PROJECT TITLE
Copacabana – Rio in Panoramas
WHERE
Venetiaanse Gaanderijen
ADRESS
Zeedijk B-8400 – Oostend, Belgium
VISITATION
22/10/2011 – 15/01/2012
CURATOR
Cláudia Fares
CURATORIAL ASSISTANT
Lidia Kosovski
SEARCH CONTENT
Marília Rodrigues
ICONOGRAPHIC RESEARCH
Marina Kosovsk
AUDIOVISUAL RESEARCH
Antonio Venacio
CONSULTING
Maria Pace
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
Mariana Schincariol de Mello
PRODUCTION ASSISTANT
Luisa Hardmam
PROJECT MANAGER
Marisa S. Mello
ADMINISTRATIVE COORDINATOR
Carolina Lima
ADMINISTRATIVE ASSISTANT
Marcílio Feitosa
DIORAMA’S DESIGN
Lidia Kosovski
DIORAMA’S EXECUTION
Flávio Papi
VIDEO DIRECTION
Jair de Souza
SOUND DESIGN
Magno Caliman
GRAPHIC DESIGN
Marina Kosovsk
PHOTOGRAPHIC PRINTING
Estúdio Lupa
NATIONAL TRANSPORT
A Alternativa
INTERNATIONAL TRANSPORT
Hizkia Van Gralingen
LOGISTICS AND TRANSPORT CONSULTING
Al Consultancy
INSURANCE BROKER
Grupo Foco
INSURANCE
Alliance Seguros
LEGAL ACCESSORY
- Álvaro Piquet Pessoa
- Barbara Vorndran | Vinhas e Pessoa Advogados
COLLECTIONS
- Instituto Moreira Salles
- G. Ermakoff Casa Editorial
- Fundação Pierre Verger
- Fundação Biblioteca Nacional
- Museu Nacional de Belas Artes
ACKNOWLEDGMENTS
- Alfredo Britto
- Antonio Seara
- Chicô Gouvêa
- Cláudia Fialho
- Fundação Biblioteca Nacional – Rio de Janeiro
- Fundação Pierre Verger – Salvador/BA
- G. Ermakoff Casa Editorial – Rio de Janeiro
- Hotel Copacabana Palace – Rio de Janeiro,
- Instituto Moreira Salles – Rio de Janeiro
- Jaime Acioli
- LA�ia Pereira da Cruz
- Margareth Pereira
- Mônica Carneiro
- Museu Nacional de Belas Artes – Rio de Janeiro
- Myriam Lewin
- Renato Corso
- Temer Neder
This exhibition was part of the Europalia festival brought together images from the collection of Instituto Moreira Salles (RJ and SP) of G. Ermakoff House Editorial (RJ) and the Pierre Verger Foundation (BA) and some original prints of the National Library of Rio de Janeiro. The works presented range from iconic images such as the Sugar Loaf and Guanabara Bay to the dioramas of the urban landscape formed by Central Avenue, built during the Belle Epoque Carioca. It also included a video installation with projected photographs of Copacabana and film clips that had the neighborhood as a backdrop.
PROJECT TITLE
Lina Bo Bardi
WHERE
C-Mine Cultuurcentrum Genk
ADDRESS
Dieplaan 2 3600, Genk, Belgium
VISITATION
20/10/2011 – 15/01/2012
CURATOR
Alfredo Britto
CURATORIAL ASSISTANT
- Pedro Évora
- Tulio Mariante
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
Mariana Schincariol de Mello
PRODUCTION ASSISTANT
Luisa Hardman
PROJECT MANAGER
Marisa Mello
PHOTOGRAPHIC PRINTING
Estudio Lupa
ADMINISTRATIVE COORDINATOR
Carolina Lima
ADMINISTRATIVE ASSISTANT
Marcílio Feitosa
NATIONAL TRANSPORT
A Alternativa
INTERNATIONAL TRANSPORT
Hizkia Van Gralingen
LOGISTICS AND TRANSPORT CONSULTING
Al Consultancy
INSURANCE
Alliaz
LEGAL ACCESSORY
Álvaro Piquet Pessoa
ACCOUNTANCY
Priori Assessoria Contábil
The exhibition brings together drawings, photographs and furnishings by architect Lina Bo Bardi, presenting three of her major projects: Glass House, the SESC-Pompeia project and MASP.
The architect Lina Bo Bardi was born in Rome and became a naturalized Brazilian. Until the 1990s, Lina remained intense activity in various areas of culture, and participated in numerous projects in theater, architecture, film and visual arts in Brazil and abroad. Besides her work as an architect, her career can be highlighted as a designer of furniture, objects and jewelry, curator, artist and set designer.
PROJECT TITLE
- 14th Edition of The Breathing Project
- Enrica Bernardelli – Concerto de Pálpebras (Eyelid Concert)
- Daniel Blaufuks – Três Quartos de Memória (Three Quarters of Memory)
ARTISTS
- Enrica Bernardelli
- Daniel Blaufuks
WHERE
Eva Klabin Foundation
ADDRESS
Av. Epitácio Pessoa, 2.480, Lagoa, Rio de Janeiro
VISITATION
- 09/11/2011 – 11/06/2011
- Tuesday to Sunday 2 – 6pm
- Free Admission
CURATOR
Marcio Doctors
CURATORS COUNCIL OF THE BREATHING PROJECT
- Gilberto Chateaubriand
- Marcio Doctors
- Maria Klabin
TEXTS
Marcio Doctors
SETUP
Eva Klabin Staff
PHOTOGRAPHY
Mário Grisolli
GRAPHIC DESIGN | INVITATION AND POSTER
Sônia Barreto
PRESS
Fatutti Comunicação
MUSEOLOGY | ORGANIZATION
Diogo Corrêa Maia
PRODUCTION
Automatica
ENRICA BERNARDELLI – CONCERTO DE PÁLPEBRAS (EYELID CONCERT)
PRODUÇÃO
Mariana Schincariol de Melo
FIGURATION (ACTORS)
- Letícia de Oliveira
- Jéssica Góes
- Georges Gonçalves
- Rogerio Cavalcante e Castro
- Camila Floresta
- Carlos Lima
SEAMSTRESS
Marluce
ACKNOWLEDGMENTS
- Louise Calixto
- Lucas Dain
- Diogo Maia
- Claudia Bakker
- Luiza Marcier
- Maya Pijnappel
DANIEL BLAUFUKS – TRÊS QUARTOS DE MEMÓRIA (THREE QUARTERS OF MEMORY)
PRODUÇÃO
Camila Goulart
ACKNOWLEDGMENTS
- Luiza Mello
- Marcio Doctors
- Eva Klabin Staff
- Automatica Staff
The Breathing Project was created in 2004 and consists of inviting contemporary artist to intervene in the house-museum exhibition circuit, which is the Eva Klabin Foundation. The objective is that the collection and space go through new readings in order to be revitalized with new meanings.
In this edition, curator Marcio Doctors invited artists Daniel Blaufuks and Enrica Bernardelli. Although their works have very different approaches, both dialogue with time and are concerned with memory. Motivated by the idea of making cinema without film and reintroducing art into everyday life, Enrica makes us face the imaginary while creating a static and silent scene, where living but immobile bodies trigger a suspended reality. This feeling is further enhanced by large and thin, tulle curtains, which isolate the museum from the museum itself, as eyelids. Daniel’s intervention is a calmer one. His work was divided into four different pieces and spaces, which are uncovered along the course. It ends with a video that has the same title as the exhibition (a word game that is simultaneously speaking of the space occupied by the intervention and the impossibility of a complete memory).
PROJECT TITLE
Nelson Leirner 2011 – 1961 = 50 anos
ARTIST
Nelson Leirner
WHERE
Galeria de arte do Sesi
ADDRESS
Av. Paulista, 1.313, Bela Vista, São Paulo
VISITATION
- 09/06/2011 – 11/06/2011
- Free admission
CURATOR
Agnaldo Farias
CURATOR ASSISTANT
Isabel Teixeira
PRODUCTION
Automatica
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
Camila Goulart
PRODUCTION ASSISTANTS
- Esther Martins
- Luisa Hardman
ARTIST ASSISTANT
Fernando Antonio Ribeiro
EXPOGRAPHIC PROJECT
Haron Cohen
EXHIBITION PHOTOGRAPHER
Fernando Lazlo
PHOTOGRAPHS
- Acervo Nelson Leirner
- Edouard Fraipont
- Fernando Lazlo
PRESS CONSULTANTS
FIESP
GRAPHIC DESIGN
FIESP
SCENE SETS
FIESP
LIGHTING
FIESP
PROOFREADING
FIESP
TEXTS TRANSLATIONS
FIESP
PROJECT MANAGER
- Marisa S. Mello
- Carolina Lima
TRANSPORT
Alves Tegam
INSURANCE
- Foco Art Group
- Allianz
ACKNOWLEDGMENTS
- Allianz
- Alves Tegam
- Ana Albornoz
- Augusto Livio Malzoni
- Bolsa de Arte de Porto Alegre
- Cândida Helena Pires de Camargo
- Daniel Senise
- Dr. Adolfo Alberto Leirner
- Edouard Fraipont
- Egon Kroeff
- Fernanda Feitosa e Heitor Martins
- Flavia Albuquerque
- Foco Art Group
- Galeria Celma Albuquerque
- Galeria Silvia Cintra + Box 4
- Graziela Strina Arruda
- Gustavo Halbreich
- Haron Cohen
- Heloisa Medeiros
- Jacqueline Cabral
- Lili e João Avelar
- Liliana Leirner
- Livia Lira
- Lucia Carneiro
- Luciana Rique
- Luiz Antônio Campos
- Luiz Paulo Montenegro
- Luiza Moreira de Souza
- Marcelo Martins
- Márcio Correia
- Marcos Ribeiro
- Marga Pasquali
- Mariano M. Ferraz
- Museu de Arte Contemporânea da Universidade de São Paulo
- Museu de Arte Moderna de São Paulo
- Museu de Arte Moderna do Rio de Janeiro
- Pinacoteca do Estado de São Paulo
- Plinio de Toledo Arruda
- Rafael Alves
- Ronaldo Cesar Coelho
- Sergio Caribe
- Silvia Cintra
- Tadeu Chiarelli
- Vivian Gandelsman
In an exhibition dedicated to the trajectory of artist Nelson Leirner’s over 50 years of work, pieces from three different moments of his career were gathered. The curator of the exhibition is Agnaldo Farias. The selected moments were: the beginning of his career, when he worked with more conventional elements. The second moment is when he achieved certain maturity (1965 – 1994), trying out and becoming familiar with other forms of expression, such as performances and interventions in public spaces. And the third moment is when the artist sees his work in a less rigorous manner and more as a hobby. He was born in São Paulo and there he lived with part of Brazil`s Art vanguard. When he returned there to inaugurate this exhibition, Nelson Leirner also exhibited an installation, which was being made for over 15 years, for the very first time.
His works compose one of the most provocative and diverse ensembles of art works in the national scene, where he has become one of the most recognized artists throughout the years, for his innovating impulse.
PROJECT TITLE
Today is always yesterday
ARTIST
Daniel Blaufuks
WHERE
Museu de Arte Moderna do Rio de Janeiro
ADDRESS
Av. Infante Dom Henrique, 85 Parque do Flamengo – Rio de Janeiro
VISITATION
- 06/05/2011 – 21/08/2011
- Tuesday to Friday 12 – 6pm
- Saturdays, Sundays and Holidays 12 – 7pm
SUPPORT
- Automatica
- Belight
CURATOR
Luiz Camillo Osorio
The exhibition Today is always yesterday of the Portuguese artist Daniel Blaufuks portrayed the issue of memory of public and private spaces. Photographs taken in his visit to the city, mixing the photographer’s demanding perspective and the available traveler’s perspective, were projected. Given that it’s a foreign point of view, although the artist had been to Rio a couple of times, he tried to approach the urban space subjectively, in a way that this particular view of the “marvelous city” provoked feelings and perspectives not yet explored.
The projected photogram formed a type of film for the artist insisted on creating a link between the photos. The exhibition occupied two rooms of the museum. This one installation is also a reflex of other works by the artist, where memory and reality are central themes.
PROJECT TITLE
Placebo
ARTIST
Tatiana Grinberg
PLACE
MAM RJ
ADDRESS
Av. Infante Dom Henrique, 85 Parque do Flamengo
VISITING INFORMATION
04/10/2011 – 06/05/2011
CURATOR
Luiz Camillo Osorio
GENERAL COORDINATOR
Luiza Mello
PRODUCTION
- Lívia Maria Paes
- Hugo Bianco | MAM
AUDIO CONSULTANT
Lucas Marcier| Estúdio Arpx
INTERVIEWS, AUDIO RECORDING AND EDITING
Tatiana Grinberg
EDITING ASSISTANT AND MIXING
Antonio de Padua | Estudio Arpx
PHONOAUDIOLOGY CONSULTANT
Maria Isabel Kós
EXHIBITION DESIGN
Tatiana Grinberg
GRAPHIC DESIGN
- Rara Dias | Zot Design
- Paula Delecave | Zot Design
- Carla Marins | MAM
- Mariana Boghossian | MAM
PRESS CONSULTANTS
CWEA Comunicação
EXHIBITION ASSISTANTS
- Felipe Pena
- João Franco
- Patrícia Aguiar
- Paulo Couto
The Placebo exhibition brought together works by the artist Tatiana Grinberg, at the Museum of Modern Art in Rio de Janeiro. Curated by Luis Camilo Osorio, the exhibition took place between April and June 2011.
The works exhibited go beyond first impressions, they involve a broader sense, exploring touch, taste and hearing. The multisensorial work that entitled the exhibition was a capsule given to the visitors to put it in their mouths and perceive sound waves. Drawings, diagrams and notes related to the development of the installation were also exhibited on a panel so the audience could see the artist’s creative process. More information about the exhibition can be seen on http://www.expoplacebo.blogspot.com.
PROJECT TITLE
Performance Art Brazil Festival
WHERE
MAM – RJ
ADDRESS
Av. Infante Dom Henrique, 85, Parque do Flamengo, Rio de Janeiro, RJ
VISITATION
- 22 a 27/03/2011
- Free Admission
PROJECT DEVELOPMENT
Supporting Photography Festivals, Performance and Funarte/MINC Regional Salons
GENERAL CURATOR
Daniela Labra
CURATORIAL TEAM
- Beth da Matta
- Bia Medeiros
- Daniela Mattos
- Orlando Maneschy
- Paulo Reis
- Regina Melim
AASSISTANT CURATOR
Julia Pombo
PRODUCTION COORDINATOR
Mariana Schincariol de Mello
PRODUCTION
Camila Goulart
EXPOGRAPHIC PROJECT AND FURNITURE
Tatiana Sampaio Ferraz
EXPOGRAPHIC AND FURNITURE ASSISTANT
Nana Blanaru
DESIGNERS
- Clara Meliande
- Rafael Alves
PRODUCTION ASSISTANT
- Esther Martins
- Luisa Hardman
PRODUCTION ASSISTANT DURING THE EVENT
- Ana Paula Vulcão
- Clarissa Palma
- Hugo Foscaldo
- Renata Furtado
LIGHTING AND MULTIMEDIA
Belight
LIGHTINING PROJECT
Samuel Betts
PRESS CONSULTANTS
CW&A
PROJECT MANAGER
Marisa S. Mello
SUPPORT
Verallia
The curator Daniela Labra invited six curators from different Brazilian states, Beth da Matta (PE), Bia Medeiros (DF), Daniela Mattos (RJ), Orlando Maneschy (PA), Paulo Reis (PR) and Regina Melin (SC), to put together a national meeting of performance art artists, curators and researchers. The meeting will involve discussions on performance art regarding its aesthetic developments in the Art field.
The event took place in the gardens of the Museum of Modern Art of Rio de Janeiro (MAM-Rio), from the 22nd to the 27th of March. The program included live actions, lectures, videos, artist films and video installations, gathering approximately sixty professionals who deal with the performance practice in different regions of Brazil.
PROJECT TITLE
Recente Paintings
ARTIST
Georg Baselitz
WHERE
Pinacoteca do Estado de São Paulo
ADDRESS
Praça da Luz – São Paulo
VISITATION
12/7/2010 – 01/30/2011
CURATOR
Paulo Venancio Filho
ASSISTANT CURATOR
Christina Braun
EXPOGRAPHIC PROJECT AND ASSEMBLY
Expographic and Assembly Sector of Pinacoteca do Estado de Sao Paulo
COORDINATOR
Regina Viesi
GENERAL COORDINATOR
Luiza Mello
PRODUCTION
- Luciana Soares
- Camila Goulart
PROJECT MANAGER
Marisa S. Mello
ASSISTANT PRODUCER
Esther Martins
ADMINISTRATIVE ASSISTANT
- Carolina Lima
- Francisco Bressy
LOGISTICS
AL Consultancy
ARTWORK TRANSPORTATION
- Alves Tegam
- Brandi
INSURANCE
- Foco Art Group
- Atelier Georg Baselitz
SECRETARY
Detlev Gretenkort
ASSISTANT SECRETARY
Julia Westner
The exhibition presented the work of German painter Georg Baselitz, for the first time in South America. The artist is one of the most important names in the contemporary visual art world. The curator responsible for Recent Paintings, which was exhibited from December 2010 to January 2011, is Paulo Venancio Filho.
In an installation made with great care, the public from São Paulo could take a look at a group of 30 paintings developed over the last twelve years. During this period, the artist revisited the human types he created in the 70s and 80s, which constitute the central motif of his work, giving them a new face.
PROJECT TITLE
Ituporanga
ARTIST
Caio Reisewitz
WHERE
SESC Belenzinho
ADDRESS
Rua Padre Adelino, 1.000, Belém, São Paulo, SP
PROJECT DEVELOPMENT
SESC
VISITATION
05/12/10 – 08/03/11
CURATOR
Maria Montero
ARCHITECTURE
Rodrigo Fortes
PROJECT CONCEPTION
Rejane Cintrão
PRODUCTION COORDINATOR
Luiza Mello
PRODUCTION
Mariana Schincariol Mello
GRAPHIC PROJECT
Carla Zocchio
VIDEO PRODUCTION AND EDITING
Manoel Hayne
SETUP AND AUDIO/SOUNDTRACK EDITION
Thiago Nassif
DOCUMENTARY DIRECTION
Renata Ursaia
ASSISTANT DIRECTOR
Carolina Guzella
ACKNOWLEDGMENTS
Luciana Brito Galeria
From the proposal of occupying the SESC Belenzinho area in Sao Paulo, the artist Caio Reisewitz developed an innovating work for his standards, where photography and video formed a large installation. After doing historical research, a space, which reproduced the geographical nature of the neighborhood where SESC is located, was recreated. The artist created the image of a large waterfall, which was put on a huge glass window, creating a backlight effect. A video in constant movement as well as a waterfall, which gives the impression of not being still. In this work as well as in others, it’s possible to notice that the artist is interested in the issue of what is and isn’t true and the illusions that may be created from that.
Ituporanga, which means waterfall in Tupi, plays with this idea. The artist was able to experiment and go through new poetic forms through his main work material, which are technical images. This installation was part of a proposal, which stimulates the contact with contemporary art, provoking a different audience’s (such as the SESC audience) sensations and imagination.
PROJECT TITLE
Fendas (Cracks)
ARTIST
José Bechara
WHERE
MAM – RJ
ADDRESS
Av. Infante Dom Henrique, 85 Parque do Flamengo
VISITATION
11/24/2010 – 01/23/2011
GENERAL COORDINATOR
Luiza Mello
CURATOR
Luis Camillo Osório
PRODUCTION
Camila Goulart
STUDIO COORDINATOR
Natasha Ribeiro Bergottini
ARCHITECTURE
- Pedro Évora
- Pedro Rivera
- RUA arquitetos
STUDIO TEAM
- Aline Araujo Assumpção
- Enna Beatriz Antonia de Alcantara
- Felipe de Queiroz Coutinho
- Pedro Henrique Feitosa da Silva
GRAPHIC DESIGN PROJECT
- Rara Dias | Zot Design
- Paula Delecave
PRESS CONSULTANTS
CW&A Comunicação
PROJECT MANAGER
Marisa S Mello
PRODUCTION ASSISTANT
- Esther Martins
- Francisco Bressy
ADMINISTRATIVE ASSISTANT
Carolina Lima
LIGHTING
Tomas Ribas | Traquitana
MODEL
Robério Catelani
PHOTO
Vocente de Mello
PROOFREADING
Duda Costa
ENGLISH VERSION
Paul Webb
INSURANCE
Foco Art Group
ARTWORK TRANSPORTATION
Millenium Transportes e Logística
ACKNOWLEDGMENTS
- Adolfo Montejo Navas
- Ana Luiza e Mariano
- Dedina Bernardelli
- Genny e Selmo Nissenbaum
- Gilberto Chateaubriand
- Maneco Muller
- Marcondes Ferraz
- Plínio Quintão Fróes e equipe
- Ricardo Rego
- Rio Scenariun
- Reynaldo Roels (in memoriam)
- Silvia e Carlos Alberto Gouvêa Chateaubriand
- Silvio Pozzato
- Wilson Coutinho (in memoriam)
The exhibition Fendas (Cracks) took place in the Monumental Room of the Museum of Modern Art of Rio de Janeiro (MAM-RJ) and it was celebrating twenty years of José Bechara’s career. The curator is Luiz Camillo Osório and it presented works from different moments of the artist’s trajectory, from his oxidized canvas to his most recent experimentations circling the House theme.
In the center of the Monumental Room, Bechara presented an audacious installation, which marked the exhibition. His series of suspended tables, entitled Run, originated from the unfolding of another one of this works with tables entitled Ok, Ok, Let’s Talk, which was shown in other institutions in 2006. In this sense, Fendas (Cracks) presented a career overview as well as the artist’s openness to new projects and future developments of his art.
PROJECT TITLE
Projector
ARTIST
Tony Oursler
WHERE
Oi Futuro
ADDRESS
Rua Dois Dezembro, 63 Flamengo
VISITATION
11/22/10 – 01/23/11
CURATOR
Paulo Venancio Filho
GENERAL COORDINATOR
Luiza Mello
PRODUCTION COORDINATOR
Amalia Giacomini
PRODUCTION
Camila Goulart
PRODUCTION ASSISTANT
Esther Martins
PROJECT MANAGER
Marisa S. Mello
VISUAL DESIGN
Tecnopop
LIGHTING PROJECT
Samuel Betts
MULTIMEDIA AND LIGHTING
Belight
SCENE SETS AND ASSEMBLY
Trampolim
PRESS CONSULTANTS
CW&A Comunicação
PROOFREADING
Duda Costa
ENGLISH VERSION
Paul Webb
TRANSPORT
Millenium
INSURANCE
- Foco Art Group
- Tony Oursler’s Team
EDITING / PRODUCTION
- JD Walsh
- Martin Murphy
- Max Galyon
STUDIO ASSISTANT
Marjory Sweet
Artist who has been exploring the relation between the individual and technology, in the visual arts and in everyday-life for over 3 decades. Tony Ousler brought the exhibition Projetor (Projector) to Oi Futuro Rio de Janeiro. The curator is Paulo Venancio Filho and it took place between November 2010 and January 2011, when Ousler installed several pieces remarkable, from a technological point of view.
Loneliness, fetishism, obsessions, hilarity, delirium and aggressiveness were among the disturbing psychological effects that the works brought to the audience. The intense dynamic between individuals and media processes is shown in its many facets, often with a tragicomic aspect as the central theme of the works.