Project title

Totoro

Artist

Chelpa Ferro

Place

Pinacoteca do Estado de São Paulo

Address

Praça da Luz, 2 São Paulo

Visiting information

01/26/2009 – 03/29/2009

Artists

Chelpa Ferro

  1. Barrão
  2. Luiz Zerbini
  3. Sergio Mekler

Project

Octógono Arte Contemporânea

Curator

Ivo Mesquita

Production Coordinator

Luiza Mello [Automatica]

Artists’ assistants

Julio Calado

Audio, mixing and editing

Eduardo Pop /DosOutros Estúdio

Scene sets

Marcenaria J.J. Soares

Between January and March 2008, the Pinacoteca do Estado de São Paulo exhibited the project Totoro, conceived by the collective Chelpa Ferro. Produced by Automatica, Totoro, was a complex exhibition, specifically developed for the space of the Octógono, in the Pinacoteca. Using a soundtrack composed by the group, several devices were integrated to allow the sound to occupy the exhibition space of the museum. A pulley system, with the help of a pre-programmed engine, moved a set of speakers up and down, and made them disappear, from time to time, into a wooden tube in the center of the room.

Project title

A Autópsia da Cigarra Gigante

Where

Teatro Oi Casa Grande

Address

Av. Afrânio de Melo Franco, 290 – a – Leblon, Rio de Janeiro – RJ, 22430-060

Date

16/12/2008

Artists

Chelpa Ferro

  1. Barrão
  2. Luiz Zerbini
  3. Sergio Mekler

Orchestra and conducting

Jaques Morelenbaum

Production coordinator

Luiza Mello

Artist’s assistants 


Julio Callado

Lighting 


Zé Luiz Joels

Video

Gustavo Moura

Sound

Antoine Midane

Assistants

Mauro Bianchi

Festival Multiplicidade Credits

Curator | Director | Conception

Batman Zavareze

Art director

Leonardo Eyer Caótica

Director assistants

Chico Linhares

Design | Video | Art

Adriano Motta Caótica

Design

Júlia Rocha Caótica

Production coordinator

Roberto Bianchi

Production assistants | Photographic documentation

Lucas Werthein

Assistant

Gabriel Becker

Scenography

SuzanaLacevitz

Philippe Midani

Daniela Rodrigues

Technology coordinator

Fabio Ghivelder

Sound

Nado Leal

Multimedia

All Business

Stage director

Marcio Barros

Sound technician

Eduardo Baldi

Lighting technician

Bruno Barreto

Scene sets

Alex Augusto Silva

Photographic documentation

Leonardo Santos

Videographic documentation

Marcio Zavareze

Videographic documentation | editor

Emanuel Santos

Support

Priscilla Alves de Moura

Press consultants

Marcia Niemeyer

Executive production | administration

Mirian Peruch

Sponsored by

Oi Futuro

Working once again with Chelpa Ferro, Automática produced in December 2008, a grandiose presentation of the collective in the Teatro Oi Casa Grande, in Rio de Janeiro. The concert was part of Mutiplicidade (Mutliplicity), an event curated permanently by Batman Zavareze. With unprecendented spectacle created specially for this program, A Autopsia da Cigarra Gigante (The Autopsy of the Giant Cicada), gathered deconstructive pieces of classic music that were played by an orchestra conducted by the maestro, composer, arranger, instrumentalist and music producer Jacques Morelenbaum. Furthermore, Chelpa Ferro showed projections establishing a conversation between unusual instruments, incense, samplers, as well as with their Moby Dick, a giant drum set converted into a sculptural installation created by the group themselves.

Project Title

Vento Forte – Oficina 50 Anos (A Strong Wind – Oficina 50 years)

Place

Centro Cultural dos Correios

Rua Visconde de Itaboraí, 20

Centro – RJ

Visiting Information

12/04/2008– 01/25/2009

Conception


Heloisa Buarque de Holanda

Curators 

  1. Alberto Renault
  2. Camila Mota
  3. Lucas Weglinski

Art Director

Alberto Renault

Production Coordinator

Luiza Mello

Executive Production

Elisa Ventura

Production Assistant

Paloma Bosquê

Production

  1. Mariana Schincariol Mello
  2. Arthur Moura
  3. Marisa Mello

Image Treatment 

Render Filmes

Graphic design project

Ana Laet COM

Architecture

  1. Erika Duarte
  2. Thiago Tavares

Lighting

BL Iluminação

Scene Sets

Camuflagem

Press Consultants

Diadorim Idéias e Comunicação

  1. Ana Madureira de Pinho
  2. Teresa Karabtchevsky

Proofreading

Duda Costa

Acknowledgments

  1. Eva Doris Rosenthal
  2. Petrobras
  3. Academia de Filmes
  4. Associação Teatro Oficina
  5. Uzyna Uzona
  6. Elaine Cesar
  7. Jair Molina Jr.
  8. Gabriel Fernandes
  9. Cassandra Mello
  10. Renato Banti
  11. Mariano Mattos Martins
  12. Maurício Shirakawa
  13. Cibele Forjaz
  14. Sylvia Prado
  15. Anna Guilhermina
  16. Thaís Sandri
  17. Valério Peguini
  18. Beatriz Pimenta Corrêa
  19. Bruno Castro
  20. Lígia Roca
  21. Maarcela Farrás
  22. Vinicius Cardoso

With the purpose of celebrating the 50th anniversary of Teatro Oficina, Heloisa Buarque de Holanda conceived a tribute in the shape of an exhibition. By inviting three curators related to the universe of the Theater as well as to the Oficina itself — Alberto Renault, Camila Mota and Lucas Wegliski — the exhibition established a dense dialogue between the group’s history (and its emblematic director José Celso Martinez Corrêa) and the space of the Centro Cultural dos Correios. Archive material, notebooks, manifests, films unknown to the public and various records about the pieces of the group made up the material of the exhibition.

Project Title 


H2O

Project realization 


SESC Rio

Place

Arte SESC

Rua Marquês de Abrantes, 99

Flamengo

Visiting information 


11/14/2008 – 03/29/2009

Conception

Heloisa Buarque de Hollanda

Curator

Henrique Lins de Barros

General Coordinator

O Instituto

Graphic design

Sonia Barreto

Executive production

Elisa Ventura

Production coordinator

Luiza Mello

Guest artist

Marta Jourdan

Scientific consultant

Daniel Acosta Avalos

Educational program

Teresa Guilhon

Educational consultant

Rona Hanning

Research

Fernando Dumas

Design’s assistants

  • Regina Kemp
  • Rafael Bucker

Graphic monitoring

Sidnei Balbino

Architecture 


Salvi,giorge arquiteturadesign

Multimedia

  • João Bonelli
  • Joana Ventura l Muarê

Games

Antonio Claudio Quixadá

Original soundtrack

Ricardo Imperatore

Light design 

B.L Iluminação

Scene Sets

Camuflagem

Acknowledgments

  1. Eva Doris Rosenthal
  2. Daniel Terra
  3. Fabrice Vautrin

Conceived by Heloisa Buarque de Holanda and curated by Henrique Lins de Barros, the exhibition H2O faced the challenge of showing, in an innovative format, the history and role of water in our daily lives . Installed at the Arte SESC of Flamengo, Rio de Janeiro, H2O provided, with originality, a wide range of material embracing the theme. Through well conceived projections and back lights, the ambiance of the show involved the public visually and it was able to integrate image and information efficiently.

Project Title

Arquivo Geral

Realization

Anita Schwartz Galeria de Arte

Amarelonegro Arte Contemporânea

Arte em Dobro

Galeria Artur Fidalgo

HAP Galeria

Galeria Laura Marsiaj

LURIXS Arte Contemporânea

Marcia Barrozo do Amaral Galeria de Arte

Mercedes Viegas Arte Contemporânea

Ronie Mesquita Galeria

Galeria Tempo

 Place

Centro Cultural da Justiça Eleitoral

Address

Primeiro de Março, 42

Centro – Rio de Janeiro

Visiting information


10/23/2008 – 11/29/2008

Entrada Franca

Curator

Fernando Cocchiaralle

Curatorial assistant 


Saulo Laudares

Production Coordinator

Luiza Mello [Automatica]

Production

Arthur Moura [Automatica]

Architecture

Ivan Pascarelli

Graphic Project

Tecnopop

Lighting

Belight

Lighting project

Samuel Betts

Scene sets 


Camuflagem

Press consultants

Raquel Silva

Management


Gustavo Lacerda

Proofreading 


Duda Costa

English translation

Renato Rezende

Between October and November of 2008, the third edition of Arquivo Geral(General Archive) was held in the Centro Cultural da Justiça Eleitoral, Rio de Janeiro. Curated by Fernando Cochiarale, the event organized by the leading galleries of Rio provided the public with a survey of the contemporary art scene, both of the city and the country as a whole. After the sucessful work on the second edition of the project (2006), Automatica returns to participate in the production of the third edition.

Project title 


Paisagemnaturezamortaretrato

Artist

Luiz Zerbini

Place

Centro Universitário Maria Antonia

Rua Maria Antonia, 294 São Paulo SP

Visiting information

10/03/2008 – 11/16/2008

Free admission 

Project realization

Centro Universitário Maria Antonia

Production

Automatica

Production coordinator

Luiza Mello

Artist’s assistant

Rodrigo Torres

Production

Arthur Moura

Lighting 


Ricardo Heder

Reka Iluminação

Acknowledgments

Galeria Fortes Vilaça

Reka Iluminação

The exhibition Paisagemnaturezamortaretrato (Landscapestilllifeportrait)was a solo show by Luiz Zerbini held in Centro Universitário Maria Antônia, São Paulo, in October and November 2008. With exteme simplicity, Zerbini extended to the whole of the gallery space his relationship with color and painting. A skull resting on the floor added a final touch to the ambiance. The paint used by the artist for the paintings was metallic and reflected whoever observed them. The precision of the execution of the project by Automatica initiated a lasting partnership with Luiz Zerbini.

Project title

HÜZÜN

Place

Oi Futuro

Address

R. Dois de Dezembro, 63 Flamengo – Rio de Janeiro

Visiting information

09/09/2008 – 11/02/2008

 

Project

Carlos Vergara

Production

Automatica

Production coordinator

Luiza Mello

Carlos Vergara
Studio’s coordinator

João Vergara

Carlos Vergara Studio’s production assistant 


Ana Luiza Varella

Artist’s assistants

Thomaz Velho

Production

  1. Arthur Moura
  2. Mariana Schincariol Mello
  3. Marisa S. Mello

Critical essay

Luiz Camillo Osório

Guest artist

Paulo Vivacqua

Videomaker

Gustavo Moura

Graphic design project

Irene Peixoto | Nucleo i

Video editor

Luisa Marques

Image treatment

Eduardo Masini

Lighting project

Tomás Ribas

Press consultants

Claudia Noronha l CW&A

Proofreading

Duda Costa

English translation

Ana Luiza Varella

Photos

Vicente de Mello

Acknowledgments

Cesário Melantonio

Studio Alfa

More than an exhibition, Carlos Vergara made of HUZUN a collective project around his work. With the participation of the artists Gustavo Moura and the art critic Luiz Camillo Osório, Vergara showed in Oi Futuro, in Rio de Janeiro, a series of photographs and monotypes developed during two trips to Turkey, the first in 2006 and the second in 2008. The main focus of these forays was Capadocia­, with its early churches carved into sandstone and underground dwellings loaded with the history of Christianity that began in the first century. Istambul, formerly Constantinople, also had some of its markets, minarets, mosques and ancient churches photographed. This raw material collected on site was taken to the studio and prepared for the exhibition. After digital manipulation, the photographs taken during the trips took several forms : prints on metacrilato, projections, 3D lenticular and 3D in real space, results of the intersection of images in space. The exhibition also featured monotypes on scarves that carry physical traces of the architecture and geography of this unique place.

Project title

Performance Presente Futuro

Place

Centro Cultural Oi Futuro

Visiting information 


08/29/2008 – 08/31/2008

 

Curator


Daniela Labra

Production


Automatica

Production coordinator

Luiza Mello

Production

Arthur Moura

Mariana Schincariol Mello

Marisa S. Mello

Graphic design

João Modé

Patricia Norman

International video curator

Silvio de Gracia

Proofreading

Duda Costa

English translation

Renato Rezende

Acknowledgments

Denise Milfond

Galeria Fortes Vilaça

Assistants 


Pedro Henrique Borges Thabata Castro Roberto

Artist’s assistants

Orlan Clarisse Canela

Since 2008, the festival Performance Presente Futuro(Performance Present Futuro) is held annually in Rio de Janeiro. Conceived by the curator and critic Daniela Labra, produced by Automática and hosted by Oi Futuro, this Festival brings to the public the multiple proposals, ideas, and research revolving around contemporary Brazilian and international performance. A film exhibit on the theme of the festival, as well as a site-specific installation by the Cia Teatro do anônimo, an exhibition of the collective Chelpa Ferro and a talk by the distinguished French artist Orlan were some of the activities that took place in August of 2008.

Project title

Jardim Elétrico

Artist

Chelpa Ferro

Place

Galeria Vermelho

Address

Rua Minas Gerais, 350 São Paulo

Visiting information

06/10/2008 – 07/05/2008

Project realization 


Galeria Vermelho

Art director

Chelpa Ferro

  1. Barrão
  2. Luiz Zerbini
  3. Sergio Mekler

Artist’s assistants

Julio Callado

Production coordinator 


Luiza Mello

[Automatica]

Production 


Arthur Moura

[Automatica]

Software design 

Russ Rive

[Superuber]

Jardim Elétrico (Electric Graden) is the title of an exhibition by the collective Chelpa Ferro held in Galeria Vermelho, São Paulo, between June and July 2008. This exhibition, produced by Automática, consisted of a series of drawings, objects and sound pieces created from speakers, light bulbs, cables, light sockets and circuitry.

Project title 


Heteronímia Brasil

Place

Museo de América, Madri, Espanha

Visiting information 


05/2008 – 09/2008

Project realization 


Ministério da Cultura do Brasil

Project and curator 


Adolfo Montejo Navas

Artists

  1. Ana Maria Tavares
  2. Lula Wanderley
  3. Elida Tessler
  4. Efrain Almeida
  5. Lenora de Barros
  6. José Rufino
  7. Marcelo Solá
  8. Rosângela Rennó
  9. Sandra Cinto
  10. Vicente de Mello

Production coordinator 


Luiza Mello

Assembly design

Adolfo Montejo Navas

Assembly

Javier Velasco | Work in progress

Intervention 


Elida Tessler

Sandra Cinto

Executive coordinator

Ana Lacerda | Al Consultoria

Insurance

Affinite Corretora de Seguros

Group show of Brazilian artists held in the Museo de América, in Madrid, Spain, curated by Adolfo Montejo Navas. With work by Ana Maria Tavares, Lula Wanderley, Elida Tessler, Efrain Almeida, Lenora de Barros, José Rufino, Marcelo Solá, Rosângela Rennó, Sandra Cinto e Vicente de Mello, this exhibition was an extension of the Brazilian participation in Arco 08. The curator’s intention was to bring together several works investigating subjectivity, the relationship with the other, language appropriation and simultaneity, negotiations between fiction and reality, and the relationship between writing and text. Besides that, the exhibition increased ties between Brazilian and Spanish institutions in the field of Visual Arts.

Project title

Pergunte ao

Artist

Nuno Ramos

Place

Fundação Eva Klabin

Address

Avenida Epitácio Pessoa, 2480, Lagoa, Rio de Janeiro

Visiting information

04/02/08 – 06/01/08

Curator

Marcio Doctors

Museologia

Ruth Levy

Diogo Corrêa Maia

Ana Maria Monteiro de Carvalho

Production coordinator

Luiza Mello

Production

Arthur Moura

Organization

Isabela Gomide

Technical project

Viga arquitetos

Assembly and development

Allen Roscoe

Assembly support

Paulo César

Marciano Ferreira

Diogo Corrêa Maia

Artist’s assistants

Romulo Froés

Text

Nuno Ramos

Voices

Cia. dos Atores

Bel Garcia

César Augusto

Drica Moraes

Gustavo Gasparani

Marcelo Olinto

Marcelo Valle

Susana Ribeiro

Chorus

Fernanda Felix

Michel Blois

Rodrigo Nogueira

Studio

Monoaural

Recording

Marcelo Tapajós

Graphic design project

Estúdio Gráfico Marcia Cabral

Press consultants

CW&A Comunicação

Photo

Vicente de Mello

Banner

Top Sign

English translation

Teresa Dias Carneiro

Proofreading

Rosalina Gouvêa

Acknowledgments

César Augusto

Cia. dos Atores

Marcelo Neves

Monoaural

Berna Ceppas

Daniel Carvalho

Kassin

Sandra Ramos

For the fifth time, Automática produces an exhibition for Projeto Respiração (Breathing Project). Curated by Marcio Doctors, this project builds a bridge between the classical collection of the Fundação Eva Klabin and contemporary art. Nuno Ramos, one of the leading names of Brazilian art today, presented the exhibition Pergunte ao (Ask), an intervention that took over the entire space of the beautiful house-museum in Lagoa, Rio de Janeiro, where he intended, by using mirrors, granite and glass, to turn the rich collection of the foundation in on itself, in some sort of internal dialogue between the pieces and their reflections and secrets.

Each of the materials chosen by the artist defined the different sections of the exhibition and their titles: Mirror/Ask, Granite/Permit, Glass/Showcase. Nuno Ramos wrote a text specifically for each one of these sections.