PROJECT TITLE
Do Valongo à Favela – Imaginário e periferia
WHERE
MAR – Museu de Arte do Rio
ADDRESS
- Praça Mauá, 5, Centro, Rio de Janeiro
- tel. 21 30312741
VISITATION
- 27/05/2014 a 15/02/201
-
Tuesday to Sunday 10am – 5pm
CURATOR
- Clarissa Diniz e
- Rafael Cardoso
RESEARCH AND CURATOR ASSISTANT
Nataraj Trinta
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Mariana Schincariol de Mello
PRODUCTION
Luisa Hardman
PRODUCTION ASSISTANT
Leticia Libanio
ARCHITECTURE
- Rua Arquitetos | Pedro Évora
- Mariana Albuquerque
GRAPHIC DESIGN
Dínamo | Alexsandro Souza
MUSEOLOGY
Libra Cultural
SCENOGRAPHY
Camuflagem
BUILD TEAM
- Silvio De Camillis Borges
- Pablo Vieira Pereira
- Daniel Zagatti
- Guilherme Gasparello
LIGHTING
Artimanha | Julio Katona
TRADUCTION
Sean Mclntyre
MUSEU DE ARTE DO RIO – INSTITUTO ODEON
PRESIDENT
Éder Sá Alves Campos
VICE PRESIDENT
Afonso Henriques Borges Ferreira
PRESIDENT DIRECTOR
Carlos Gradim
EXECUTIVE DIRECTOR
Adriana Karla Rodrigues
ADMINISTRATIVE AND FINANCIAL DIRECTOR
Luiz Guimarães
PROJECT AND MANAGEMENT DIRECTOR
Tiago Cacique
CULTURAL DIRECTOR
Paulo Herkenhoff
CONTENT MANAGER
Clarissa Diniz
COMMUNICATIONS MANAGER
Hannah Drumond
PRODUCTION MANAGER
Daniel Bruch
EDUCATION MANAGER
Janaina Melo
Do Valongo à Favela: Imaginário e Periferia (From Valongo to the Favela: Imagination and Periphery), an exhibition currently on at MAR under the curatorship of Rafael Cardoso and Clarissa Diniz, covers two historical landmarks. The first is Valongo harbor, where slaves disembarked in Brazil, making it the world’s largest slave trade outpost in the nineteenth century. Valongo therefore represents the tragedy of slavery and the African diaspora. The second has to do with the emergence of favelas as the most flagrant sign of the new exclusion of freed men and women, still subject to slavocratic values and post-colonial power. Both are fundamental for considering, rediscovering, and reinventing the land on which MAR stands, which is what the museum proposes with its Rio-oriented curatorial program.
Indeed, this exhibition takes a step forward in bringing the museum closer to its immediate vicinity by addressing the way this area has been seen and represented over the years. Organized into eight units named after oral statements, song lyrics, and excerpts from books, the exhibition takes us on a journey from when this area was first inhabited, through its importance to the colonial and republican history of Brazil, to the present day, introducing a variety of historical and contemporary works, episodes, and characters that have consistently reinvented this corner of the city.
PROJECT TITLE
Gritos surdos
ARTIST
Miguel Rio Branco
WHERE
Casa França-Brasil
ADRESS
Rua Visconde de Itaboraí, 78, Centro, Rio de Janeiro
VISITATION
- 03/25/2014 – 05/25/2014
- Tuesday to Sunday 10am – 8pm
- Free Admission
EXHIBITION CONCEPT
Miguel Rio Branco
VIDEOS DIRECTOR
Miguel Rio Branco
VIDEO EDITING
Tetê Sá
AUTHORING
Carlos Azambuja
SOUNDTRACK
Miguel Rio Branco
IMAGEN RESEARCH
Isidora Gajic
SCAN AND EDITING
Antonio Garcia
MUSIC PRODUCTION AND SOUND EDITING
Bártolo
ASSISTANTS OF MUSIC AND SOUND
- Pedro Sá
- Jonas Sá
CAVERINHAS’ VIDEO SOUNDTRACK
Jerônimo Cravo Rio Branco
TÚNEL’S VIDEO SOUNDTRACK
Bártolo
LABIRINTO‘S VIDEO SOUNDTRACK
Miguel Rio Branco and Bártolo
PRODUCTION
- Automatica
- Mariana Schincariol de Mello
- Ana Paula Vulcão
GRAPHIC DESIGN
Giselle Macedo
EXHIBITION INSTALLATION
- Rogério Cândido Dias da Silva
- Marcus Vinicius Pugliese
TECHNICIAN DESIGN AND INSTALLATION
32bits Criações Digitais
SCENE SETS
H.O Silva
LIGHTING
Samuel Betts | Blight
PHOTOGRAPHY
Antonio Garcia
PRESS RELATIONS
Ana Ligia Ptrone | Meio & Imagem
PROOFREADING
Duda Costa
ENGLISH VERSION
Paul Webb
CASA FRANÇA-BRASIL
DIRECTOR
Evangelina Seiler
ASSISTANT
Fátima Santiago
PROJECT COORDINATOR
Jeanine Toledo
COMMUNICATIONS
Lívia Ferraz
ADMINISTRATIVE TEAM
- Fabiana Oliveira
- Sandra Helena da Silva
- Valdeci Costa Lima
MEDIATOR TRAINING AT EAV PARQUE LAGE
- Cristina de Pádula
- Maria Tornaghi
- Tania Queiroz
MEDIATORS
- Helen Lugon
- Gisele Nery
- Mariana Kanbara
- Patricia Reis
- Patrícia Aguiar
- Tarsila Monteiro
An installation with four projections of images transiting by themes of violence and power, worked simultaneously on four Voil screens with different audios, constitutes the core of the exhibition Gritos Surdos from Miguel Rio Branco that will occupy Casa França-Brasil from March 25th.
The exhibition features installations made by the artist in the early 2000s, which were never displayed in Rio de Janeiro.
Besides the work that will be in the central room of Casa França-Brasil, one of the side rooms with display a projection with fixed audio and image.
The other will reveal a “site specific” in neon, in which several windscreen car glasses, injured or shot, reflect fluorescent lights that flash intermittently, profiled by lines of red neon, with Cibachrome photographs.
TÍTULO DO PROJETO
Despertar/Éveil
ARTISTAS
- Chico MacMurtrie
- Ingrid Bachmann
- Jane Tingley
- Jean-Pierre Gauthier
- Paula Gaetano Adi
- Steve Daniels
LOCAL
SESC Santana
ENDEREÇO
Av. Luiz Dummond Villares, 579 – Jardim São Paulo, São Paulo
VISITAÇÃO
- 14/03 a 01/06/2014
- Terça a Sábado 10h às 21h
- Domingos e feriados 10h às 19h
- Entrada franca
CURATOR
Sylvie Parent
SESC SANTANA
AREA COORDINATORS
- Suzana Garcia
- Silvan Oliveira da Silva
- Viviane Gabarron
- Rodrigo Augusto C. Souza
- Alcione Pereira Müzel Teixeira
STAFF
Talita Rebizzi, Daniele Queiroz
PRODUCTION
Groupe Molior (Québec)
DIRECTOR
Andrée Duchaine
DIRETORA ADJUNTA
Aurélie Besson
TECHNICAL DIRECTOR
Danny Perreault
AUTOMATICA (BRASIL)
DIRECTOR GENERAL
Luiza Mello
PRODUCTION
Arthur Moura
MANAGER
Marisa S. Mello
EXHIBITION DESIGN
- Artificio |
- Vasco Caldeira
- Ana Lucia Bortoletto
- Maria Fernanda Miserochi
- Zildete Mesquita
GRAPHIC DESIGN
- Studio Meios |
- Julio Miquelini
- Maria Fernanda Miserochi
LIGHTING DESIGNER
- Design da Luz Estúdio |
- Fernanda Carvalho
- Renata Fongaro
SET-UP TEAM
COORDINATION
- Sergio Santos
- Marta Bruno
TEAM
- Andre Cruz
- Cesar Lopes
- Eduardo Domingues Junior
- João Rebello
- Jeff Lemes
- Jorge Garcia
- Mauro Cesar Silva
- Mike Rocha
- Rodolfo Martins Alves
EDUCATIONAL PROJECT
Acontemporânea Cultural
COORDINATION
Marcela Tiboni
SUPERVISORS
- Gabriela Piernikarz
- Ricardo Hino
EDUCATORS
- Juliana Nersessian
- Antônio Sandoval
- Talita Gouveia
- Caio Araujo
- Diermany D’Alessandro
The exhibition Despertar/Éveil/Alive is inspired by a distant and primordial moment: the origin of life, the coming alive of matter.
The exhibition brings together kinetic and robotic works which use movement to express the essence of the living. By way of various technologies, these works cause their components move, shake, wriggle and unfold in a way that evokes biological processes and primitive living beings. The works chosen for Despertar/Éveil/Alive present living forms in their nascent, imprecise states and thus take leave of the human figure to return to the beginnings of the organic world. They are of the order of the pre, the sub or maybe the intra-human. Not a single work among them even represents an animal species or a recognizable organ or organism. Thanks to this semantic imprecision and the rudimentary forms, they confront us with the living in its secret and intimate dimension.
PROJECT TITLE
Sudário
ARTIST
Carlos Vergara
WHERE
Museu de Arte Contemporânea de Niterói – MAC
ADDRESS
Mirante da Boa Viagem, sem número, Niterói
VISITATION
- 15/12/2013 a 23/02/2014
- Tuesday to Sunday 10am – 6pm
CONCEPTION
Carlos Vergara
CURATOR
Guilherme Vergara
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
- Mariana Schincariol de Mello
- Ana Paula Vulcão
GRAPHIC DESIGN
Dínamo | Alexsandro Souza
LIGHTING
Rogério Magalhães
PROJECT MANAGER
Marisa S. Mello
PRESS RELATIONS
Barbara Chataignier
ASSEMBLY COORDINATOR
Marcelo Camargo
ASSEMBLY
- Moises Barbosa
- Daniele Cristina
- Cal Camargo
- Tiago Martins
CARLOS VERGARA STUDIO
COORDINATOR
João Vergara
PRODUCTION ASSISTANT
Stefanie Ferraz
ADIMINISTRACION
Alice Souto
MAC NITERÓI
GENERAL CURATOR-DIRECTOR
Luiz Guilherme Vergara
Using a practice already present in his work, monotype, Carlos Vergara prints on scarves traces of severeal areas where he passed along his career. In the exhibition Shroud at the Museum of Contemporary Art in Niteroi, are presented works carried out in places like India, Cappadocia, Kazakhstan, London, Pantanal, São Miguel das Missões and Salvador. In addition to the scarves, the exhibition consists of paintings, photographs worked in real and virtual 3D, photographs, monotypes in large format, video and installations. In the courtyard of the museum, are about 30 sculptures of “Freedom” project carried out with photographs and barred doors cells collected in the wreckage of the Frei Caneca Penitentiary.
The exhibition addresses, therefore, one of the fundamental features in the artist production: an artistic practice primarily accomplished by printing traces that gives the poetics of displacement and appropriation of places visited. “This is possible by my source on condition of transience, without ceasing to considering interpersonal relationships built in the process, which became important in the chain of my poetrya”, says the artist. Throughout this poetics of displacement and for more than five decades of artistic life, Carlos Vergara accumulated experience and intensive research in materials and work techniques. This exhibition is an invitation to travel and imagination.
PROJECT TITLE
Antonio Manuel
ARTIST
Antonio Manuel
WHERE
Museu de Arte Moderna do Rio de Janeiro
ADDRESS
Av. Infante Dom Henrique, 85, Parque do Flamengo, Rio de Janeiro
VISITATION
- 13/12/2013 a 16/02/2014
- Tuesday to Friday 12am – 6pm
- Saturday, Sunday and holiday 12am – 7pm
CURATOR
Luis Camillo Osório
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
Arthur Moura
ASSISTANT ARTIST
Vitor Manuel
ARCHITECTURE
- RUA Arquitetos| Pedro Évora
- Izabel Barboni
GRAPHIC DESIGN
Sonia Barreto
LIGHTING
BeLight | Samuel Betts
SCENE SETS
- Humberto Silva
- Humberto Silva Junior
REVIEW
Rosalina Gouveia
PRESS RELATIONS
CW&A Comunicação
ACKNOWLEDGMENT
- Ana Caillaux
- Anita e Leoncio Schwartz
- Beatriz Caillaux
- Elizabeth e Marcus Vinicius Pratini de Moraes
- Gilberto Chateaubriand
- João Sattamini
- Luis Antonio de Almeida Braga
- Luisa Strina
- MAC Niterói
- Marcia e Luiz Chrysostomo
- Mariano Marcondes Ferraz
- Mario Caillaux
- Marisa Abate
- Marli Matsumoto
- Paulo Venâncio Filho
The exhibition Antonio Manuel at the Museum of Modern Art in Rio de Janeiro, covers the recent and new production of the artist, with two installations made especially for the location, and also emblematic works of his career, setting an unprecedented body of work, never assembled before. This exhibition presents to the public a significant sample of the artist’s production, from the 1980s until the present day.
For the exhibition, which occupies an area of about 1,800 square meters on the second floor of the museum, the artist recreates the installations “Fantasma” (1994/2013), Collection of the Museum – acquired through the Petrobras Visual Arts bidding in 2001 – “Frutos do Espaço” (1980/2013), “Ocupações/ Descobrimentos” (1998/ 2013), “Sucessão de Fatos” (2003/ 2013). Antonio Manuel is developing, especially for this show, two installations: “Até que a imagem desapareça” and “Nave” that uses water. About ten paintings from private collections and from the collection of the artist, produced between 1985 and 2013 and the video Semi-Ótica (1975) complete the exhibition.
The artist says, “is a set that was never presented and that communicates, an installation dialogue with the other. A common characteristic is that all facilities are participatory”.
PROJECT TITLE
Mitos do Contemporâneo
WHERE
Caixa Cultural Rio de Janeiro
ADRESS
Almirante Barroso, 121 – Centro, Rio de Janeiro
PROGRAM
- 03/12 – 12/12/2013
- Entrada Franca
CURATORS
- Rafael Cardoso
- Sérgio Martins
PARTICIPANTS
- Briony Fer
- Francisco Bosco
- Frederico Coelho
- Lorenzo Mammì
- Luisa Duarte
- Marcio Doctors
- Marcus Faustini
- Matheus Rocha Pitta
- Moacir dos Anjos
- Nelson Brissac
- Paulo Herkenhoff
- Paulo Sergio Duarte
- Pedro Duarte
- Roberto Conduru
- Rodrigo Nunes
- Tania Rivera
- Waltercio Caldas
PRODUCTION COORDINATOR
Marisa S. Mello
PRODUCTION
Luisa Hardman
DESIGN
Dínamo | Alexsandro Souza
PROOF READER
Duda Costa
The seminar Myths of Contemporary questioned a notion familiar to us, but which escapes from any simple definition: the contemporary. Each roundtable took as starting point a myth – a dominant perception, commonplace or an assumption – about art and contemporary culture. The seminar brought together artists, critics, historians and intellectuals from different fields in order to encourage discussions that go beyond cliches and is open to further discussions. Two weeks of discussions on the central role that the notion of contemporary plays in the relationship of artistic practice with its history, with the geography of their movement and the discourses that surround it and the aesthetic and political positions that guided.
TITLE OF PROJECT
Perfume de Princesa
ARTIST
Wagner Malta Tavares
LOCAL
Museu da Cidade de São Paulo
ADDRESS
Rua Roberto Simonsen, 136-B – Metro Sé, São Paulo
VISITATION
- 11/03/2013 a 03/02/2014
- Tuesday to Sunday 9am – 5pm
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION ASSISTANT
Luisa Hardman
PROJECT MANAGEMENT
Marisa S. Mello
GRAPHIC DESIGN
Dínamo | Alexsandro Souza
PROJECT ADMINISTRATION
Carolina Lima
TEXT
José Bento Ferreira
PROOFREADING
Duda Costa
TRANSLATION
John Norman
ASSEMBLAGE
Metal Calhas
REALIZATION
- Museu da Cidade,
- Prefeitura de São Paulo
- e Secretaria de Cultura
CURATOR COUNCIL
- Henrique Siqueira
- Douglas de Freitas
- Monica Caldiron
CONSERVATION COUNCIL
- Nalu Medeiros
- Leila Antero
TRAINEE
Paola Ribeiro
SUPPORT
IFF International Flavors & Fragrances Inc.
ACKNOWLEDGMENT
- Carlos Kiyoshi Okamoto
- Diogo Medeiros de Freitas
- Dionisio Ferenc
- Eloisa Maria F. M. Rodrigues
- Franz Lizst
- Jordão Corrêa Neto
- Marilia Razuk
- Roberto Loeb
Perfume de Princesa/Princess Perfume is the title of the new installation by the artist Wagner Malta Tavares. The work exudes different aromatic compounds along the route used by the public of the alley named “Beco do Pinto” and centenarians buildings of Casa da Imagem and Solar da Marquesa de Santos, in São Paulo.
Consists of a brushed metal tube with 350 m long, which at first glance may seem like just part of the structure of the houses, but soon draws attention to its movement. The tube runs through the floor, conducts rounds in itself, zigzags handrails and crosses windows without disturbing the circulation through the spaces.
Their odors ranging from roses and jasmine to corporeal scents, that were researched and created from a folk tale about Marquesa de Santos, according to which, the mistress of D. Pedro I left flowers through the house to transmit, by the smell, her mood on the day.
PROJECT TITLE
- 17ª Edição do Projeto Respiração
- Marcos Chaves – I only have eyes for you
ARTIST
Marcos Chaves
LOCAL
Fundação Eva Klabin
ADDRESS
Av. Epitácio Pessoa, 2480, Lagoa, Rio de Janeiro
VISITATION
- 09/03/2013 to 11/10/2013
- Tuesday to Sunday 2am – 6pm
- Free admission
CURATOR
Marcio Doctors
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
- Ana Paula Vulcão
- Arthur Moura
LIGHTING AND PROJECTIONS
Belight
RENAISSANCE ROOM VIDEO:
IMAGE CAPTURE
- Marcos Chaves
- David Pacheco
ASSEMBLAGE
Bernardo Jucá
DINING ROOM SOUND:
RECORDING
- Rossano Snel
- Marcos Chaves
- Daniel Rangel
MIXING
Rossano Snel
VIDEO HOT WIDOW (WINDOW):
PHOTOGRAPHY
Marcos Chaves
ASSEMBLAGE
Bernardo Jucá
Marcos Chaves – I only have eyes for you is the 17th edition of the Breathing Project, which brings important names in contemporary art to intervene in Eva Klabin Foundation since 2004.
Marcos Chaves interventions conducted in six areas of the house-museum in the Lagoa, creating a shift in time and a lightness by incorporating contemporary elements, freeing the space of what characterizes without uncharacterized.
According to the Project curator, Marcio Doctors, “Marcos Chaves work is marked by semantic games verb/visual that resignify the original meaning of things, creating small displacements through a subtle perception that combines irony, humor and double meanings, revealing unrevealed aspects of everyday reality. ”
PROJECT TITLE
Feminismo in motion
LOCAL
Galeria Olido
ADDRESS
Avenida São João, 473, 1 andar, Centro
VISITATION
- 08/25 to /09/30
- Tuesday to Saturday 1pm – 8pm
- Sunday 1pm – 7pm
- Free admission
GENERAL COORDINATION
SOF – Sempreviva Organização Feminista
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Marisa S. Mello
PRODUCTION
Luisa Hardman
ARCHITECTURE
Claudia Afonso
VISUAL PROGRAMMING
Natalia Zapella
SCENOGRAPHY
Artos Cenografia
ASSEMBLERS
- Eloah Melo
- Deborah Santiago Guimarães
TEXTS
- Tica Moreno
- Miriam Nobre
PROOFREADING
- Duda Costa
GRAPHIC PROOF, POSTERS OF THE WORLD MARCH OF WOMEN
AND BANNERS
Biba Rigo
PHOTOGRAPHY
- Arquivo MMM
- Anderson Barbosa
- Daniela Carrasco
- Marta Baião
- Carolina Caleffi
- Bruna Provazi
- Elaine Campos
- Fafa Souza
- Fernanda Estima
- Gabriel Uchida
- Joaquim Duarte
- João Zinclair
- Marcela Mattos
- Maria José Vidal
- Marcos Aragão
- Rafael Ferreira
- Roberto Parizotti
- Thamy Radomile
- Vinicius Campos
Changing the world and changing the lives of women in one motion. Equality for all. Strengthening collective spaces for women: popular, autonomous and diverse. Share with creativity to confront patriarchal capitalism. Building alliances with social movements in struggle to transform the world. Bind the permanent work locally with global issues and processes. Solidarity and internationalism. These are the main features that led to the construction of the World March of Women (WMW) as a permanent move.
With projections, photographs and historical materials, the exhibition Feminism in motion presents the life, actions and main themes addressed by the World March of Women, international feminist movement organized in 62 countries and present in around 150.
This is an opportunity to provide reflections on the origin of the problems facing women today and the alternative of resistance that the feminist movement has.
PROJECT TITLE
Recent Paintings
WHERE
Museu de Arte Moderna do Rio de Janeiro
ADRESS
Av. Infante Dom Henrique, 85 – Parque do Flamengo
VISITATION
- 10/08 a 06/10/13
- Tuesday to Friday 12am – 6pm
- Saturdays, Sundays and holidays 12am – 7pm
CURATOR
Jacopo Crivelli Visconti
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
Arthur Moura
ASSEMBLY
- Thiago Branco Barboteo
- Cazé Araújo
SCENOGRAPHY
Glauber Silva
TRANSPORT
Vanguardian Transportes Especializados
INSURANCE
Pro Affinité Consultoria e Corretagem de Seguros Ltda.
ACKOWLEDGEMENTS
- Coleção BGA – Brazil Golden Art
- Galeria Celma Albuquerque
- Galeria Fortes Vilaça
- Galeria Silvia Cintra + Box 4
- Museu Oscar Niemeyer
- Nathalie Bacellar
- Paulo Darzé Galeria de Arte
Recent Paintings is the name of the exhibition of the artist Leda Catunda, on show at the Museum of Modern Art in Rio de Janeiro.
With strong and vibrant colors, the works in the exhibition are made in acrylic paint on canvas and or fabric.
In some works, however, there is the introduction of other elements, such as plastic and velvet.
The result is a surface bulky and stewed, which goes beyond the pictorial plane. The works were produced between 2010 and 2013, in large formats.
According to the artist, the work ”refer to the issue of identification of the subject with some kind of image.”
The curator of the show, Jacopo Crivelli Visconti, explains the concept of the exhibition, ”logos, images, colors, symbols, numbers: all the visual repertoire of the sport appears in these works, each element competing with each other, trying to superimpose to those around you, to fill every inch of space available,” concludes Visconti.
PROJECT TITLE
Crer em Fantasmas
ARTISTS
- Daniel Lannes
- Flávio Araujo
- Thiago Martins de Melo
- Fábio Baroli
- Fábio Magalhães
WHERE
Caixa Cultural Brasilia
ADRESS
SBS Quadra 4, lotes 3/4 – Brasilia – DF
VISITATION
- 05/15 – 06/30/2013
- Tuesday to Sunday 9am – 9pm
- Free Admission
CURATOR
Marcelo Campos
PRODUCTION COORDINATOR
Marisa S. Mello
PRODUCTION
Arthur Moura
Mariana Schincariol de Mello
PRODUCTION ASSISTANT
Luisa Hardman
LOCAL PRODUCER
4 Art Produções Culturais | Daiana Castilho Dias
DESIGN AND EXPOGRAPHY
Dínamo | Alexsandro Souza
SCENOGRAPHY
LM Cenografia
LIGHTING
T19 Projetos de Arte e Cultura Ltda.
WORKS’ TRANSPORTATION
Millenium
PROOFREADING
Duda Costa
Crer em fantasmas, exhibition in Caixa Cultural Brasília, with curatorship of Marcelo Campos, presentes the production of young brazilian painters: Daniel Lannes, Fábio Baroli, Fábio Magalhães, Flávio Araujo e Thiago Martins de Melo.
The exhibition intent to get together current works with enphazis in the notion of territory estimulated by the fact that each artist is from a diferent state of the country: Maranhão, Bahia, Minas Gerais, Rio de Janeiro e Pará. A scenery of multiple identities, with ample discussions and original pictorial repertoires on the brazilian contemporaneity.