering creation and fruition.

Travessias 3 is sponsored by Petrobras through the state culture law (ICMS tax benefit), and the Rio de Janeiro Municipal Department of Culture through its Program to Support Culture in Rio. It is produced by Automatica Produção Contemporânea and Observatório de Favelas, and counts on the partnership of Redes de Desenvolvimento da Maré and RUA Arquitetos.

PROJECT TITLE

Mar de exemplo

ARTIST

Watercio Caldas

WHERE

SESC Belenzinho

ADRESS

Rua Padre Adelino, 1.000, Belém, São Paulo

VISITATION

  • 08/28/2014 to 11/31/2014
  • Thuesday to Saturday 9am – 9pm
  • Sundays and holidays 9am – 7pm
  • Free admission

REALIZATION

SESC

PRODUCTION

Automatica

PRODUCTION COORDINATOR

Luiza Mello

3D MODELS

Juliana Ayako

LOCKSMITHS

Estrultec

CNC LASER CUT

Artes & Ofícios

SCENE SETS

Install

SESC BELENZINHO

PROGRAMMING

Salete dos Anjos

COORDINATION

  • Catia Leandro
  • Juliana Santos

SUPERVISION

  • Christine Villa Santos
  • Leandro Ferre Caetano

PRODUCTION

Juraci de Souza

Waltercio Caldas, the guest artist for the fifth edition of the Vão project, has brought his installation, Mar de Exemplo, to Sesc Belenzinho, where 30 stainless steel structures are carefully arranged in an bid to subvert the space of the atrium and its main features, like its light, transparency, and the circulation of visitors.

By setting up predominantly horizontal lines with four words that are repeated to the point of being absorbed and dissolved into the environment, Mar de Exemplo invites the viewers to be part of the work, relating in their own way to the planes created through their own interpretations and significations.

PROJECT TITLE

CabeA�a

ARTIST

Milton Machado

WHERE

Centro Cultural

Banco do Brasil

ADRESS

Rua Primeiro de Março, 66 – Centro, Rio de Janeiro

VISITATION

  • 08/06/2014 to 09/29/2014
  • Wednesday to Monday 9am – 9pm
  • Free admission

CURATOR AND SHOW PROJECT

Milton Machado

EXHIBITION CONCEPT AND
GENERAL COODINATOR

Claudia Oliveira

PRODUCTION

Automatica

PRODUCTION COORDINATOR

Luiza Mello

PRODUCTION

Arthur Moura

GRAPHIC DESIGN

  • Rara Dias
  • Ana Carneiro

TEXT

Guilherme Bueno

MANAGER

  • Marisa S. Mello
  • Carolina Lima

LIGHTING

BeLight | Samuel Betts

EXHIBITION INSTALLATION

  • Humberto Silva
  • Humberto Silva Júnior

SCENE SETS

  • Caze Araújo
  • Glauber Silva
  • João Águas
  • Thiago Branco Barboteo
  • Victor Santana

MÓDULO DE DESTRUIÇÃO
NA POSIÇÃO ALFA

BUILDER

Estrultec Estruturas Especiais

ENGINEER

Brical Engenharia | Bruno Morales

TECHNICAL DRAWINGS

  • RUA Arquitetos | Pedro Évora
  • Mariana Albuquerque

PROOFREADING

  • Duda Costa
  • Rosalina Gouveia

ENGLISH VERSION

Renato Rezende

PRESS RELATIONS

  • A Dois Comunicação | Anna Accioly
  • Carolina Oliveira

SUPPORT

  • Galeria Nara Roesler
  • Mills
  • Securit

SPONSORSHIP

Banco do Brasil

Cabeça – Milton Machado (Head – Milton Machado) is the first retrospective of the artist’s work to mark his 45th year of activity. It includes over a hundred works – drawings, paintings, photographs, videos, and sculptures – produced between 1969 and 2014, many for the first time. Milton Machado belongs to a group of artists who started working in the 1970s, whose output is strongly marked by conceptual investigations and experimentation, with works characteristically organized into series of elements, tending to lend the exhibition spaces an installation-like feeling. This exhibition displays some important works, like Módulo de Destruição (Module of Destruction), a sculpture produced here in a new version (1990-2010-2014) for the rotunda, and a series of drawings, Conspiração Arquitetura (Architecture Conspiracy),addressing topics related to architecture and urbanism, exhibited for the first time in 1981 at Galeria Sergio Milliet, Funarte, Rio de Janeiro. Most of the works from the series are part of the Gilberto Chateaubriand/MAM-RJ collection, and are rarely seen by the public.